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AI art "Firefly: Train Heist (genderswap)"
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Firefly: Train Heist (genderswap)

Art IA « Firefly: Train Heist (genderswap) » par Dermot sur PixAI. Créé avec Tsubaki.2.

Mal, Jayne, Zoë

Avatar image of Dermot

Dermot

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A full body shot from a low-angle perspective, depicting a high-speed train heist featuring the genderswapped crew of Serenity. In the center, (genderswap_(mtf):1.5) Jayne is suspended upside down from a rope dropping through a roof hatch, her chestnut brown mullet hanging straight down as she reaches for a crate with a cocky grin. To the left, (genderswap_(mtf):1.5) Mal, a gorgeous woman with broad shoulders and espresso brown shag hair, wears a brown leather duster and red henley, hauling a crate toward Jayne with a fierce, reckless smile. To the right, (genderswap_(ftm):1.5) Zoë, a handsome man with deep brown skin and long espresso brown locs, stands watch by the open side door in a maroon shirt and leather vest, holding a carbine. The setting is a freight car filled with Alliance crates and red medical crosses, with the grey hull of the ship Serenity hovering above in a blinding white sky. The atmosphere is wild and fast, featuring a vibrant color palette of desert reds and brown leathers, with hard, high-contrast daylight and motion blur on the rushing landscape outside. The visual style is a polished anime illustration with clean digital linework and dynamic cel shading.
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Prompt d'origine
A full-body, low-angle illustration of three adults in their 30s from the genderswapped crew of the transport Serenity in the middle of a train robbery: Captain Mal and first mate Zoë in the freight car, and the mercenary Jayne lowered in on a rope from the ship above. The vibe is Out in the Black, a frontier space western of battered transports, dusty border moons, Browncoat grit and silk-and-lantern Core elegance, and the whole image feels fast, cocky and wild, a heist pulled off at full speed. Mal is lovely and gorgeous, with a broad-shouldered build: tall, with very broad, squared shoulders, a strong, toned upper back and arms, a tapering torso, a narrow waist, narrow hips and average, firm thighs, a soldier's easy, swaggering stride, and medium, shapely breasts. She has fair, lightly sun-kissed skin, a lovely, lean face with high cheekbones, a smooth, clean, softly tapering jaw, a straight nose and full lips curved in a wry, crooked smile, and bright ocean-blue eyes, sharp and amused, under straight dark brows. Her expression is fierce and grinning, a reckless smile. Her hair is a layered shag: shoulder-length hair cut into lots of choppy, feathered layers, with volume and texture at the crown, piecey wispy ends flicking out around her face and neck, and a light, shaggy fringe, and its colour is a dark espresso brown: a very deep, rich brown that reads almost black in shadow but shows warm coffee-brown where the light catches it. She wears a long brown leather duster over a red henley, brown braces, snug brown trousers, her gunbelt and tall boots. Her nails are short, square and unpolished, the nails of a woman who works with her hands. (genderswap_(mtf):1.5) Zoë is handsome and striking, with a tall, powerful build: very tall, with broad, heavy shoulders, a deep, broad chest, thick, strong arms, a solid, firm waist and long, powerful legs, toned and heavy rather than chiselled, and a soldier's calm, unhurried stillness. He has smooth, deep brown skin with a warm, burnished glow, a strikingly handsome face with high, sculpted cheekbones, a strong, square jaw under a close-trimmed dark beard, a straight nose and full lips, and dark brown eyes, steady and knowing, under heavy, straight brows. His expression is calm and watchful, a cool smile beneath his beard. His hair is locs, also called dreadlocks: dozens of long, rope-like locs covering his whole head, each one a thick, round, matted cylinder of hair, all falling separately past his shoulders to the middle of his back, and its colour is a dark espresso brown: a very deep, rich brown that reads almost black in shadow but shows warm coffee-brown where the light catches it. He wears a maroon shirt under a laced brown leather vest, leather trousers, boots and a bandolier, his sawn-off lever-action carbine in his