AI art "amanda twerk"
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amanda twerk

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Komentar

indoors, bathroom, 1girl, solo, 3D, Amanda\(original\), young girl, dark skin, dark-skinned female, African-American, brown eyes, black poofy hair, twin afro-puffs, yellow shirt, aquamarine shorts, purple socks, yellow sneakers, pov, lap dance, back shot, ass view, ass to viewer, squatting, twerking, booty shake
Tampilkan Parameter
Prompt Asli
indoors, bathroom, 1girl, solo, 3D, Amanda, young girl, dark skin, dark-skinned female, African-American, brown eyes, black poofy hair styled into twin afro-puffs, yellow shirt, aquamarine shorts, purple socks, yellow sneakers, pov, lap dance, back shot, ass view, ass to viewer, squatting, twerking, booty shake
Ukuran
1024 x 1024
Langkah sampling
25
Metode Sampling
Euler a
CFG scale
6
Negatif
NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,

Model & LoRA yang digunakan

AI artwork
kc
1boy, black_skin, black_hair, nappy_hair, black_eyes, red_lips, plump_lips, orange_jumpsuit, thick_thighs, big_ass, short_stature, shocked, from_above, top_down_view, backed_against_wall, jail_cell, blush, half-closed_eyes, heavy_breathing A top-down view looking straight down at a short man with a midget's build, backed into the corner of a concrete jail cell. He is pressed tightly into the vertex where two grey stone walls meet, his back and the back of his large posterior flush against the cold masonry. He is wearing a short, loose orange prison jumpsuit that bunches at his waist and clings to his thick thighs. His skin is a deep, stylized ebony black with polished, glossy highlights. He has nappy black hair and black eyes wide with a shocked expression, his plump red lips parted. He is crouching slightly, weight shifted onto his heels, with his hands pressed flat against the walls for support. The scene is lit by a single overhead fluorescent light that casts a harsh shadow directly beneath him, highlighting the smooth, airbrushed gradients of his skin and the vivid orange of the fabric. The palette is dominated by the industrial grey of the cell and the saturated orange of the suit, rendered with high-finish glossy shading and soft, intimate lighting. Quietly overwhelmed.
King Chase

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