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hiro sim

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chibi, kotatsu, = =, ,Leon, Leonmitchelli_Galette_des_Rois, Dog_Days, cat_girl, white_hair, jean_shorts, fingerless_gloves, blue_bustier, single_braid
Tampilkan Parameter
Ukuran
1024 x 1024
Langkah sampling
8
Metode Sampling
Euler a
CFG scale
2.5
Negatif
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), (extra fingers, bad hands, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)

Model & LoRA yang digunakan

AI artwork
た
character: nishino_flower_(umamusume), seiun_sky_(umamusume) 2girls, high angle, from above, sitting, facing each other, indoors, japanese-style room, washitsu, tatami, shoji, kotatsu, table blanket, eating, mikan, citrus, holding fruit, food on table, basket, peeling orange, horse ears, animal ear covers, horse tail, short hair, grey hair, blue eyes, hairclip, hair flower, brown hair, blunt bangs, pink hairband, x hair ornament, oversized sweater, knit sweater, smile, half-closed eyes, warm indoor lighting, winter A high-angle view looking down into the warm center of a traditional Japanese tatami room, where two horse-eared girls sit facing each other across a square wooden kotatsu. Their lower bodies are tucked beneath the thick, dark patterned quilted futon that drapes over the low table, with the fabric visibly pressed and curved over their tucked knees. On the left, a girl with tousled short pale grey hair, sky-blue eyes, and equine ears—one fitted with a neat ear cover, her bangs pinned by a small flower hairclip—leans forward lazily with her left elbow planted on the smooth wood, resting her cheek in her palm. With a teasing, half-lidded expression, she holds a freshly separated segment of mandarin orange between the fingertips of her right hand, lifting it toward her slightly parted lips. Across from her on the right, a girl with glossy chin-length dark brown hair, neat blunt bangs, and a slender pink hairband sits in an upright, poised posture, her horse ears framed by fabric ear protectors. She cradles a half-peeled mikan carefully in both hands, her thumbs gently peeling the rind back like flower petals, gazing across the table with a bright, affectionate closed-lip smile. Between them on the lacquered tabletop rests a woven bamboo basket heaped with unpeeled oranges, beside a small saucer holding curling spirals of discarded peel, where microscopic droplets of citrus oil glisten against the white pith. Diffused, cool daylight filters through the translucent paper shoji screens in the background, contrasting with the rich amber glow spilling from beneath the heated table skirts onto the woven straw tatami floor. Cozy, tranquil warmth.
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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