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AI artwork
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tklr

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((Tickling)), 2girls, lucy_pokemon, 1girl, black hair, long hair, multicolored hair, red eyes, navel, midriff, purple crop top, pants, gloves, shoes, very long hair, red hair, purple shirt, sleeveless, black leggings, purple gloves, elbow gloves, laughing with one eye open, arms restrained above head, cuffs, courtney_\(pokemon\), 1girl, solo, purple hair, purple eyes, sweater dress, ribbed dress, hood, uniform, tickling armpits, both hands
Tampilkan Parameter
Prompt Asli
((Tickling))(2girls),Lucy_pokemon,1girl, black hair, long hair, multicolored hair, red eyes, navel, midriff, purple crop top, pants, gloves, shoes, black hair, very long hair, multicolored hair, red hair, purple shirt, crop top, sleeveless, midriff, navel, black leggings, purple gloves, elbow gloves,laughing with one eye open have her arms restrained above her head with cuffs while ,Courtney Team Magma (Pokemon),1girl,solo, purpel hair,purpel eyes,sweater dress,ribbed dress,hood,uniform, tickles her armpits with both hands
Ukuran
768 x 1280
Langkah sampling
10
CFG scale
1.5
Negatif
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA yang digunakan

AI artwork
d
character: jessie_(pokemon), serena_(pokemon) 2girls, jessie_(pokemon), serena_(pokemon), medium shot, cinematic composition, both subjects fully in frame, team rocket uniform, black uniform, red letter R on chest, sitting on chair, sitting at table, map on table, studying map, leaning over table, from side, from above, standing behind, sneaking up, reaching around, cloth over mouth, chloroform-soaked cloth, surprised, wide-eyed, startled, open mouth, grin, smug, snickering, silent laugh, one eye closed, looking down at another, long red hair, slicked back hair, very long hair, blue eyes, long eyelashes, long brown hair, low-tied long hair, black thighhighs, gloves, earrings, detailed background, dim room, desk lamp, sharp lineart, flawless anatomy A medium, slightly high three-quarter view from the side of a dim Team Rocket base room: the camera sits above table height and off to one side, so Serena's chair, the table with the spread map, and Jessie standing behind her are all inside one continuous frame. Serena sits on a hard metal chair, knees under the table edge, torso pitched forward, both forearms braced on the table and her weight on her left hip; her right index finger still rests on the map, pinning a pencilled route line, and her left hand has skidded a few centimetres out along the tabletop. The map is a large creased sheet squared to the table's near edge, weighted at one corner by a battered clipboard, marked with concentric red rings, a black route arrow and small illegible grid labels. Her head is turned up and to her right, chin lifted, eyes wide with the whites showing, mouth open in a caught, indrawn breath, brows shot up — the focus on the map broken in a single instant. Behind her right shoulder Jessie leans in low, hips cocked, one boot forward, her left arm come around Serena's head so the folded grey cloth presses flat over Serena's mouth and nose, sealing both; Jessie's gloved palm cups the far side of Serena's jaw and her fingers spread to hold the cloth in place, her right hand raised near her own collarbone mid-suppressing a giggle. Jessie's face is bent close over Serena's temple, chin tucked, one eye squeezed shut and the other sliding sideways down at her, a lopsided, silently delighted grin with the tip of her tongue caught between her teeth — purely amused, no menace in the brows. Jessie's slicked-back red hair is long enough to fall forward past her shoulder and hang beside Serena's cheek; Serena's brown hair is tied low and swings back over the chair's top edge from the jerk of her head. The room is a bare concrete operations cell: a scuffed slab wall behind, a filing cabinet to the left, pinned papers and a small red R stencil on the wall right, a bare bulb and a low green-shaded desk lamp on the table. The desk lamp is the key light, warm and low from the left, raking across the map and throwing Serena's shadow up behind her and Jessie's long shadow onto the far wall; the overhead bulb gives a weak cold fill so the corners fall into deep shadow. Palette: concrete grey, olive drab, the map's paper cream and red route markings, Jessie's red hair the single warm note, Serena's black uniform absorbing the lamp light with only a thin rim along her shoulder and the top of her head. The cloth is dull and slightly damp at the fold, and it visibly compresses Serena's lip corner under its edge. Crisp, clean line art, exact hands, no distortion, tense comic mischief.
Dicavecdff
AI artwork
t
character: serena_(pokemon), dawn_(pokemon) 2girls, dawn_(pokemon), serena_(pokemon), long hair, blue hair, black hair, hairclip, blue eyes, eyelashes, maid outfit, maid headdress, apron, dust, dirt, dirty clothes, disheveled, sad, frightened, trembling, tears, long hair, brown hair, blonde hair, very long hair, low-tied long hair, blue eyes, eyelashes, team rocket uniform, black uniform, red R on chest, flat cap, black gloves, whip, holding whip, stern expression, glaring, looking at another, standing, indoor, room, team rocket base, concrete wall, metal pipes, fluorescent light, from side, profile, dutch angle, cowboy shot, two subjects facing each other, tense atmosphere The camera sits low and off-axis in a dutch-tilted cowboy shot, framing both women from mid-thigh up inside a bare concrete room deep in the base. On the left, a girl with long blue-black hair pinned back by a small hairclip stands turned three-quarters away from the lens, her profile exposed: a white maid headdress sits slightly askew on her crown, and her frilled apron and black maid dress are streaked and grey with dust — grime ground into the white lace at her cuffs, dirt smudged across one cheek and both knees of her stockings. Her