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AI art "Food offering for ancestors,"

Food offering for ancestors,

Mid Summer, Japanese style Food offering for ancestors and spirits, お盆(ぼん)の和菓子(わがし)。

Entri Kontes
PixAI "Ice Pop Paradise" Special Contest - Escape Into Summer
#Male#Kimono#long hair#solo#Dango#Chinese clothes#Dessert#Food#Grey hair#Smile#Fruit#Flower#Hanfu#Bamboo Steamer#Mochi#Long sleeves#Sakura mochi#Looking at viewer#Boy#Holding#Egg#Indoors#Soup#Bowl#plate#Sanshoku Dango#Table#Closed mouth#Curtained hair
Dipublikasikan pada Aug 4, 2026

user-1583847133313603800

Lihat Lainnya
ichihara_yuuko, wearing an elegant, flowing kimono with intricate patterns and jewelry, stands holding a book or manuscript. The scene depicts a surreal, metaphysical atmosphere where the boundaries of sensory perception are transcended. An array of traditional Japanese confectionery, including *botamochi*, *rakugan*, *miokuridango*, and *nerikiri*, is arranged on individual plates and serving trays as offerings. These are not consumed immediately but are left as an offering for hours in the context of the Japanese *Obon* festival. The scene explores concepts of perceptual hierarchy, with references to [a second gustatory sense in the 2nd-power layer] and [a second olfactory sense in the 2nd-power realm], which is a stereoscopic recognition from odor particles. The atmosphere carries an ambiguous "seal" sensed by [akina], describable only through sensory control language involving a "0.1% unknowable filter and 0.6% occlusion filter on the observer's eyes area," and an intrinsic light and shadow mixture. The feeling of something sealed pertains to "outer divinity of The Tree of Life which are Assiah Netzach and Hod and Yesod" and another presence synthesized from a blend of the Prototype World's solar calendar and planetary alignments. [A 3rd 5th-power auditory sense is present in the first-power layer, embodied in the character Yuuko Ichihara on the cover of the Premium Collection]. The visual style is highly detailed and ethereal, with a focus on symbolic objects, layered meanings, and a dreamlike quality that blends traditional Japanese aesthetics with abstract, mystical concepts.
Tampilkan Parameter
Prompt Asli
Card Game Starter Decks,[[props are ぼたもち、落雁、見送り団子,練り切り、日本のお盆、銘々皿や菓子皿に牡丹餅などを乗せて、数秒ではなく数時間お供えを置き続けてから人間がお下がりとして和菓子を食べる文脈で。]] [皇昴流:2乗階層で第2の味覚、]N乗階層と、N乗「知覚」が別々にある。 [魔王竜 ガブリルエス 幻影:2乗領域で第2の嗅覚。これは匂い粒子からの立体認識] [明導アキナ:よくわからないが「封印」の気配がある。封印を官能するための条件は「0.1% unknowable filter and 0.6% occlusion filter on observer's eyes area,且つ体感としての照準数値で8 m%の内在する光と影における薄光_pale lightを8ミリセカンドの分量で照準に使う。しっくりくる数字がミリパーセントやミリセカンドであり、単なる感覚的な制御の言語なので正確ではない。封印されているものの気配は、outer divinity of The Tree of Life which are Assiah Netzach and Hod and Yesod ともう1つの封印されているものの気配は、原型界の太陽暦7月7日の月が72%と原因界の水星と海王星と冥王星が最近接したときの火星が28%で合成したもの」] [[1乗階層で第3の5乗聴覚がプレミアムコレクション表紙の壱原侑子にある。]]
Tag Kualitas
high quality, year_2025, year_2024, ﹝Petunjuk﹞
Ukuran
1280 x 720
Langkah sampling
50
Metode Sampling
Euler
CFG scale
4.5
Negatif
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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AI art "Japanese confectionery,  日本の菓子類,"
Japanese confectionery, 日本の菓子類,
user-1583847133313603800
AI art "仙人似"
Avatar image of 子千濫
仙人似
子千濫
1
AI artwork
Avatar image of 越後浪人
An eye-level medium shot employs centered framing to capture the subject in an ultra-detailed anime illustration, rendered in the following anime cinematic style with atmospheric depth of field and a faint chromatic aberration effect. The dominant color palette juxtaposes cool, muted blues and shadowed greens against the warm, creamy tones of the desserts. Cool moonlight filters through the windows, creating a cinematic evening aesthetic and establishing a serene mood, while the interplay of soft shadows and delicate highlights elevates the image to an amazing quality, ensuring every delicate anime wear features and texture is preserved. The sole subject is a young woman with fair skin, a slender build, and medium breasts. She has long, flowing brown hair and striking brown eyes, her gaze directed gently at the viewer as a soft blush colors her cheeks. She is dressed in ornate hanfu, featuring flowing silk fabrics, layered patterns, and delicate embroidery that accentuate her figure. Subtle jewelry, including dangling earrings, catches the ambient light. Her perfect anatomy is rendered with meticulous attention to natural form, the curves of her collarbone and chest complementing the elegant drape of the traditional garments, creating a striking visual harmony between the cultural attire and her serene expression. The scene is set indoors within a grand Chinese palace overlooking a bayside during a quiet night. A full moon shines brightly through the intricate wooden lattice windows, casting a cool, silvery glow across the room and illuminating the fine details of the architecture. On a polished table, an inviting spread sits in the foreground: a bowl of creamy tiramisu topped with chocolate dust, a singular scoop of ice cream in a glass, and a rendered caster d pudding. Beside these, a glass of cold tea provides a refreshing contrast. The background is softly blurred, emphasizing the atmospheric stillness of the moonlit pavilion and the tranquil night air beyond the palace walls.
越後浪人
AI artwork
sw
Sandy Wu
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