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AI artwork featuring #Kongou and #Kirishima

Kongou, Kirishima

Publié Nov 11, 2026

あらお☆ひろ

character: haruna_(kancolle), kirishima_(kancolle), hiei_(kancolle), kongou_(kancolle), copyright: kantai_collection 4 girls, haruna_(kancolle), kirishima_(kancolle), hiei_(kancolle), kongou_(kancolle), standing in a row, lined up shoulder to shoulder, navy blue hat, red letter "Ｊ" mark on the hat, white uniform with vertical stripes, white striped uniform, v sign, peace sign, one arm raised, smiling, open-mouth smile, children's manga style, full body, wide shot, from below, dutch angle, looking at viewer, head tilt, short hair, long hair, brown hair, black hair, hairband, hair_bun, double_bun, ahoge, blue eyes, green eyes, purple eyes, brown eyes, glasses, hairclip, hair_ornament, vertical stripe pattern, cheerful, energetic, plain white background, thick outlines, flat colors, simple shapes, chibi proportions, big eyes The view is a low wide shot angled slightly up and tilted a few degrees off level, so the four girls read as one bright block of color against a plain, empty cream-white field with no floor line and no background objects at all — the whole frame is theirs. They stand in a single row, shoulder to shoulder, overlapping just at the edges of their sleeves so the line stays unbroken: from the left, a girl with short flipped brown hair under her cap, then one with short black hair and rectangular glasses, then one with long black hair and a small hairclip, then one with long brown hair whose two buns and single stray ahoge push up past the cap's brim. Each girl wears the same uniform — a white tunic with crisp vertical stripes running up it, sleeves slightly puffed, and a navy blue flat-brimmed cap on each head, the cap's front panel carrying a thick red "Ｊ" painted flat on the curved fabric so the letter's arms bend with the crown. Every right arm is thrown up and out to the side, hand raised beside the head with the index and middle fingers held in a V, elbows cocked at four slightly different heights so the row bounces instead of marching. Their bodies lean in toward each other at the shoulders, weight shifting onto the legs nearest the center, one knee softened, chins tipped back a touch toward the low camera. All four face the lens and all four smile wide and open — the striped girl at the left with her eyes squeezed into crescents, the glasses-wearing one with a lopsided grin, the long-haired girl at the right with one brow arched higher than the other. The light is flat, even, and completely sourceless, the way a children's comic is printed: no cast shadows on the ground, shadow only as a simple hard-edged wedge under each chin and beneath each lifted arm, and the hats sitting slightly darker on the side away from the others. The palette is held to four things — the navy of the caps, the red of the letter and nothing else red, the white-and-thin-grey-striped uniforms, and the warm cream of the empty field — with each girl's hair color the only other note, exactly as printed flat with no gradient. The single physical tell: the red "Ｊ" on each cap sits compressed toward the curve of the crown and stretches a hair wider at the brim edge, because paint laid on round cloth follows the cloth. Joyful, punchy.

Kongou, Kirishima

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