Galerie Abandonné

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The abandoned theme highlights deserted architectural structures and forgotten landscapes across various artistic genres. These desolate environments heavily feature elements like overgrown vines, crumbling walls, shattered windows, and rusting machinery left behind by time. Such evocative settings are frequently used in post-apocalyptic, dystopian, and dark fantasy worldbuilding to convey a profound sense of isolation and mystery.

AI artwork
Avatar image of stellllllller
character: minato_aqua [[minato_aqua]], 1girl, solo, long hair, multicolored hair, two-tone hair, blue hair, pink inner hair, colored inner hair, twintails, ahoge, braid, bow, dress, ribbon, frills, short sleeves, nail polish, time-traveler swordsman, sword, katana, holding weapon, dynamic pose, mid-swing, hair floating in the air, floating petals, glowing clock-face rings, hourglass shards, motion blur, foreshortening, from below, dutch angle, cowboy shot, looking down at viewer, confident grin, one eye narrowed, open mouth, did the prompt, dust and sparks, backlight, rim light, deep indigo and magenta palette, detailed background, clockwork cityscape, night, From a low, tilted dutch angle that throws her whole silhouette diagonally across the frame, she is caught mid-lunge toward the lens — her right arm swept wide to the side with the katana gripped in both hands and the blade angled back over her shoulder, her right knee bent forward and her left leg thrown out behind her as though a single stride is carrying her out of one era and into the next; the near foot toe touches the very edge of the frame far below, and the blade's own long shadow slants away behind her. Her stocky long hair splits into the vivid blue outer layers and the pink inner layers that flash warm where the light grazes them, so the twin tails are flung backward and lifted, while a small ahoge flicks above her brow and a short braid and a small ribbon whip past her cheek. She has a short-sleeved dress with a frilly collar and a big ribbon at the chest that trails its ends out of frame; her white skin is exposed only where the short sleeves leave her forearms bare, and the nail polish on her fingers is a bright chip of color against the dark hilt. Her face fills the center of the frame — her left eye narrows, the right eye wide and bright, her lips parted in a confident grin, her chin dipped so that her gaze lands on the viewer below her, which reads as challenge rather than greeting, and a single strand of hair crosses her brow. Her hands are wrapped tight around the hilt: the right hand high near the guard, the left hand below it, the index finger of the right hand just lifted straight for a beat. The ground behind and around her is a vast dark plaza of clock faces, giant hourglass shards and faintly luminous dials, all of it blurred into the deep distance, with fine golden sparks and petals streaming inward toward her as though drawn by the swing; the only light is a pure white backlight behind the towers, which rims her hair and her shoulders in gold and leaves her face and the sword's flat in cool indigo shadow, and the palette holds to indigo, magenta, deep black and a single gold, all of it polished in clean anime cel shading against a detailed matte-painting night. Dynamic and dazzling.
stellllllller
#Minato Aqua#Hololive Production#Minato Aqua (1re tenue)
AI artwork
kr
1girl, solo, long hair, wavy hair, copper hair, red hair, turquoise eyes, curious expression, playful expression, mischievous smile, oversized jacket, dark jacket, white shirt, black shorts, tall boots, backpack, holding strap, looking at viewer, turning head, abandoned railway station, railway platform, overgrown plants, tracks, vintage signs, weathered walls, old train, broken glass roof, warm sunlight, sunbeams, floating dust particles, long shadows, cinematic lighting, golden hour, rusty orange, faded green, warm gold, muted turquoise, adventure, nostalgia, mystery, detailed environment, depth of field, natural hair movement, wide shot, three-quarter angle, knees up, masterpiece, highly detailed, high resolution, anime style
Karen Rosero Gonzales
#PixAI Halloween 2026
AI artwork
Avatar image of C9I
wide shot, cinematic composition, 16:9, no humans, giant brutalist war machine, rusted silver metal behemoth, squat tank hull blended with excavator boom and hydraulic arm, mud-caked treads half-sunk in earth, moss-covered armor plating, sheets of moss hanging from the barrel, ivy creeping over the turret roof, black oil leak, oily seep across pristine snow, pristine white snowfield, ancient silent forest, huge mossy trunks, deep green canopy, low ground fog, cold silver key light from a pale gap in the canopy, melancholic, quiet horror, no text, no letters, no signage, no watermark, no logo, no signature, film grain A wide cinematic shot from a low, slightly off-center camera, the lens almost at snow level so that the white drift in the foreground runs past the frame edge and the machine rises beyond it: a colossal brutalist war machine fills the middle distance but occupies under a quarter of the frame, dwarfed by the forest around it. Its gunless squat tank hull sits walled into the earth, the treads half-buried and furred with brown mud, while an excavator-like boom and a heavy hydraulic arm sag forward over the snow, the joints locked and rusted solid. Silver steel shows in raw scraped seams along the hull's edges, but most of the plating has gone the color of dried blood and old iron; thick moss pads the horizontal surfaces, and long green sheets hang off the barrel and over the turret roof, with ivy crawled up the near track guard. From a cracked weld low on the hull, a thread of black oil creeps out and spreads in a slow glossy pool across the otherwise untouched snow — dark, mirror-flat, and reflecting the silver light more sharply than the snow around it, the only black in the frame that gleams. No smoke, no tread marks but its own long-settled ones; the drift has crept back over the edges of the track. Behind it, ancient trunks the width of the machine itself stand in layers of fog, deep green boughs closing overhead, and a pale cold shaft of light drops through a single gap in the canopy to pick out the oil and the wet moss, leaving the rest in blue-green shadow. A few flakes of snow settle on the upward-facing plates and mound on the rusted joints while the flanks remain dark and bare. Palette held to deep greens, blacks and silver, with the rust browns and moss muted. Still, damp, melancholic quiet dread.
