Galerie Regard noir

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AI artwork
玉川
1girl, slim, date with viewer, dynamic angle, masterpiece, full body, prison clothes, striped dress, buttoned, short dress, half sleeves, loose fitted clothing, collarbone, dirty clothing, broken clothes, action, in dungeon, iron ball and chain on ankles, barefoot, solo, leaning forward, handcuffed both wrists, short cut hair, messy hair, mature female, nervous sweating, black long hair, straight hair, blunt bangs, pillory, neck and wrists are restrained in a pillory, restrained, restrained neck, restrained wrists, <lora:frustrated_il_v1:1>, frustrated, clenched teeth, crying, tears, closed mouth, teeth
玉川
AI artwork
Avatar image of 吾桑
solo, 1boy, wolf, lion, white lion, anthro, furry, muscular male, muscle, daddy, mature male, middle aged, 45 years old, tall male, wide shoulders, thick arms, big hands, pectorals, abs, white fur, fluffy fur, white mane, messy mane, big mane, thick mane, rugged, weathered face, facial scar, scar across left cheek, amber eyes, slit pupils, narrowed eyes, glaring, hostile glare, baring teeth, snarling, teeth clenched, ears flattened, ears pinned back, furrowed brow, wary, on guard, threatening expression, flat jade pendant, round jade disc, jade medallion, polished pale green jade, leather cord necklace, pendant on chest, dark grey t-shirt, slightly worn clothes, faded fabric, cargo pants, turning head, looking up at viewer, body turned sideways, one arm extended backward, arm sweeping behind, blocking arm, shielding someone behind, half crouching, weight on back foot, knees bent, defensive stance, clenched fist, old Chinese street, Republic of China era, 1920s China, stone pavement, cobblestone ground, wooden buildings, traditional Chinese architecture, crowd of villagers, onlookers, surrounded by crowd, circle of people, tense atmosphere, overcast sky, flat lighting, diffused light, cool tones, grey light, soft shadows, from above, high angle, looking down at subject, bird's-eye view, medium shot, score_9, score_8_up, score_7_up, masterpiece, best, best quality, ultra-detailed, 8k resolution. Seen from a steep high angle in medium shot, a white-furred wolf-lion anthro male holds a defensive half crouch on a cobblestone street in 1920s Republic-era China, his body quarter-turned sideways while his neck twists and his head tips back so his narrowed amber, slit-pupiled eyes glare directly up at the viewer. His tall, broad-shouldered build fills the foreground: the faded dark grey t-shirt pulls taut over heavy pectorals and clings enough to show abdominal ridges, while cargo pants bunch at his bent knees. One arm sweeps backward behind his hip as a blocking arm, shielding the space at his back, and his other hand is a clenched fist at his side. His big hands, thick arms and flat, weathered face read clearly; a scar cuts across his left cheek, his brow is furrowed, his ears are pinned back, and his lips peel into a snarl with clenched teeth. The flat round pale green jade medallion swings forward on its leather cord as his torso turns, the polished disc catching a dull green gleam from the grey sky. Around him, a circle of villagers and onlookers keeps a wary distance along the stone pavement, their small faces tipped up beneath the high camera. Wooden shopfronts and traditional Chinese eaves frame the old street; the overcast sky flattens the scene into cool grey light, diffused illumination and soft shadows. The whole image feels tense and guarded.
吾桑
AI artwork
иs
bullying, classroom, 8 students, one victim surrounded by seven classmates, victim boy, red curly hair, round glasses, unzipped red and blue track jacket, black sweater, three girls, thirteen years old, chestnut hair, girl in jeans and blouse, girl in trousers and shirt, girl in black jeans and hoodie, disgusted expression, pitying contemptuous sneer, four boys, blond boy, two boys with chestnut hair, boy with black hair, green sweater, jeans, business suit, jeans and sweater, unbuttoned shirt over printed t-shirt, boy wanting to stop bullying, displeased frown, boy openly mocking, smug teasing grin, one smiling, victim angry, crying, tears, furrowed brows, open mouth shouting, standing, leaning on desk with both hands, both palms flat on desktop, arms braced, group encircling, from above, high angle, looking up, dutch angle, close-up on victim, depth of field, classroom desks and chairs, window light, tension, cruel amusement, half-closed eyes, smirk Shot from above and slightly to the side, the camera looks down through the ring of students at the victim, so the circle of bodies frames him and the classroom floor tiles fan out beneath the group. The victim boy stands at the center, both palms flat on a wooden desk, arms braced and elbows locked, shoulders hunched up around his ears; his red curly hair is a loose springy mop, and his round glasses sit crooked on his nose with one lens catching the window light. His face is a knot of fury and grief: dark brows drawn hard down, mouth open mid-shout, jaw thrust forward, and two bright tear tracks running from under the rims of his glasses to his chin, his eyes glossy and red-rimmed. The red and blue track jacket hangs unzipped and open over the black sweater, its collar pushed up at the back of his neck from the hunch of his shoulders, and the jacket's hem rides up where he leans. He is turned a quarter away from the lens, arguing with someone just off the near edge of frame, chin lifted, glaring up and sideways at the boy in the business suit. The desk he braces on sits squarely in the middle of the shot; its legs are visible below his spread fingers, and his knuckles whiten against