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sute69
Afficher les paramètres
- Prompt d'origine
- masterpiece, best quality, highres, 1girl, hayami_kanade,solo, upper body, medium shot, slight turn, looking at viewer, serious expression, cold gaze, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, thighhighs, garter straps, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design
- Mode
- pro
- Taille
- 1104 x 1824
- Échantillonneur
- Euler
- Négatif
- lowres, worst quality, low quality, bad anatomy, explicit
Assistant de prompt
Modèle et LoRA utilisés
Images similaires
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s6
character: hayami_kanade
solo, 1girl, upper body, medium shot, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, thighhighs, garter straps, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, from below, dutch angle,
From a low angle tilted a few degrees off true, a single young woman fills the upper-body medium frame, her body turned a quarter away from the lens while her head swings back so her eyes look straight into it. Her short blue-black hair is parted at the bangs and clipped to a blunt edge at the jaw, the longer strands on the far side of the part lifted a little by her turning head. Her eyes are yellow and narrowed, lids low, brows drawn level and close over them; her mouth is a flat closed line with one corner faintly tighter than the other, chin slightly tucked so she looks down the line of her face at the viewer. Cold, level, unimpressed.
The white double-breasted jacket is buttoned high, its two rows of buttons and broad lapels holding the chest plane, the red lapel facing standing crisp against the white wool. A black tie sits at the throat in a narrow, perfectly knotted strip and disappears into the jacket's closure. Gold ornamentation rides the standing collar and the lapel edge in sharp cast spurs, and a fine gold chain accessory loops from the collar down across the jacket's right breast, hanging in a slack catenary that swings a little toward her turned shoulder. Epaulettes cap both shoulders, their gold braid and fringe catching the light where they face upward. The white cape is thrown back off the near shoulder, so it hangs behind her as a broad panel, and where the edge folds over, the red lining flashes out along the whole length of the roll rather than as a stripe.
Below the jacket's hem the black pleated skirt begins, its knife pleats vertical and hard-edged, cinched by a wide belt whose large metal buckle rides just off-center with her turn. A garter strap shows taut against the pale top of her thigh, drawn from beneath the skirt's hem to the black thighhighs, whose sheen band sits high and unbroken around each leg. Her near arm is bent, the hand unseen below the crop; her far shoulder is raised just enough that the epaulette tips forward.
Behind her the environment splits into hard geometry and flat color: on one side, machinery — dark housings, parallel pipes, a toothed gear ring, bolts and riveted plate, all picked out in rim light with their shadows deep and their edges razored — and on the other, a wall of saturated yellow laid down as flat interlocking abstract blocks and arcs that stay completely matte, so the light does not touch them. A single hard key comes from upper left and just behind her, laying a bright edge down her cape's fold, the gold braid and the buckle, and dropping a crisp dark cast shadow across her cheek. Palette is disciplined to white, black, red, gold and the yellow ground, nothing else admitted. Her hair and her cape both drift slightly toward the same direction as the machinery's dust. Focus sits on her eyes and the jacket's lapels. Cold, commanding.
sute69
s6
character: hayami_kanade
solo, 1girl, upper body, medium shot, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black tie, black pleated skirt, wide belt, buckle, chain accessory, white cape, red lining, epaulettes, thighhighs, garter straps, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, from below, dutch angle,
From a low angle tilted a few degrees off true, a single young woman fills the upper-body medium frame, her body turned a quarter away from the lens while her head swings back so her eyes look straight into it. Her short blue-black hair is parted at the bangs and clipped to a blunt edge at the jaw, the longer strands on the far side of the part lifted a little by her turning head. Her eyes are yellow and narrowed, lids low, brows drawn level and close over them; her mouth is a flat closed line with one corner faintly tighter than the other, chin slightly tucked so she looks down the line of her face at the viewer. Cold, level, unimpressed.
The white double-breasted jacket is buttoned high, its two rows of buttons and broad lapels holding the chest plane, the red lapel facing standing crisp against the white wool. A black tie sits at the throat in a narrow, perfectly knotted strip and disappears into the jacket's closure. Gold ornamentation rides the standing collar and the lapel edge in sharp cast spurs, and a fine gold chain accessory loops from the collar down across the jacket's right breast, hanging in a slack catenary that swings a little toward her turned shoulder. Epaulettes cap both shoulders, their gold braid and fringe catching the light where they face upward. The white cape is thrown back off the near shoulder, so it hangs behind her as a broad panel, and where the edge folds over, the red lining flashes out along the whole length of the roll rather than as a stripe.
Below the jacket's hem the black pleated skirt begins, its knife pleats vertical and hard-edged, cinched by a wide belt whose large metal buckle rides just off-center with her turn. A garter strap shows taut against the pale top of her thigh, drawn from beneath the skirt's hem to the black thighhighs, whose sheen band sits high and unbroken around each leg. Her near arm is bent, the hand unseen below the crop; her far shoulder is raised just enough that the epaulette tips forward.