hands. (genderswap_(ftm):1.5) Jayne is lovely and gorgeous, with an inverted-triangle build: tall, with very broad shoulders, a toned upper back and arms, a straight, average waist, narrow hips and slim thighs, her shoulders clearly wider than her hips, a big, swaggering, cocky way of standing, and large, full breasts. She has light, sun-browned skin, a bold, pretty face with strong cheekbones, a smooth, clean jaw softly rounded at the chin, a slightly crooked nose and a wide, smirking mouth with full lips, and narrowed blue-grey eyes under heavy brows. Her expression is gleeful and cocky, a wide grin. Her hair is a mullet: the hair short and textured at the front and sides, with choppy bangs, and left long at the back so it falls in a shaggy tail down her neck to her shoulders, and its colour is a chestnut brown: a rich, warm, medium-dark brown with a reddish undertone, like a polished horse chestnut, glowing faintly red-brown where the light catches it. She wears a grey henley with the sleeves shoved up, cargo trousers, her gun belt and a rope harness buckled round her hips and shoulders. Her nails are short, square and unpolished. (genderswap_(mtf):1.5) The setting is the inside of a freight car on a speeding train crossing a desert moon. Stacks of wooden crates stamped with the Alliance's seal and red medical crosses are strapped to the walls with chains, a hatch in the roof stands open to the blinding sky with a thick rope dropping through it, and the big sliding side door is thrown open on a blur of red desert and mesas rushing past. Overhead, framed in the roof hatch, the battered grey belly of the transport Serenity hovers close, matching the train's speed, its engines blazing. Loose straw and papers whirl in the wind roaring through the car. In the foreground, softly out of focus, a chained crate stamped with a red cross fills the lower left corner, and a coil of loose rope on the floorboards sits at the lower right. Jayne hangs upside down from the rope through the roof hatch in the centre, her body turned three-quarters toward the viewer, her legs hooked in the rope and her arms reaching down for a crate, her mullet hanging straight down from her head. Mal stands on the left, her body turned three-quarters toward the viewer, hauling a crate off its stack toward Jayne's hands with her boots braced against the rocking floor, her coat flaring in the wind. Zoë stands at the open side door on the right, his body turned three-quarters toward the viewer, carbine raised toward the far end of the car. A soft motion blur trails the rushing desert beyond the door and the whirling straw. The hard, white daylight blasting down through the open roof hatch is the dominant light: it falls across Jayne's upturned face, across Mal's forehead, cheekbones and nose and across Zoë's in hard, bright light, glints on their grins, puts sharp catchlights in their eyes and pours over the rope, the duster, the leather vest and the crates, throwing hard shadows across the floor. The much weaker daylight through the open side door lays a softer edge along Zoë's back and Mal's shoulder. The light flashes on the carbine, the brass cartridges, the chains and the buckles of Jayne's harness. Every face takes a warm, sweat-glossed sheen wherever the light reaches. The car's corners fall into dusty shadow. Modern Age Superhero Ink style: modern Western comic art with clean, variable-weight digital linework, high-contrast, dynamic cel shading with smooth gradient transitions, a vibrant, saturated complementary colour palette, and a polished, glossy rendering finish with crisp specular highlights, the hard daylight carved into bold, high-contrast cel shapes with crisp specular highlights and dynamic speed in the rushing desert. Rendered in extreme detail, an intricate, hyper-detailed masterpiece: Mal's flaring duster and red henley, Zoë's laced vest, bandolier and carbine, Jayne's rope harness and upside-down mullet, the rope through the roof hatch, the chained crates and their red crosses, the open side door, the blurred desert and the hovering ship drawn sharply and precisely. The palette is hard white daylight and desert red, brown leather and deep red, maroon and brass, crate tan and medical red, ship grey, with fair, sun-browned and deep brown skin.
Mode
standard
Taille
1280 x 960

Modèle et LoRA utilisés

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
20.05k

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