the wood. Around him the seven classmates form a loose, uneven ring. Nearest the camera, seen over the victim's shoulder, the girl with chestnut hair in jeans and a blouse stands hipshot with one arm crossed over her stomach, her other hand lifted to her collarbone as if shielding herself, her lip curled and her nose wrinkled in disgust, eyes sliding down at him. Opposite her, the girl in trousers and shirt stands with her weight on one leg, head tipped back and to one side, eyes half-lidded in haughty, pitying contempt, a small cold smile at one corner of her mouth. The third girl, in black jeans and a hoodie, stands at the far edge of the circle with both hands pushed into her hoodie pocket, staring at the floor near the victim's shoes rather than at his face, her brow pinched. Of the boys, the blond in the green sweater stands closest on the victim's left, leaning in with a wide mocking grin, one finger jabbing toward the victim's glasses, his head cocked and eyes bright with delight. The boy in the business suit stands at the victim's right with his chin lifted and his hands behind his back, an impeccably composed smirk, watching the victim lose his temper with lazy satisfaction. Behind them the two chestnut-haired boys stand shoulder to shoulder, and the one in the jeans and sweater is turned half away, mouth pulled down, one hand raised palm-out toward the others in a small abortive gesture to stop, his eyes narrowed with distaste and fixed on the blond's pointing finger. Beside him the boy with black hair in jeans and the open shirt over a printed t-shirt is openly laughing, shoulders shaking, one hand on his own chest and the shirt hanging loose over the graphic tee. Every gaze but the third girl's lands on the victim or on the point where the blond's finger aims, and the victim's glare moves between them, settling longest on the suited boy. Cold daylight comes in from a tall window off-frame at the left, so the light strikes the left side of the victim's face and glasses and leaves the right side of the circle in soft shade; a long pale rectangle of window light lies on the floor tiles beneath the desks and is broken by the shadows of the students' legs, and the victim's shadow falls across the desktop under his hands. The palette stays narrow and cool: cream walls, gray-blue floor tiles, the red-blue of the track jacket and the green of the blond's sweater as the only strong colors. Textbook clutter on the desks, chalk dust in the air, the scuffed linoleum and the pressed wood of the desktop all rendered cleanly. Mature anime style with glossy, high-finish rendering and soft lighting, skin blended with subtle gradients and warm highlights for a polished, almost airbrushed look, controlled color harmony, smooth minimally visible brushwork. Tight, airless, cruel.
Ильич Sу.
AI artwork
Avatar image of 吾桑
solo, 1boy, wolf, lion, white lion, anthro, furry, muscular male, muscle, daddy, mature male, middle aged, 45 years old, tall male, wide shoulders, thick arms, big hands, pectorals, abs, white fur, fluffy fur, white mane, messy mane, big mane, thick mane, rugged, weathered face, facial scar, scar across left cheek, amber eyes, slit pupils, narrowed eyes, glaring, hostile glare, baring teeth, snarling, teeth clenched, ears flattened, ears pinned back, furrowed brow, wary, on guard, threatening expression, flat jade pendant, round jade disc, jade medallion, polished pale green jade, leather cord necklace, pendant on chest, dark grey t-shirt, slightly worn clothes, faded fabric, cargo pants, turning head, looking up at viewer, body turned sideways, one arm extended backward, arm sweeping behind, blocking arm, shielding someone behind, half crouching, weight on back foot, knees bent, defensive stance, clenched fist, old Chinese street, Republic of China era, 1920s China, stone pavement, cobblestone ground, wooden buildings, traditional Chinese architecture, crowd of villagers, onlookers, surrounded by crowd, circle of people, tense atmosphere, overcast sky, flat lighting, diffused light, cool tones, grey light, soft shadows, from above, high angle, looking down at subject, bird's-eye view, medium shot, score_9, score_8_up, score_7_up, masterpiece, best, best quality, ultra-detailed, 8k resolution. Seen from a steep high angle in medium shot, a white-furred wolf-lion anthro male holds a defensive half crouch on a cobblestone street in 1920s Republic-era China, his body quarter-turned sideways while his neck twists and his head tips back so his narrowed amber, slit-pupiled eyes glare directly up at the viewer. His tall, broad-shouldered build fills the foreground: the faded dark grey t-shirt pulls taut over heavy pectorals and clings enough to show abdominal ridges, while cargo pants bunch at his bent knees. One arm sweeps backward behind his hip as a blocking arm, shielding the space at his back, and his other hand is a clenched fist at his side. His big hands, thick arms and flat, weathered face read clearly; a scar cuts across his left cheek, his brow is furrowed, his ears are pinned back, and his lips peel into a snarl with clenched teeth. The flat round pale green jade medallion swings forward on its leather cord as his torso turns, the polished disc catching a dull green gleam from the grey sky. Around him, a circle of villagers and onlookers keeps a wary distance along the stone pavement, their small faces tipped up beneath the high camera. Wooden shopfronts and traditional Chinese eaves frame the old street; the overcast sky flattens the scene into cool grey light, diffused illumination and soft shadows. The whole image feels tense and guarded.
吾桑
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