Galerie gobelin

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Goblins are classic mythological creatures and monstrous humanoids frequently featured in fantasy-themed AI art, folklore, and role-playing games. Popular elements associated with the goblin theme include green skin, pointed ears, rudimentary weapons, tribal armor, and mischievous or menacing expressions. These creatures are often depicted lurking in dark caves, dense enchanted forests, or ruined dungeons across various high fantasy worldbuilding settings.

AI artwork
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1girl, goblin, skinny, flat chest, grey resin render, unpainted, optimized for resin printing, exaggerated proportions, large hands, large weapon, clean silhouette, minimal details, chunky accessories, female goblin warrior, tribal armor, leather armor, fur trim, bone ornaments, crude metal plates, primitive weapon, spear, bow, dagger, club, dynamic pose, fantasy tribal aesthetic, high detail sculpt, print friendly, thick straps, ornaments, studio lighting, dark neutral background, product showcase, sharp focus, ultra high resolution, masterpiece
Elfo
AI artwork
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character: artoria_pendragon_(lancer)_(fate), character: fujimaru_ritsuka_(male), character: mash_kyrielight — dramatic wide battlefield shot, camera low directly behind the defenders, both defenders shown from behind, their backs to the camera, facing a terrible oncoming chariot charge head-on. In the foreground, seen from behind: Fujimaru Ritsuka (male), a young man with short black hair in his Chaldea uniform jacket and black gloves, his right fist raised with the command spell glowing red on the back of his hand, his stance braced wide; beside him stands Mash Kyrielight in her full combat armor — silver-white plate with blue accents over a black bodysuit, seen from behind with her short pink-purple hair blowing in the dust-wind, her whole armored frame leaning low into her enormous cross-shaped shield Lord Camelot, the shield planted against the churned earth, its rim facing the oncoming charge as she takes the bracing stance. Charging straight toward them, in sharp focus in the middle distance: Artoria Pendragon (Lancer), a captured king bound by malevolent sorcery, fitted with leather yoke straps across her shoulders and chest to pull a rough wooden-and-bronze war chariot with iron-rimmed spoked wheels at full gallop, dust bursting from her boots. She is dressed in tribal attire — a fur-trimmed hide garment laced with bone ornaments and sinew cords, pale blue war paint on her cheeks and upper arms, an ornate iron gorget etched with glowing cyan runes at her throat, leather pulling straps over her shoulders and chest, connected to the chariot yoke by luminous blue-white magical threads woven with shimmering runes, stretched taut in humming arcs. In one fist she grips her sacred lance Rhongomyniad, the shaft lashed to her hand with leather straps so she cannot drop it, couched low at her side like a knight's charging lance, its glowing white tip leveled dead ahead — aimed at the Master and the shield-maiden. Aboard the chariot three small green-skinned impish tricksters in tribal shamanistic attire hoot and grin with pointed teeth: the driver in a feathered headdress leans forward gripping the glowing runic tethers in both fists and flicks them like a coachman, the other two brandish a crude iron sword and a captured spear. Artoria's expression is grief-stricken horror: green eyes brimming with tears, flushed cheeks, jaw clenched — charging the very people she would give her life to protect. Broken spears, splintered shields and banners litter the battlefield, dust haze and motion blur streaking the charge, low golden-hour sunlight rim-lighting her figure, the lance tip, the shield's rim and every luminous thread, HDR, highly detailed anime illustration, masterpiece quality, clothed characters
oburaien
#Série Fate#Fate/Grand Order#Mash Kyrielight
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