TsubakiV3 test

Dipublikasikan Aug 20, 2026

繭 Mayu

A haunting semi-realistic, heavily painted portrait of a beautiful woman wearing an elaborate Gothic dress inspired by antique bisque dolls. She faces the viewer directly in a formal classical portrait composition. Her face is divided vertically into two distinctly different materials. One half is a completely natural human face, with realistic skin texture, subtle pores, fine lines and natural variations in color. The other half is made entirely of antique bisque porcelain, resembling the face of a finely crafted Victorian-era doll. The porcelain side is pale, matte and slightly warm ivory rather than pure white. It has the subtle surface texture, tiny imperfections, faint painted blush and delicate glazed highlights of genuine antique bisque porcelain. Transition between the two halves The transition should be unnatural but physically convincing. The human skin gradually transitions into porcelain around the center of the face. A very fine, irregular ceramic seam follows the boundary, accompanied by several extremely small hairline cracks in the porcelain. The seam should look like the two materials have been carefully joined together rather than like a wound. There is no blood or exposed flesh. The important contrast is material: one side is unmistakably living human skin, while the other is unmistakably hard porcelain. The difference should be immediately visible through texture, light reflection, color and surface detail. Expression Her expression is calm and almost emotionless. She looks directly toward the viewer. The human side retains a subtle sense of life, while the porcelain side has the stillness and slightly uncanny perfection of a doll. Her eyes remain human-looking and symmetrical enough to preserve the unsettling ambiguity of the portrait. Clothing She wears an elaborate dark Gothic dress inspired by antique porcelain dolls. High collar, layered fabric, lace, ribbons, delicate embroidery and Victorian-inspired details. The clothing is elegant, aged and slightly worn, with rich fabric textures. The overall silhouette resembles the elaborate clothing traditionally worn by antique European dolls. Visual style Semi-realistic heavy painterly rendering, with visible brushwork and rich layered pigments. Classical portrait composition combined with the unsettling material contrast of a living person and an antique porcelain doll. Soft dramatic lighting emphasizes the different ways light interacts with human skin and matte porcelain. Dark neutral background with no identifiable location. Beautiful, elegant and subtly horrifying rather than grotesque. No gore, no exposed flesh, no melting porcelain, no mechanical parts, no modern clothing, no anime style, no photorealistic photography, no text, no logo. character: dido_(anxious_bisque_doll)_(azur_lane)

Tampilkan Parameter

Prompt Asli: A haunting semi-realistic, heavily painted portrait of a beautiful woman wearing an elaborate Gothic dress inspired by antique bisque dolls. She faces the viewer directly in a formal classical portrait composition. Her face is divided vertically into two distinctly different materials. One half is a completely natural human face, with realistic skin texture, subtle pores, fine lines and natural variations in color. The other half is made entirely of antique bisque porcelain, resembling the face of a finely crafted Victorian-era doll. The porcelain side is pale, matte and slightly warm ivory rather than pure white. It has the subtle surface texture, tiny imperfections, faint painted blush and delicate glazed highlights of genuine antique bisque porcelain. Transition between the two halves The transition should be unnatural but physically convincing. The human skin gradually transitions into porcelain around the center of the face. A very fine, irregular ceramic seam follows the boundary, accompanied by several extremely small hairline cracks in the porcelain. The seam should look like the two materials have been carefully joined together rather than like a wound. There is no blood or exposed flesh. The important contrast is material: one side is unmistakably living human skin, while the other is unmistakably hard porcelain. The difference should be immediately visible through texture, light reflection, color and surface detail. Expression Her expression is calm and almost emotionless. She looks directly toward the viewer. The human side retains a subtle sense of life, while the porcelain side has the stillness and slightly uncanny perfection of a doll. Her eyes remain human-looking and symmetrical enough to preserve the unsettling ambiguity of the portrait. Clothing She wears an elaborate dark Gothic dress inspired by antique porcelain dolls. High collar, layered fabric, lace, ribbons, delicate embroidery and Victorian-inspired details. The clothing is elegant, aged and slightly worn, with rich fabric textures. The overall silhouette resembles the elaborate clothing traditionally worn by antique European dolls. Visual style Semi-realistic heavy painterly rendering, with visible brushwork and rich layered pigments. Classical portrait composition combined with the unsettling material contrast of a living person and an antique porcelain doll. Soft dramatic lighting emphasizes the different ways light interacts with human skin and matte porcelain. Dark neutral background with no identifiable location. Beautiful, elegant and subtly horrifying rather than grotesque. No gore, no exposed flesh, no melting porcelain, no mechanical parts, no modern clothing, no anime style, no photorealistic photography, no text, no logo.
Mode: ultra
Ukuran: 1536 x 2048
Negatif: lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark

Asisten prompt