Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
Afficher les paramètres
- Prompt d'origine
- birds bathing, doves perched, twigs and branches emerge from broken glass window, bright sun rays, dust settled on the ground, reflecting pool, still water, ambience, warm color, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur, bright yellow hues, crows, windy, 4k hdr bokeh,
- Mode
- flash
- Taille
- 1104 x 1824
Assistant de prompt
Modèle et LoRA utilisés
Images similaires
Afficher plus
cinematic wide shot, no humans, abandoned chapel interior, birds bathing, small songbirds with brownish-grey plumage and pale underbellies splashing in shallow water, doves perched, two white doves with smooth plumage perched on a branch, crows, three large black crows with iridescent dark feathers, twigs and branches emerging from broken glass window, gnarled branches growing through a shattered stained glass window, bright sun rays, dust settled on the ground, reflecting pool, still water, mirror-flat water, wellspring, wild plants grown on walls, moss and ferns on the stone walls, stained glass mosaic windows, warm color ambience, bright yellow hues, windy, all in sharp focus, everything sharp and crisp, deep focus, no blur, no bokeh, high dynamic range, crisp 4k detail
The camera looks straight down the long axis of a ruined chapel, low to the ground, the still reflecting pool filling the lower third of the frame as a flat mirrored sheet, and the broken window standing at the far end. Sunlight comes in a single hard shaft through the shattered window, warm and yellow, striking the shallow water so that the water throws a wavering reflected grid of the window's remaining colored panes across the stone floor. The reflecting pool is perfectly still except where the songbirds bathe; at the bathing edge the surface breaks into small splashes and drops, while the rest of the pool holds a perfect inverted image of the stained glass and the branches. A gnarled branch has forced its way through the broken glass and reaches into the room, twigs trailing down toward the water; a white dove perches on the lower branch, head turned, while another dove grips a higher fork with both feet and folds its wings. Three black crows stand on the stone lip of the pool and on a fallen beam, iridescent feathers catching yellow highlights, all heads angled toward the splashing songbirds. The wall behind is furred with wild plants and moss, roots creeping into the fallen mortar. The air is windy: leaves and loose twigs drift across the floor, the ferns stir, dust streams in the sunbeam, and the water's only ripples are where the birds bathe. Dust lies in a pale film across the ground and settles in the crevices of the flagstones. The palette is the warm yellow light with the cool greens of the plants and the colored glass, everything crisp and fully resolved from the near flagstone to the far window with no defocused areas. Serene, luminous.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
no humans, architecture focus, ruined chapel interior, broken glass window, stained glass mosaic windows, twigs and branches emerging through shattered glass, doves perched, crows, birds bathing, reflecting pool, moving waters, wellspring, dust settled on the ground, wild plants grown on walls, dim sun rays, god rays, fog, windy, floating dust motes, bright yellow hues, cool colors, dull ambience, bokeh, sharp focus, crisp, wide shot, dutch angle, cinematic composition, high dynamic range, physically based rendering, volumetric light
Shot at a slight dutch angle from low inside a drowned stone chapel, the frame split between a colossal arched window and the still pool beneath it. The window's leaded mosaic of teal, slate-blue and pale cyan glass survives only in islands; a jagged hole gapes through the upper-left panes, and through it a gnarled branch has grown inward, bark splitting the remaining glass into a fan of cracks. Fresh twigs push through the same opening, their new leaves hanging into the interior. Two grey doves perch side by side on the thickest branch, feet wrapped tight around the bark, chests puffed, one preening its shoulder with its beak buried in its own back feathers, the other looking down at the water. Three crows sit higher on the broken arch's stone sill, feathers ruffled and pushed sideways by the draft, one gripping the ledge with spread claws, heads turned down toward the pool. The window's intact mosaic panels throw the only colour onto the floor: scattered teal and cyan lozenges of light across wet flagstones, broken by the branch's shadow.
