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AI art "TsubakiV3 test"

TsubakiV3 test

Dipublikasikan Aug 25, 2026
Avatar image of 繭 Mayu
avatar-frame

繭 Mayu

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Create a polished black-and-white Japanese manga page depicting a short, bittersweet school romance scene. HIGHEST PRIORITY: LAYERED PAGE STRUCTURE Construct the manga page as a layered composition. Think of the image as being assembled from separate layers in this order: black page background five manga panels characters and visual details inside and across the panels manga shading and screentone empty speech balloons absolutely no text The panel layout is more important than any other visual detail. BASE LAYER The entire page uses a solid black background. The manga panels are placed over this black base, creating visible black negative space between panels. The overall page is strictly monochrome. Use only: black white grayscale screentone halftone No color anywhere. PANEL LAYER There are EXACTLY FIVE PANELS. Do not add, remove, split, merge or rearrange panels. The panels must not form a regular grid. Use different sizes and shapes. Some panels have clean rectangular borders. Some panels have asymmetric or diagonal edges. At least one visual panel may be borderless, appearing as an image floating within the black page background. The black areas between panels must remain clearly visible. PANEL 1 Large horizontal establishing panel in the upper portion of the page. Show an empty Japanese high-school classroom after school. Late-afternoon light enters through the windows. Place the teenage girl toward the right side. Place the boy's empty desk toward the left side. The girl has just entered the classroom and notices the empty desk. No other people. Use grayscale screentone to represent the fading daylight. PANEL 2 Small narrow panel positioned below Panel 1 toward the right side. Show only the boy's empty desk and chair. The chair is slightly pulled away. A small ordinary personal object remains on the desk. No people. Use strong white negative space. PANEL 3 Small asymmetric close-up positioned below Panel 1 toward the left side. One edge of the panel is diagonal. Show only the girl's eyes and part of her face. She has just realized that the boy is gone. Her expression is subtle and restrained. Mostly white background with light screentone. PANEL 4 Medium-sized asymmetric panel in the middle-left portion of the page. Show the boy earlier that day beside a classroom window. Show him from the chest up. He suddenly turns with a brief startled expression. His eyes are slightly widened. This is a quiet memory fragment. No other people. PANEL 5 The largest panel. It occupies most of the lower portion of the page. Do not divide this panel. Show the girl standing alone beside the boy's empty desk. Place the girl toward the right side. Place the empty desk toward the left side. The girl is relatively small compared with the surrounding classroom. Leave substantial black and white negative space around her. Her expression is quiet and sad: eyebrows slightly lowered eyes slightly softened mouth almost unchanged no tears no exaggerated crying The emotional effect comes from the empty classroom and the large surrounding negative space. CHARACTER CONSISTENCY Only two human characters exist in the entire page. Girl Quiet Japanese high-school girl. Long dark hair. Japanese school uniform. Gentle, restrained appearance. Same face, hairstyle, age and clothing in every appearance. Boy Japanese high-school boy. Short dark hair. Japanese school uniform. Same appearance whenever he appears. Do not add any other people. MANGA RENDERING Use refined contemporary Japanese manga techniques: clean ink linework precise professional panel borders varied line weight black solid areas white negative space grayscale screentone halftone fine hatching selective crosshatching subtle gradient screentone close-up cut-ins asymmetric panel shapes borderless visual area strong contrast between large and small panels The page should feel like a professionally composed manga page rather than a storyboard. Panel borders must be clean and controlled. EMPTY SPEECH BALLOON LAYER Create EXACTLY TWO EMPTY SPEECH BALLOONS in Panel 5. The balloons must be clearly recognizable as Japanese manga speech balloons. Balloon 1 Place a small speech balloon in the upper-left area of Panel 5, near the girl but not covering her face. Balloon 2 Place a larger speech balloon in the surrounding negative space of Panel 5, slightly farther from the girl. The second balloon should be larger than the first. Both balloons must have: clean white fill clean black outline appropriate manga speech-balloon shape clear empty interior small natural tail pointing toward the
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Prompt Asli
Create a polished black-and-white Japanese manga page depicting a short, bittersweet school romance scene. HIGHEST PRIORITY: LAYERED PAGE STRUCTURE Construct the manga page as a layered composition. Think of the image as being assembled from separate layers in this order: black page background five manga panels characters and visual details inside and across the panels manga shading and screentone empty speech balloons absolutely no text The panel layout is more important than any other visual detail. BASE LAYER The entire page uses a solid black background. The manga panels are placed over this black base, creating visible black negative space between panels. The overall page is strictly monochrome. Use only: black white grayscale screentone halftone No color anywhere. PANEL LAYER There are EXACTLY FIVE PANELS. Do not add, remove, split, merge or rearrange panels. The panels must not form a regular grid. Use different sizes and shapes. Some panels have clean rectangular borders. Some panels have asymmetric or diagonal edges. At least one visual panel may be borderless, appearing as an image floating within the black page background. The black areas between panels must remain clearly visible. PANEL 1 Large horizontal establishing panel in the upper portion of the page. Show an empty Japanese high-school classroom after school. Late-afternoon light enters through the