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tomoharu
Art IA par tomoharu sur PixAI. Créé avec Tsubaki.3 Flash.
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- Mode
- flash
- Taille
- 1536 x 2048
Modèle et LoRA utilisés
Assistant de création
Agent
Mio.2
Entrée minimale, rendu professionnel
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pixel art style, crisp pixels, hard pixel edges, pixel clusters, chunky shading, blocky shading, hard shadows, pixelated highlights, dithering, sprite-like rendering, retro game art, neon lighting, rim light, rim lighting, ambient lighting, A long wooden banquet table set outdoors in a golden autumn meadow for a Thanksgiving harvest festival feast. Roasted turkey on a large platter, pumpkins and gourds, corn cobs, cranberries, lit candles in glass jars, wreaths of maple leaves along the table. Warm late-afternoon sunlight streaming through the trees, falling autumn leaves, soft bokeh. Cozy storybook anime background art style, wide-angle establishing shot, warm amber and honey color palette.
tomoharu
t
wide landscape composition, low camera angle, from below, table-level viewpoint looking across the table, no humans, still life, thanksgiving dinner table, golden roasted turkey, whole roasted turkey, large white platter, centerpiece, pumpkin pie, cranberry sauce, roasted vegetables, candles in glass holders, lit candles, checkered tablecloth, autumn leaf wreath, wooden wall, steam, food art, rich brown and orange palette, warm candlelight, cozy, no text
The camera sits low, just above the tabletop at the near edge, tilted slightly upward so the table's surface runs away from the viewer in a long shallow plane toward the wooden wall; the near rim of the checkered tablecloth fills the bottom of the frame in soft focus while the far end of the table and the wall behind stay crisp. The golden roasted turkey on its large white platter anchors the exact center of the composition, its glazed skin catching a burnished amber highlight along every upward-facing curve, drumsticks angled toward the near-left corner of the frame, a shallow seam of juices pooled in the platter's well reflecting a candle flame as a small bright blade of light. Around it, spacing closes deliberately: the pumpkin pie sits to the turkey's left on a low ceramic stand, its custard surface split by a thin crack and a drift of whipped cream at the rim; the cranberry sauce sits forward on the right in a clear glass bowl, deep crimson, its surface jellied and faintly jiggling with a slice of orange peel curled at the edge; roasted vegetables heap in a shallow dish between them, carrots and brussels sprouts charred at their cut faces, glistening faintly. Three candles in clear glass holders stand along the far half of the table at staggered depths, their flames small and vertical, and the low angle pushes them up against the wall so the wreath rings the space behind them, autumn leaves in russet, rust and faded gold hung flat on the horizontal wooden boards.
The light is exclusively the candles' own: warm low amber striking the near faces of the turkey, the pie's cream and the glass bowls, leaving the far side of each dish and the underside of the tablecloth rim in rich brown shadow, and where the nearest candle stands, its flame casts a soft doubled silhouette of the glass holder across the checkered cloth. The cloth itself is a red-and-white check warped by the table's perspective, squares narrowing and tilting as they recede.
One physical tell: the steam does not rise straight — each column of gentle white vapor bends and drifts toward the right of the frame, so the thin, barely-there wisps above the turkey and the hot vegetables all lean the same way, revealing a slow air current crossing the room. Rich browns, burnt orange and cream carry the whole palette, with the only cool note the white of the platter and the glass. Heartwarming, festive.
tomoharu
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