In the foreground pool, a shallow basin fed by a small spring welling up at its far lip, the water is in constant motion -- concentric rings spreading from the spring, thin ripples sliding across the whole surface, the reflection of the window wobbling and tearing apart in the moving water. Four small brown sparrows stand belly-deep in the shallows at the near edge, one caught mid-splash with wings half-raised and water beading off its flight feathers, droplets frozen in the air around it, another dipping its head and flicking a ribbon of water sideways. The splashes throw perfect rings that collide with the spring's own. Brown silt and a fine grey film of settled dust coat the dry flagstones between pool and wall, undisturbed except for a fan of small three-toed prints crossing it.
Wild plants climb the walls everywhere: ivy and thin creeper stems threading the mortar, moss blackening the stone joints, ferns bursting from a crack above the pool, their fronds bending all one way in the draught. Fog hangs in the upper volume of the nave, thinning near the floor. The light is one dim, low sun coming through the broken window from behind and high on the left; it throws a soft, faint shaft down through the haze, its edges dissolving, catching the airborne dust so the beam itself is visible, and the dark beyond it is deep and cool. Bright yellow lands only where the sun touches: the sunlit tops of the fern fronds, the gold rim of one crow's beak and eye, the yellow-green of the new leaves on the twigs, and a warm yellow glint on the crests of the ripples in the pool. Everything else is cool -- blue-grey stone, cyan glass, teal water, slate shadows.
Deep background beyond the arch resolves into soft circular bokeh of light through fog and wet glass, out-of-focus orbs glowing pale gold and cyan, while the subject plane -- branch, doves, crows, splashing birds, pool surface -- stays hard and crisp, every water droplet and glass shard defined. Wide shot, 4K HDR, high dynamic range, physically based path-traced render, clean photometric response, no motion smear, no defocus on the subjects. Cool, hushed, quietly alive.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, from below, ruined interior courtyard seen across a calm reflecting pool, birds bathing, small birds splashing in the shallow pool, doves perched, three doves perched on a fallen stone lintel, crows, two crows on the high broken window frame, twigs and branches emerging from a broken glass window, bare branches growing through the shattered pane, broken glass window, stained glass mosaic windows, tall stained glass mosaic windows along the walls, wild plants grown on walls, ivy and ferns rooted in the wall cracks, wellspring, water welling up at the pool's far rim, moving water, concentric ripples, dim sun rays, dim shafts of sunlight through fog, dust settled on the ground, dust film on the flagstones, fog, low fog drifting over the water, windy, branches and ivy swaying, cool colors, teal and slate blue and moss green palette, bright yellow hues, bright yellow leaves and yellow glass shards, dull ambience, simple aesthetic, wellspring, hdr, sharp focus, deep depth of field, everything in focus, clear, no blur, 4k, high detail, no people
The camera sits low near the waterline, looking slightly upward across a ruined courtyard: in the foreground the calm reflecting pool fills the lower third, its surface almost glass until the bathing birds break it; beyond it a bed of dust filmed flagstones, and behind that the tall wall with the broken glass window. The pane is shattered outward in a fan of jagged remaining shards along the frame edges, and a bundle of twigs and branches has pushed through the gap from outside, bark grey-brown, a few bright yellow leaves still clinging and shivering in the wind. Two crows grip the iron crossbar of the upper window frame, heads turned down toward the water, feathers ruffled by gusts, while three doves sit close together on a fallen stone lintel at the pool's far rim, one preening its shoulder, one with its head tucked, one watching the bathers. In the pool the small birds are caught mid-splash, wings half-spread, droplets flying up and rings spreading outward from each body. Ivy and ferns have rooted in the wall's mortar joints and hang in wind-combed curtains across the stained glass, where tall mosaic windows hold irregular panes of teal, slate blue and a scatter of bright yellow that still admits light. Dim sun rays come down through the fog at a shallow angle from upper left, catching floating dust motes so the beams are visible as soft-edged shafts, and the flagstones carry a settled grey film of dust that the light touches only where the rays land. At the far rim the wellspring keeps welling, pushing a faint swirl of cooler water into the otherwise still pool. The palette holds to cool teal, slate and moss with bright yellow as the single warm accent on leaves, glass and a few lit highlights. A single physical detail carries the scene: the ripples from the bathers are perfect circles directly under the birds and stretch into ellipses toward the pool's edge, while the doves' shadows on the dry lintel stay hard-edged, the dust film unbroken everywhere no foot or droplet has landed. Everything is sharp from the nearest water ring to the farthest mosaic pane, deep focus, no bokeh, no falloff. Quiet, hushed stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