shoulders are drawn up and hunched, both hands clasped tight against her chest, knuckles white, arms pressed to her ribs as though making herself small. Her eyes are wide and wet, lashes clumped, one tear cutting a clean line through the dust on her cheek; her mouth is pulled down at the corners and her chin trembles, gaze fixed low and sideways on the whip rather than on the other woman's face. On the right, a girl with very long honey-brown hair tied low over one shoulder stands square and tall in a fitted black Team Rocket uniform — flat cap, dark gloves, a bold red R on the chest — her boots planted apart. She holds a long leather whip coiled in her gloved right hand, the lash trailing downward so its tip hovers just above the floorboards near the other girl's feet. Her expression is hard and unsmiling, brows drawn down, mouth a flat line, eyes fixed directly on the maid's face in a steady stern glare. The two do not touch; the only contact between them is that downward look and the whip's shadow. The room is a narrow concrete chamber: stained grey walls, exposed pipes running along the ceiling, a dented metal cabinet and stacked crates in the background, a single caged fluorescent tube overhead as the sole light source. Its cold white glow falls from above and slightly behind Serena, throwing her long shadow forward across the floor toward Dawn, while the corners of the room fall into deep shadow. Palette is limited to concrete grey, dusty white, deep black uniform and the single saturated red of the R. The dust on Dawn's clothes catches the hard light as pale grit; the whip's lash lies in a coiled loop on the bare floorboards, its shadow sharp and close beneath it. Quiet dread.
Thnhdox
AI artwork
d
character: jessie_(pokemon), serena_(pokemon) medium shot, 2girls, jessie_(pokemon), serena_(pokemon), long_hair, red_hair, hair_slicked_back, very_long_hair, blue_eyes, eyelashes, brown_hair, blonde_hair, low-tied_long_hair, team_rocket_uniform, black_uniform, red_R_emblem, white_gloves, skirt, from_side, profile, serena_standing_at_table, leaning_forward, jessie_behind_serena, from_behind, sneaking, silent_laugh, closed_eyes, unconscious, limp_body, relaxed_arms, chloroform_cloth, cloth_over_mouth, one_arm_restraining, arm_around_waist, head_back, map_on_table, team_rocket_base_interior, dim_lighting, green_monitor_glow, cinematic, detailed, sharp_focus, no_extra_limbs, coherent_anatomy The frame is a tight medium shot taken from a three-quarter side angle, camera slightly below chest height, both women held in the same crisp pool of light against the dark cluttered interior of a subterranean Team Rocket base. On the right of frame, Serena stands at a steel table, bent forward at the waist over a large unrolled tactical map — her weight on both feet, hips angled slightly toward the table edge. Her long honey-brown hair is tied low at the nape and falls forward over one shoulder as she leans; she wears the standard black Team Rocket uniform: a short black skirt over black tights, a fitted black top with the red R emblem on the chest, white gloves. At this instant her eyes are closed and her head has lolled back against Jessie's shoulder, mouth slack beneath the cloth, arms hanging loose at her sides with gloved fingers curling downward, knees beginning to buckle but still braced against the table edge. Behind her, Jessie leans in close, torso pressed to Serena's back, her long red hair slicked back and falling in a heavy sheaf over one shoulder. Jessie's left arm wraps around Serena's upper body, forearm braced across Serena's chest, hand gripping Serena's far shoulder to hold her upright. Her right hand presses a folded white cloth firmly over Serena's nose and mouth, fingers spread across the fabric. Jessie's face is turned in profile toward the camera: eyes narrowed with sly amusement, one corner of her mouth pulled up in a silent, delighted smirk, teeth just showing — a private, gloating laugh she is not letting out. The lamp above the table is the only strong source; it falls from upper left, rimming Jessie's hair and the curve of Serena's cheek with warm light, leaving the base corridor behind them in near-total darkness. The map on the table is lit flat and bright, its grid lines and red-marked routes legible, one corner curling up off the steel. Behind them, faint green glow from a bank of monitors picks out the edges of file cabinets and pipes. Palette limited to black, red, warm tungsten yellow, and the cold green of the screens. Crisp linework, clean anatomy, every limb and hand accounted for, no doubling or tangling of arms. Tense, hushed, quietly sinister.
Dicavecdff
AI artwork
2中
rosa_(pokemon), serena_(pokemon), The heroines from Pokémon Black 2 and White 2, ((anime artwork)) with vibrant colors and detailed faces. Rosa, on the left, is a tall girl with a slender build, long brown hair in twintails with pink bows, and blue eyes with long eyelashes, purple eyeshadow, and a sharp eye shape. She wears a blue and white sleeveless shirt with a visor cap, yellow miniskirt, and black tights, highlighting her slender, long legs. Serena, on the right, is also a tall girl with a slender build, long blonde hair, blue eyes with long eyelashes and purple eyeshadow. She wears a black sleeveless shirt, a red miniskirt, black thigh-high socks, and a pink hat. Both girls are bound by glowing purple chains around their waists, necks, and thighs, with their arms stretched out to the sides, struggling against the restraints with sweaty skin. A young, blond boy in the center, whose face is not visible, is holding and pulling the chains with a superior expression, tightening the restraints on Rosa and Serena. The composition is a close-up from a slightly high angle, capturing the girls from the shins up as they stand, looking directly at the viewer in distress. The atmosphere is one of captivity and tension.
2522中塚光飛

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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