Behind her the environment splits into hard geometry and flat color: on one side, machinery — dark housings, parallel pipes, a toothed gear ring, bolts and riveted plate, all picked out in rim light with their shadows deep and their edges razored — and on the other, a wall of saturated yellow laid down as flat interlocking abstract blocks and arcs that stay completely matte, so the light does not touch them. A single hard key comes from upper left and just behind her, laying a bright edge down her cape's fold, the gold braid and the buckle, and dropping a crisp dark cast shadow across her cheek. Palette is disciplined to white, black, red, gold and the yellow ground, nothing else admitted. Her hair and her cape both drift slightly toward the same direction as the machinery's dust. Focus sits on her eyes and the jacket's lapels. Cold, commanding.
sute69
s6
character: hayami_kanade
1girl, solo, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, dutch angle, head tilt, clenched hands, cape billowing, contrapposto, looking down on viewer,
From a low angle tilted a few degrees off vertical, a single short-haired girl holds the frame, her body angled a little away from the lens while her head comes back over her shoulder and her yellow eyes fix the viewer dead-on. Her blue-black hair is cut short with parted bangs falling across her brow; the rest is tucked and swings slightly against her cheek with the turn. A narrow chin and a flat, ice-cold stare: mouth set in a hard straight line, eyelids lowered a fraction, one brow level, no softness anywhere in it.
She wears a white double-breasted military jacket buttoned high, its collar edged in red, a black necktie knotted tight at the throat. Gold ornamentwork runs along the placket and catches on the shoulder boards of the epaulettes; a short chain accessory hangs from the belt line and swings a little free of the hip. The jacket is cut close -- it strains just perceptibly across the chest and the upper arms, the fabric pulling into faint tension creases, the pressure of the tight fit showing as subtle shallow indentations where the cloth presses into the skin. A wide white belt with a heavy buckle cinches her waist. Below it a black pleated skirt, and beneath that the white garter belt with taut straps running down to white thighhighs that grip the thigh so tightly the stocking tops leave a faint band pressed into the flesh. Opaque white socks complete the leg. A white cape falls from her shoulders, its red lining flashing where the cloth turns and billows away from her back.
The cape snaps out to one side as if a fan is blowing across the set, the red lining opening like a wound in the white fabric -- the one piece of physics the eye can check: it bellies outward in one direction, and the chain on her belt follows the same pull. Behind her, hard yellow fills a flat colour field, over which an abstract tangle of machinery is drawn: pipes, cylinder housings, ducts and stripped panel frames, rendered in flat silhouette so they read as graphic shapes against the yellow rather than as a real space. There is no floor line, no horizon and no other figure -- the machinery is a backdrop plane and she is the only thing in front of it.
Key light comes from high left and slightly behind, so the gold ornaments flare and the white of the cape shoulders glows while the underside of her chin, the inner pleats of the skirt and the shadowed machinery pits go dark yellow-black. Flat graphic shading with crisp edges; no bloom, no haze. Palette is strictly white, black, red, gold and the yellow ground, each landing where the costume puts it. Sharp focus, every seam, stitch and stud legible. Cold, and quietly commanding.
sute69
s6
character: hayami_kanade
1girl, solo, slight turn, looking at viewer, serious expression, cold gaze, short hair, blue hair, black hair, parted bangs, yellow eyes, white military uniform, double-breasted jacket, red lapel, gold ornament, black necktie, black pleated skirt, wide belt with buckle, chain accessory, white cape, red lining, epaulettes, white thighhighs, garter straps, garter belt, tight fit, flesh pressure, subtle skin indentations, opaque white socks, machinery background, yellow abstract background, sharp focus, detailed clothes, intricate design, cowboy shot, from below, dutch angle, head tilt, clenched hands, cape billowing, contrapposto, looking down on viewer,
From a low angle tilted a few degrees off vertical, a single short-haired girl holds the frame, her body angled a little away from the lens while her head comes back over her shoulder and her yellow eyes fix the viewer dead-on. Her blue-black hair is cut short with parted bangs falling across her brow; the rest is tucked and swings slightly against her cheek with the turn. A narrow chin and a flat, ice-cold stare: mouth set in a hard straight line, eyelids lowered a fraction, one brow level, no softness anywhere in it.
She wears a white double-breasted military jacket buttoned high, its collar edged in red, a black necktie knotted tight at the throat. Gold ornamentwork runs along the placket and catches on the shoulder boards of the epaulettes; a short chain accessory hangs from the belt line and swings a little free of the hip. The jacket is cut close -- it strains just perceptibly across the chest and the upper arms, the fabric pulling into faint tension creases, the pressure of the tight fit showing as subtle shallow indentations where the cloth presses into the skin. A wide white belt with a heavy buckle cinches her waist. Below it a black pleated skirt, and beneath that the white garter belt with taut straps running down to white thighhighs that grip the thigh so tightly the stocking tops leave a faint band pressed into the flesh. Opaque white socks complete the leg. A white cape falls from her shoulders, its red lining flashing where the cloth turns and billows away from her back.
The cape snaps out to one side as if a fan is blowing across the set, the red lining opening like a wound in the white fabric -- the one piece of physics the eye can check: it bellies outward in one direction, and the chain on her belt follows the same pull. Behind her, hard yellow fills a flat colour field, over which an abstract tangle of machinery is drawn: pipes, cylinder housings, ducts and stripped panel frames, rendered in flat silhouette so they read as graphic shapes against the yellow rather than as a real space. There is no floor line, no horizon and no other figure -- the machinery is a backdrop plane and she is the only thing in front of it.
Key light comes from high left and slightly behind, so the gold ornaments flare and the white of the cape shoulders glows while the underside of her chin, the inner pleats of the skirt and the shadowed machinery pits go dark yellow-black. Flat graphic shading with crisp edges; no bloom, no haze. Palette is strictly white, black, red, gold and the yellow ground, each landing where the costume puts it. Sharp focus, every seam, stitch and stud legible. Cold, and quietly commanding.
sute69
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