Black-haired Girl with Blue Eyes and TV Screen
🍣𝓲𝓷𝓪𝓻𝓲🍣
The Girl in the TV
ちびキャラコンテスト Late at night, the television suddenly comes to life. A tiny ghost girl named Mio slowly crawls out of the screen with a gentle smile. Cute, mysterious, and just a little terrifying… An original supernatural horror inspired by classic Japanese ghost stories and the world of KIJIN. AI-assisted artwork. 📺👻💜
Tampilkan Parameter
- Ukuran
- 512 x 512
Model & LoRA yang digunakan
Gambar Serupa
Tampilkan lebih banyak
マイ
1girl, black hair, long hair, cute but creepy, beautifully terrifying, doll-like face, hollow eyes, unsettling smile, upper body out of screen, leaning out of screen, crawling out of monitor, lunging forward, hand thrusting towards viewer, giant hand in extreme foreground, extreme foreshortening, reaching out, breaking the fourth wall, 3d out of frame, digital camera, camera screen, lcd screen, glowing screen, screen reflection, camera ui, recording indicator, pitch black, absolute darkness, horror, j-horror, creepy, eerie glow, cyan light, cold lighting, low key, macro shot, pov, dutch angle, tilted frame, diagonal composition, dynamic angle, digital noise, glitch, high detail, masterpiece, 3d render style, depth of field, A hyper-detailed horror illustration with cinematic macro-photography aesthetics, framed in a steep dutch angle (dutch tilt / diagonal composition) that creates a dizzying, panicked sense of disorientation. The focus is entirely on a tilted digital camera's LCD screen glowing ominously in an absolute, pitch-black void. Breaking completely through the physical glass of the small rectangular screen is a terrifying yet deceptively cute girl with long black hair. She has a beautifully delicate, doll-like face, but her unnaturally wide, hollow eyes and a faint, unsettlingly creepy smile radiate pure J-horror terror. Her upper body is forcefully leaning out of the screen, lunging aggressively into the real world. Her hand is thrust directly at the viewer, dominating the extreme foreground with intense, dramatic foreshortening as her pale, slender fingers reach out to grab the observer. The camera's digital interface remains visible around her waist where she breaches the boundary: a glowing red "REC" dot, crisp white text displaying "00:03:42:15", a half-empty battery icon, and "ISO 3200". The physical body of the digital camera features hyper-realistic materials: matte black plastic textures and small tactile menu buttons illuminated by the screen's cold cyan glow. Heavy digital high-ISO noise, subtle VHS-like glitching, and chromatic aberration surround the edges where her body tears through the digital world into reality. The surrounding environment is completely swallowed by suffocating darkness, with a shallow depth of field blurring the outer edges of the physical camera body to draw all focus to her horrifyingly cute face and the giant hand reaching for the viewer.
マイ
焔悧
もう少し大きなテレビないですか？
焔悧
artist:john kafka,artist:wanke,artist:fuzichoco,artist:quasarcake,(artist:nixeu:0.8), 1girl, solo, cowboy shot, straight-on, sitting, leaning forward, slumped shoulders, hands between legs, hands on lap, arms between knees, head slightly lowered, looking down, looking to the side, downcast eyes, blue-grey eyes, empty eyes, expressionless, closed mouth, dark brown hair, black hair, short hair, bob cut, blunt bangs, single large white bow, hair bow, iridescent bow, white blouse, long sleeves, lace collar, frilled collar, lace trim, front button row, small buttons, dark navy pinafore, suspender dress, black overall dress, white skirt, lace hem, dark room, night interior, crt monitor, (crt glow:1.3), two crt screens, retro computer, vintage monitor, audio deck, stereo equipment, knobs and dials, cables on floor, wooden floor, glitched screen, corrupted static, rainbow static, screen light, blacklight glow, ultraviolet tint, blue-violet light, (prismatic rainbow bands:1.2), spectral light, iridescent highlights, holographic sheen, darkness, black background, oil painting style, painterly, thick brushstrokes, impasto texture, visible brushwork, scratchy paint texture, rough paint patches, muted amber accents, semi-realistic anime, melancholy, lonely,
A nearly black room at night where the only light is the glow of screens: the girl sits facing the camera at cowboy-shot distance, torso leaning forward, shoulders slumped inward, both arms dropped between her knees with her hands settled together in her lap between her thighs, the pose collapsed and weightless with fatigue. Her dark brown bob falls to her jaw with heavy blunt bangs, and a single large white bow is tied on the right side of her head, its satin surface turned iridescent by the light; her blue-grey eyes are open but empty, aimed down and slightly to the side at nothing, mouth closed, face blank. She wears a white long-sleeved blouse with a wide lace-trimmed collar and a vertical row of small buttons, under a dark navy pinafore whose straps cross her chest, a pale skirt with a lace hem spreading around her seated legs. To her left stand two beige CRT monitors stacked with a knob-covered audio deck between them — the upper screen frozen on corrupted rainbow static, blocks of glitched color and a smeared spectral arc, the lower screen nearly dark with a cold blue wash — and these screens are the only light sources in the frame; beyond their reach the darkness is absolute, the walls dissolving into black with only rough patches of amber paint texture surviving near her head. The screen light lands as physics demands: a cold blue-violet base floods the surfaces facing the monitors — the left side of her hair, her cheek, her chest — while thin prismatic rainbow bands, split like light through a prism, strike in narrow arcs across the crown of her hair, the bow, her lace collar and down her left sleeve, every band bending with the fabric folds it crosses; the sides of her body facing away from the screens fall into deep violet-black shadow with no second light to rescue them. On the wooden floor to the right, loose cables catch faint blue edge reflections dimmer and softer than the screens themselves, and a small device in the far corner holds one tiny blue glow. The whole image is rendered as a dark oil painting — thick visible brushstrokes, impasto ridges catching the screen light, scratchy dry-brush texture in the blacks, edges left rough — the painterly grain itself the image's deliberate defect. Melancholy, lonely,
artist: john_kafka, wanke, fuzichoco, quasarcake, nixeu
Mizuki
1