C9I
AI artwork
Avatar image of 蒼井麗華
character: cure_arcana_shadow, copyright: precure 1girl, solo, cure_arcana_shadow, blonde hair, long hair, gradient hair, multicolored hair, antenna hair, hair intakes, hair bow, diamond hairband, black dress, frills, black bowtie, black capelet, brooch, earrings, sitting, knees up, hugging own legs, perched on edge, rooftop, water tower, holding tarot card, holding card in both hands, two-handed hold, glowing card, looking at card, profile, from side, wide shot, lots of sky, city skyline, dusk, orange sky, violet sky, gradient sky, twilight, wind, hair blowing, capelet fluttering, soft lighting, bittersweet, from below, off-center composition A wide, slightly low-angle side view from her left: the whole frame is sky, a vast dusk gradient running from deep indigo-violet at the top edge down through mauve to hot orange at the horizon, streaked with a few thin, tinted cloud bands, and against that expanse the rooftop water tower sits low and left of centre, its dark wooden tank and iron legs rendered small in the frame, no more than a quarter of the picture. She is perched on the rim of the tower's catwalk edge in profile to the camera, knees drawn up tight toward her chest, both feet planted flat on the metal ledge, her spine curved forward so her chin hovers just above her knee, and her weight sinks through her hips onto the catwalk lip while her nearer shoulder rounds toward the viewer. Her long blonde hair, warmed toward honey at the roots and fading through pale gold into a soft pink-lilac at the tips, hangs past the ledge and lifts in the gentle updraught, strands streaming back and sideways off her cheek and behind her shoulder; the wind also takes the black capelet, billowing it out from her back in a slow curve away from the tower, its hem snapping once before falling. A slim diamond-shaped hairband sits in her hair, and a black bow is pinned where the wind pulls the strands across it; at her throat the black bowtie rests against the open collar of the black dress, its brooch catching a thin refracted gleam, and small earrings hang still against her jaw though the hair stirs around them. Both hands are cupped around a single tarot card held upright at chest height before her, thumbs resting on the face's lower edge, fingertips supporting the back corners so the card does not flex; the card is the brightest point in the entire image, its surface lit from within by a faint pale-gold luminescence that spills onto the inner curves of her fingers, onto her chin and cheek, and onto the white frill at her cuff, throwing a small warm highlight up the underside of her jaw. The face of the card is turned toward her, so only its patterned back and a sliver of luminous edge show to the camera. Her head is tipped down and turned in strict profile, eyes lowered to the card, lids half-shut, a faint closed-mouth softness at the lips; she is not looking at the lens. The dusk sunlight is already below the horizon, so the light is a soft gradient ambient wash from the orange horizon that rims her hair, her nose, the curve of her knee and the near edge of the capelet in warm gold, while the violet upper sky lays a cool shadow over the back of her head and the far side of the dress; behind her, the city skyline thins into silhouette, staggered rooftops and the dim shapes of towers fading into the orange haze, distant windows just beginning to glow as pinpricks of light, their detail lost to atmosphere rather than flattened. Her cast shadow falls along the catwalk behind her, soft and violet, and the card's own little glow casts no shadow at all. Tender, bittersweet.
蒼井麗華
AI artwork
Avatar image of C9I
wide shot, cinematic composition, 16:9, no humans, giant brutalist war machine, rusted silver metal behemoth, squat tank hull blended with excavator boom and hydraulic arm, mud-caked treads half-sunk in earth, moss-covered armor plating, sheets of moss hanging from the barrel, ivy creeping over the turret roof, black oil leak, oily seep across pristine snow, pristine white snowfield, ancient silent forest, huge mossy trunks, deep green canopy, low ground fog, cold silver key light from a pale gap in the canopy, melancholic, quiet horror, no text, no letters, no signage, no watermark, no logo, no signature, film grain A wide cinematic shot from a low, slightly off-center camera, the lens almost at snow level so that the white drift in the foreground runs past the frame edge and the machine rises beyond it: a colossal brutalist war machine fills the middle distance but occupies under a quarter of the frame, dwarfed by the forest around it. Its gunless squat tank hull sits walled into the earth, the treads half-buried and furred with brown mud, while an excavator-like boom and a heavy hydraulic arm sag forward over the snow, the joints locked and rusted solid. Silver steel shows in raw scraped seams along the hull's edges, but most of the plating has gone the color of dried blood and old iron; thick moss pads the horizontal surfaces, and long green sheets hang off the barrel and over the turret roof, with ivy crawled up the near track guard. From a cracked weld low on the hull, a thread of black oil creeps out and spreads in a slow glossy pool across the otherwise untouched snow — dark, mirror-flat, and reflecting the silver light more sharply than the snow around it, the only black in the frame that gleams. No smoke, no tread marks but its own long-settled ones; the drift has crept back over the edges of the track. Behind it, ancient trunks the width of the machine itself stand in layers of fog, deep green boughs closing overhead, and a pale cold shaft of light drops through a single gap in the canopy to pick out the oil and the wet moss, leaving the rest in blue-green shadow. A few flakes of snow settle on the upward-facing plates and mound on the rusted joints while the flanks remain dark and bare. Palette held to deep greens, blacks and silver, with the rust browns and moss muted. Still, damp, melancholic quiet dread.
C9I
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