Galerie table de poker

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AI artwork
Animée
빵이
Preserve the exact original 2D anime illustration, lineart, colors, cel shading, facial features, anatomy, clothing, and composition. The artwork must remain visually identical throughout the entire video. Create extremely subtle animation with maximum consistency. The man remains completely motionless in the exact original pose at the poker table, maintaining the same cold, dangerous, half-lidded expression and faint smirk. His head, face, eyes, mouth, jaw, hands, fingers, arms, shoulders, body, clothing, and posture remain perfectly unchanged. Only the cigar smoke is animated, slowly drifting upward in thin, elegant curls. A very tiny movement in a few loose hair strands is allowed, but everything else must remain still. IMPORTANT: Every poker chip must remain fully visible, completely stationary, and locked in its exact original position throughout the entire video. No poker chip may move, disappear, float, slide, bounce, fall, blur, warp, duplicate, shrink, or change shape. Every playing card must also remain fixed in the exact same position. The whiskey glass stays perfectly still in his hand. The cigar stays perfectly still between his fingers. No object movement of any kind. The red background, table, shadows, and plant silhouette remain unchanged. Fixed camera, no zoom, no camera movement, no blinking, no gaze shift, no talking, no lip movement, no drinking, no object displacement, no falling objects, no vanishing objects, no redrawing, no morphing, no distortion, no style drift. Smooth, minimal animation only, preserving the original artwork faithfully.
빵이
AI artwork
Avatar image of 鷹の目
character: jeanne_d'arc_(fate), artist: takeuchi_takashi, copyright: type-moon, fate_(series) 1girl, solo, jeanne_d'arc_(fate), long blonde hair, very long single braid, absurdly long braid draped over her shoulder, small checkered ribbon tied in the braid, blue eyes, sparkling eyes, bright warm professional smile, closed-lip smile with teeth just showing, looking at viewer across the table, casino dealer, blackjack table, dealing cards, hands laying cards onto green felt, playing cards, scattered cards, card fans, casino chips, neat stacks of red white and blue chips, betting line, white long-sleeved dress shirt, buttoned cuffs, fitted black waistcoat, satin lapels, black bow tie, black high-waisted pencil skirt, upper body, slight low angle, from below, across the table, table edge foreground, chandelier light, warm golden light, blurred background, slot machine lights, bokeh, dark wood, brass, elegant casino interior, sophisticated, glamorous, welcoming, clean sharp anime linework, delicate graceful face, soft painterly rendering, cinematic depth, high-key glow The camera sits low, just above the green felt's near rail, and tilts slightly up across the table: the dealer is seen from the chest up, her forearms entering frame from the bottom edge, the blackjack table's padded rail running diagonally through the lower foreground out of focus while the green felt and its white betting line arc away from her toward the lens. A blonde woman leans in over the table, weight settled on her right hip with her torso angled a few degrees off the table's centerline so the shot never reads as a passport photo; her head tips down toward the cards, but her eyes come up to meet the viewer's across the felt, blue and bright with catchlight, and the smile is wide, open, professional — warm and steady, the practiced welcome of someone who does this ten hours a day and still means it. Her right hand is caught mid-flight, palm flat, fingers splayed as the card leaves them; a single playing card is in the air a half-inch above the felt, its leading edge already lifting in the air current, its shadow dropping sharp onto the green. Her left hand rests half-curled on the felt at the deck's edge, thumb on the top card, holding the shoe steady. The fingers of both hands are clean and manicured, nails short. The cards scattered before her are fanned at irregular angles, a couple facedown, one faceup showing a red pip; on her left, three neat stacks of chips — red, white, blue — stand in tight columns with their edges aligned, the top chip of the red stack a touch askew. Her white dress shirt is crisp, the collar points pressed flat, the buttoned cuffs catching the light; the black waistcoat is fitted and close, its satin lapels catching a soft sheen along their folded edge, the black bow tie sitting small and precise at her throat. The pencil skirt disappears below the frame edge. Her braid is the loudest thing in the picture: impossibly long, thick as a rope, plaited tight and laid forward over her right shoulder so it falls down the front of the waistcoat, its length continuing out of frame past her waist; a small checkered ribbon is tied in it about a hand's width below her collarbone, the bow's loops slightly uneven, a detail that keeps her human. Above and behind her, warm golden chandelier light comes from the upper right, its glow wrapping the crown of her head and the top of her braid in a bright rim while her face is lit softly from the front-left; the light throws her shadow back and to the left across the felt and catches the polished brass rail behind her. Beyond her, the casino hall recedes into shallow blur — dark wood paneling, brass fittings, and the soft blinking of slot machine lights in reds and yellows, their colors blooming into bokeh circles. The palette is disciplined: green felt and black tailoring as the base, white shirt and chip stacks as the brights, warm gold as the only light color, and the braid's blonde reading as the single warm mass against the cool dark background. The mood is glamorous, generous, effortlessly professional.
鷹の目
#Fate/Apocrypha#Série Fate#Fate/Grand Order
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