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AI art "TsubakiV3 test" featuring #God Eater and #God Eater Burst

TsubakiV3 test

#God Eater#God Eater Burst
Dipublikasikan Aug 18, 2026
Avatar image of 繭 Mayu
avatar-frame

繭 Mayu

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A dramatic Japanese anime illustration inspired by GOD EATER 1. A young man stands firmly on the body of a gigantic defeated Vajra Aragami inside a dark, abandoned church. The camera is positioned low near the ground and looks slightly upward toward him. The composition is close and vertically framed. The enormous weapon extends beyond the frame. The defeated Vajra fills the lower foreground and is also partially cropped. Soma Schicksal Use specifically Soma Schicksal from GOD EATER 1. He is a young, tall and physically imposing man with a serious, restrained expression. He has medium-length silver hair reaching around his face and neck. He wears his characteristic dark hood over his head. His clothing is very distinctive. He wears a yellow dress shirt. The yellow shirt is clearly visible across his chest and upper body. The shirt is tucked into his trousers on the viewer's right side, leaving the belt clearly visible on that side. He wears a black necktie. The lower end of the black tie is deliberately tucked into the chest pocket of the yellow shirt. The black tie therefore does not hang freely down his torso. This unusual tie arrangement is clearly visible and is an important part of his appearance. He also wears a relatively large wallet chain attached to the trousers on the viewer's left side. The chain hangs visibly from the waist toward the pocket area. His clothing should look like the distinctive casual combat attire of Soma from GOD EATER 1, not a generic suit or military uniform. His face is handsome, severe and emotionally restrained. He does not smile. He looks slightly upward toward the light entering through the broken stained-glass window. Pose Soma stands firmly on the defeated Vajra. One knee is slightly bent. His stance is balanced and natural. His lower legs and feet are partially obscured by the huge body of the Aragami. It must nevertheless be immediately clear that he is standing on top of the defeated creature. He holds his enormous weapon across one shoulder with one hand. His pose is relaxed and confident after battle. He does not make an exaggerated victory pose. Evil One Soma's weapon is an enormous Evil One. Its shape is extremely distinctive. It is a gigantic single massive slab of metal. The blade should look like one enormous thick iron plate transformed into a great weapon. It is not a normal sword with a conventional narrow blade. The weapon is extremely wide, extremely thick and brutally heavy. It is larger than Soma's own height. Because of its enormous size, the weapon naturally extends beyond the top and side edges of the 4:5 portrait frame. Only part of the complete weapon needs to be visible. The weapon has only one main cutting side. That cutting side curves strongly outward, creating a distinctive bent, heavy silhouette. Along this curved cutting edge is a large series of unmistakable saw-like teeth. The saw teeth follow the curved edge continuously. The opposite side of the weapon remains a massive, mostly solid metal slab. The silhouette should therefore resemble: an enormous flat iron slab with one side dramatically curved outward and covered by large saw teeth. The weapon must look asymmetrical. Do not give it two symmetrical cutting edges. Do not make it look like a normal medieval greatsword. Do not make it narrow. Do not make it elegant. It should look like an enormous industrial metal weapon. The saw teeth are large and clearly integrated into the curved edge. The weapon rests heavily across Soma's shoulder. Its enormous size dominates the upper part of the composition. The complete weapon is not visible because it is larger than the portrait frame. Defeated Vajra A gigantic defeated Vajra Aragami lies beneath Soma. Its enormous head is very close to the camera in the lower foreground. The head appears large because of perspective. Its monstrous feline-like face is clearly visible. Its mouth is slightly open. Large teeth are visible. Distinctive horn-like structures project from its head. Its body is covered with thick layered blue-white armored biological plates. The armor has a hard metallic appearance while retaining an organic structure. The body extends backward beneath Soma. Only part of the torso is visible. The lower body disappears beyond the frame. The creature is completely defeated and motionless. Soma is visibly standing on its body. Church The scene takes place inside a dark, partially ruined church. Old stone walls are barely visible through the darkness. A large stained-glass window is behind Soma. The window is broken in several places. Soft pale daylight enters through the broken sections. The light is faint and atmospheric. Dust particles float through the shafts of light. Small fragments of glass remain around the broken window. The church feels character: soma_schicksal, copyright: god_eater
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Prompt Asli
A dramatic Japanese anime illustration inspired by GOD EATER 1. A young man stands firmly on the body of a gigantic defeated Vajra Aragami inside a dark, abandoned church. The camera is positioned low near the ground and looks slightly upward toward him. The composition is close and vertically framed. The enormous weapon extends beyond the frame. The defeated Vajra fills the lower foreground and is also partially cropped. Soma Schicksal Use specifically Soma Schicksal from GOD EATER 1. He is a young, tall and physically imposing man with a serious, restrained expression. He has medium-length silver hair reaching around his face and neck. He wears his characteristic dark hood over his head. His clothing is very distinctive. He wears a yellow dress shirt. The yellow shirt is clearly visible across his chest and upper body. The shirt is tucked into his trousers on the viewer's right side, leaving the belt clearly visible on that side. He wears a black necktie. The lower end of the black tie is deliberately tucked into the chest pocket of the yellow