birds bathing, doves perched, crows, broken glass window, twigs and branches emerging from broken window, branches growing through window frame, dim sun rays, god rays, dust settled on ground, reflecting pool, moving water, ripples, calm water surface, wild plants on walls, ivy on masonry, stained glass mosaic windows, wellspring, fog, wind, windy, falling leaves, cool colors, bright yellow hues, blue-grey palette, yellow accents, no blur, sharp focus, crisp, high detail, cinematic shot, wide shot, low camera, from below, water level view, no humans, no people, photoreal render, physically based lighting, volumetric light shafts, simple composition, still atmosphere
The camera sits almost at the waterline of the reflecting pool, tilted slightly upward so the flooded ruin's wall rises across the upper half of the frame; nothing human appears anywhere in it. In the foreground the pool fills the bottom third as a flat dark slate-blue mirror, its surface broken by concentric rings where four small brown-grey sparrows and finches splash chest-deep, wings half-spread and flicking droplets that hang as sharp beads in the air; each ring spreads as an even circle outward and flattens where it meets the stone lip, and the birds' blurred-fast wingtips are frozen crisp by the high shutter. Behind the pool a cracked stone floor recedes, its crevices packed with a fine even layer of pale grey dust that no footstep has disturbed, and the dust lifts in thin streaks where the wind combs low across it. At midground the broken window stands in the ruined wall: a tall arched opening whose leaded glass has shattered, jagged shards still gripped in the frame, and through the empty panes a mass of bare twigs and slender branches pushes inward from outside, forking into the room and casting thin shadows on the inner sill. Along the same wall, to the left and right of the broken arch, two intact stained glass mosaic windows glow — small tessellated fields of deep cobalt, teal and desaturated green with a scatter of amber — their colour falling as faint coloured patches on the dust and on the pool's near edge. Three pale grey doves perch along the intruding branches at different heights, one preening with its beak buried in its shoulder, one facing left in profile with its head cocked down toward the water, one gripping a thicker bough with both feet and its tail hanging; two black crows sit higher on the stone ledge above the arch, one with its head turned sharply sideways watching the bathers below, the other hunched and motionless. Wild plants colonise the wall: ivy and thin grass tufts sprout from mortar joints and hang in strands that the wind pushes all one way, leaves fluttering and stems bending toward the right. The wellspring feeds the pool from a low stone spout at the left edge, a thin continuous stream falling and dimpling the surface. Fog fills the depth beyond the arch, softening the far wall into a pale grey veil while the near stone stays razor-sharp. Light comes only from the low sun behind the ruin, striking through the broken arch and the fog as three or four dim, clearly bounded shafts that graze the dust and catch the airborne motes; everything the shafts miss sits in cool blue-green shadow, and the only warmth in the image is the bright yellow the low sun pulls from the ivy's new leaves, the amber shards in the mosaic glass, and the yellow-lit rims of the doves' wings. The palette is dominated by cool slate blue, grey-green and pale fog grey, kept deliberately simple and uncluttered, with those yellow accents as the single warm note. Wind is legible everywhere at once: the ivy streams sideways, the fog drifts in the shafts, the pool's surface carries a fine wind-ruffle over its ripples, and loose dust and a few dry leaves travel low across the flagstones. Every plane — droplets, feather barbs, glass shards, dust grains, leaf veins — is tack-sharp, no depth-of-field falloff anywhere. Serene, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
Découvrir plus
Utilisateurs recommandés
Vous pourriez aimer
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
6
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
4
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
...
Tofu
...
Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Commentaires