Hougi Higurashi

Dipublikasikan Aug 12, 2026

Hougi Higurashi

(anime:1.5), (kawaii:1.5), (cute face:1.5), (mature: 1.5), 1girl, empress, bridal gown, victorian style, fantasy court, sitting, large breasts, perfect feminine curves, red hair, red eyes, extremely long hair, single thick braid, oversized headwear, ceremonial veil, jewelry, earrings, necklace, standing collar, bracelets, finger ring, floor-length gown, fitted bodice, cinched waist, décolleté, bouffant skirt, petticoats, long train, open-front skirt, flared sleeves, shoulder capelet, ceremonial cape, brocade, velvet, taffeta, embroidered silk, metal embroidery, filigree, gemstones, deep red, ivory white, imperial palace, court meeting, talking, looking at viewer, masterpiece, ultra detailed

Tampilkan Parameter

Prompt Asli: (anime:1.5), (kawaii:1.5), (cute face:1.5), (mature: 1.5) COMPOSITION Full-body illustration, eye level view, camera pulled far back. The subject appears smaller within the frame. Skirt hem and train clearly visible resting on the ground. Visible space above the headpiece and below the skirt hem. Full height of the headpiece is fully visible, not touching the frame edge. No portrait framing. Three-quarter body orientation. Face must turn toward viewer, but eyes must gaze to the court magistrates. Both two eyes of the face must be visible. SUBJECT Adult empress in a bridal gown, firmly Western structure (Victorian, fantasy court style). Sitting. Early-20s visual age, large breasts, perfect feminine curves, refined statuesque body proportions, very beautiful. Red hair, red eyes. Extremely long hair styled into a single thick braid, clearly legible full-body. HEADGEAR Oversized, vertically dominant, extensively decorated ceremonial Western headwear with articulated jewelry mechanics. The headwear forms upright vertical semicircular annulus crest perpendicular to the head and has extended articulated metal arms (hairpin‑like brackets), each directly supporting suspended jewel drops and short dangling chains. Very thick, opaque, light‑blocking, fully decorated silk ceremonial veil, treated as a garment layer rather than sheer fabric, behaves like a draped mantle and remains visually distinct from the gown. JEWELRIES Matching earrings, ceremonial necklace, detachable ornamental standing collar, bracelets, finger ring. GOWN STRUCTURE Floor-length imperial bridal gown, fitted bodice, cinched waist, neckline with décolleté exposure. Bouffant skirt supported by petticoats, extending into a long monarch-style train. Gown train is visually heavy, articulated with gravity-guided folds and drapery. Open-front outer skirt, revealing front display petticoat panel. Long flared sleeves with gentle undulation and soft wavy folds at the ends attach smoothly at the shoulder with a fitted sleeve head, no gigot sleeves, no puffed shoulders. Structured symmetric shoulder capelet with defined edges, visible thickness, and planar stiffness, maintaining a triangular, pelerine silhouette. Full ceremonial cape is under capelet, hangs as a separate layer behind the arms with a visible lining and border, not merge into the sleeves or skirt train. MATERIAL & ORNAMENT The gown combines heavy and light fabrics. Core structure includes brocade, velvet, luminous taffeta, embroidered silk. Light fabrics used where underclothes, folds, drapery, and motion are needed (sleeves, cape edges, train transitions, underlayers, petitcoats). Light fabric underlayers/ petitcoats visible at hem and sleeves. Lined garment layers with visible hem thickness and embroidered borders; reads as mantle‑like draped layer, not sheer fabric. Large areas breaking into structured folds where gravity, layering, and movement interact. Fabric‑embedded metal embroidery, filigree, and sewn gemstones are primary visual feature of the gown surface, not replaced by jewelry or collar ornament. COLOR & PATTERN Gown fabric color consist of extensive visible deep red area, clearly visible outer panels and drapery masses (cape, capelet, train surfaces, bodice, some outer skirt panels), and ivory/white area functions as structural base that preserves fold relief and embroidery depth, and underlayer fabrics. The gown has red as very significant visible color, but not has a single flat red surface. Ornamentation density and sewn gemstone density are maximal on outer red panels (cape, capelet, outer skirt panels, bodice panels), other ivory structural areas retain sewn gemstones and lighter relief. SCENE Daily morning court meeting in the hall of the imperial palace. Talking with court magistrates.
Ukuran: 848 x 1280
Langkah sampling: 8
Metode Sampling: Euler a
CFG scale: 1.6
Negatif: (back view:6), (skirt slit:6), (exposed legs:6), (Sheath Silhouette:3), (mermaid Silhouette:3), (form fitting skirt:3), (frilled dress:3), (frill:3), (drapery:3), (pleating:3), (Face distortion:1.5), (uneven skirt:3), (high-low hemline:3), (locomotive train:1.5), (nsfw, lowres, (bad), text, error, fewer, extra, missing, (worst quality), (low quality),jpeg artifacts, watermark, unfinished, displeasing, oldest, early, chromatic aberration, signature, extra digits, artistic error, username, scan, abstract, bad anatomy, bad hands, bad feet, bad hand, bad hands, bad finger, bad fingers, extra finger, extra fingers, split finger, split fingers, extra digits, fused arms, fused hands:2.0)

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