shirt. The black tie therefore does not hang freely down his torso. This unusual tie arrangement is clearly visible and is an important part of his appearance. He also wears a relatively large wallet chain attached to the trousers on the viewer's left side. The chain hangs visibly from the waist toward the pocket area. His clothing should look like the distinctive casual combat attire of Soma from GOD EATER 1, not a generic suit or military uniform. His face is handsome, severe and emotionally restrained. He does not smile. He looks slightly upward toward the light entering through the broken stained-glass window. Pose Soma stands firmly on the defeated Vajra. One knee is slightly bent. His stance is balanced and natural. His lower legs and feet are partially obscured by the huge body of the Aragami. It must nevertheless be immediately clear that he is standing on top of the defeated creature. He holds his enormous weapon across one shoulder with one hand. His pose is relaxed and confident after battle. He does not make an exaggerated victory pose. Evil One Soma's weapon is an enormous Evil One. Its shape is extremely distinctive. It is a gigantic single massive slab of metal. The blade should look like one enormous thick iron plate transformed into a great weapon. It is not a normal sword with a conventional narrow blade. The weapon is extremely wide, extremely thick and brutally heavy. It is larger than Soma's own height. Because of its enormous size, the weapon naturally extends beyond the top and side edges of the 4:5 portrait frame. Only part of the complete weapon needs to be visible. The weapon has only one main cutting side. That cutting side curves strongly outward, creating a distinctive bent, heavy silhouette. Along this curved cutting edge is a large series of unmistakable saw-like teeth. The saw teeth follow the curved edge continuously. The opposite side of the weapon remains a massive, mostly solid metal slab. The silhouette should therefore resemble: an enormous flat iron slab with one side dramatically curved outward and covered by large saw teeth. The weapon must look asymmetrical. Do not give it two symmetrical cutting edges. Do not make it look like a normal medieval greatsword. Do not make it narrow. Do not make it elegant. It should look like an enormous industrial metal weapon. The saw teeth are large and clearly integrated into the curved edge. The weapon rests heavily across Soma's shoulder. Its enormous size dominates the upper part of the composition. The complete weapon is not visible because it is larger than the portrait frame. Defeated Vajra A gigantic defeated Vajra Aragami lies beneath Soma. Its enormous head is very close to the camera in the lower foreground. The head appears large because of perspective. Its monstrous feline-like face is clearly visible. Its mouth is slightly open. Large teeth are visible. Distinctive horn-like structures project from its head. Its body is covered with thick layered blue-white armored biological plates. The armor has a hard metallic appearance while retaining an organic structure. The body extends backward beneath Soma. Only part of the torso is visible. The lower body disappears beyond the frame. The creature is completely defeated and motionless. Soma is visibly standing on its body. Church The scene takes place inside a dark, partially ruined church. Old stone walls are barely visible through the darkness. A large stained-glass window is behind Soma. The window is broken in several places. Soft pale daylight enters through the broken sections. The light is faint and atmospheric. Dust particles float through the shafts of light. Small fragments of glass remain around the broken window. The church feels abandoned, dusty and slightly decayed. The atmosphere should evoke the dark post-apocalyptic world of GOD EATER. Lighting The church is predominantly dark. The broken stained-glass window provides the main background light. Soft pale light outlines Soma's silver hair and shoulders. Subtle highlights appear along the enormous metal weapon. The Vajra remains mostly in shadow. Dust particles are visible where the light enters. The scene should be atmospheric rather than brightly illuminated. Camera Low-angle perspective from near the ground. The huge Vajra head dominates the lower foreground. Its body extends backward toward Soma. Soma stands farther away and higher in the composition. The camera looks slightly upward toward him. The enormous Evil One rises diagonally across the upper portion of the image. The sword is intentionally cropped by the frame because it is larger than Soma. Soma's feet may also be hidden behind the Vajra. The cropping is intentional and should reinforce the enormous scale of the weapon and creature. Art style Japanese anime illustration inspired by GOD EATER 1. Detailed anime character rendering. Clean Japanese anime linework. Strong controlled cel shading. Sharp facial features. Detailed silver hair. Crisp silhouettes. Dramatic anime lighting. The characters should look like carefully illustrated anime characters, not 3D game models. Do not use photorealistic rendering. Do not use realistic 3D game graphics. Do not use Western comic-book rendering. Priorities The most important elements are: GOD EATER 1 Soma. Medium-length silver hair and dark hood. Yellow dress shirt. Black tie tucked into the yellow shirt's chest pocket. Shirt tucked into the trousers on the viewer's right side with the belt visible. Large wallet chain on the viewer's left side. The enormous Evil One, larger than Soma's height. One massive iron-slab-like blade. One strongly curved cutting edge. Large saw-like teeth following that curved edge. Soma standing on the defeated Vajra. The Vajra's huge head in the foreground. Low-angle perspective. Dark ruined church. Broken stained-glass window with faint light and dust. No additional characters. No later-series Soma appearance. No conventional medieval sword. No narrow sword. No symmetrical double-edged sword. No ordinary greatsword. No generic fantasy weapon. No bright church interior. No text. No logo.
Mode
ultra
Ukuran
1536 x 2048
Negatif
lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
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