windows. Place the teenage girl toward the right side. Place the boy's empty desk toward the left side. The girl has just entered the classroom and notices the empty desk. No other people. Use grayscale screentone to represent the fading daylight. PANEL 2 Small narrow panel positioned below Panel 1 toward the right side. Show only the boy's empty desk and chair. The chair is slightly pulled away. A small ordinary personal object remains on the desk. No people. Use strong white negative space. PANEL 3 Small asymmetric close-up positioned below Panel 1 toward the left side. One edge of the panel is diagonal. Show only the girl's eyes and part of her face. She has just realized that the boy is gone. Her expression is subtle and restrained. Mostly white background with light screentone. PANEL 4 Medium-sized asymmetric panel in the middle-left portion of the page. Show the boy earlier that day beside a classroom window. Show him from the chest up. He suddenly turns with a brief startled expression. His eyes are slightly widened. This is a quiet memory fragment. No other people. PANEL 5 The largest panel. It occupies most of the lower portion of the page. Do not divide this panel. Show the girl standing alone beside the boy's empty desk. Place the girl toward the right side. Place the empty desk toward the left side. The girl is relatively small compared with the surrounding classroom. Leave substantial black and white negative space around her. Her expression is quiet and sad: eyebrows slightly lowered eyes slightly softened mouth almost unchanged no tears no exaggerated crying The emotional effect comes from the empty classroom and the large surrounding negative space. CHARACTER CONSISTENCY Only two human characters exist in the entire page. Girl Quiet Japanese high-school girl. Long dark hair. Japanese school uniform. Gentle, restrained appearance. Same face, hairstyle, age and clothing in every appearance. Boy Japanese high-school boy. Short dark hair. Japanese school uniform. Same appearance whenever he appears. Do not add any other people. MANGA RENDERING Use refined contemporary Japanese manga techniques: clean ink linework precise professional panel borders varied line weight black solid areas white negative space grayscale screentone halftone fine hatching selective crosshatching subtle gradient screentone close-up cut-ins asymmetric panel shapes borderless visual area strong contrast between large and small panels The page should feel like a professionally composed manga page rather than a storyboard. Panel borders must be clean and controlled. EMPTY SPEECH BALLOON LAYER Create EXACTLY TWO EMPTY SPEECH BALLOONS in Panel 5. The balloons must be clearly recognizable as Japanese manga speech balloons. Balloon 1 Place a small speech balloon in the upper-left area of Panel 5, near the girl but not covering her face. Balloon 2 Place a larger speech balloon in the surrounding negative space of Panel 5, slightly farther from the girl. The second balloon should be larger than the first. Both balloons must have: clean white fill clean black outline appropriate manga speech-balloon shape clear empty interior small natural tail pointing toward the girl The balloons must be completely blank. DO NOT DRAW ANY LETTERS, WORDS, SYMBOLS, PUNCTUATION OR MARKINGS INSIDE THE BALLOONS. The interiors must remain pure empty white. ABSOLUTE TEXT BAN There must be ZERO TEXT anywhere in the image. Do not generate: dialogue Japanese characters English letters numbers punctuation captions narration sound effects signs logos watermarks handwriting fake manga text The speech balloons must contain nothing whatsoever. The blackboard must be blank. Books and papers must contain no writing. This is intentional. The final image should look like a finished manga page with empty speech balloons waiting for the dialogue to be added later. The final result must contain: exactly five panels, exactly two human characters, exactly two empty speech balloons, and absolutely no text.
Mode
ultra
Ukuran
1536 x 2048
Negatif
lowres, worst quality, low quality, bad anatomy, bad hands, text, error, missing fingers, jpeg artifacts, signature, watermark
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AI art "TsubakiV3 test"
Avatar image of 繭 Mayu
TsubakiV3 test
繭 Mayu
AI artwork
y1
A high-quality black and white Japanese manga page, vertical page composition, professional manga layout with two panels, clean white gutters, elegant cinematic storytelling, highly finished comic illustration. Upper panel: a dramatic side-profile composition of a young girl standing near a large window inside a quiet room. The camera angle is slightly low, looking upward, creating a delicate and emotional atmosphere. The girl is positioned slightly to the right of center, facing right toward the window, her long flowing hair extending dramatically to the left as if moved by a gentle breeze. Her hair occupies a large part of the composition, creating dynamic movement and soft curves. She has a calm and distant expression, slightly lowered eyes, delicate facial features, and a quiet, melancholic mood. She wears a simple dark sailor-style school uniform with a light collar and ribbon. Bright light enters from the window on the right side, creating a strong contrast between the illuminated background and the darker silhouette of the character. The room is minimal and spacious, with a high ceiling, hanging pendant lamps, simple walls, and large vertical window frames. Soft sunlight filters through the window, creating subtle shadows and a quiet indoor atmosphere. Fine manga screentone textures are used throughout the background, with delicate architectural linework and soft gradients. Lower panel: an extreme close-up of the girl's face, focusing on her large reflective eyes and gentle expression. The framing crops most of the face, emphasizing the emotional gaze. Her eyes contain bright highlights, creating a dreamy and fragile feeling. Her long hair partially surrounds the face, with soft strands crossing the frame. Fine linework, subtle screentone shading, and delicate facial details create an intimate manga close-up. Place a vertical Japanese dialogue text block on the right side of the lower panel: 「……窓を見つめているね。 王子様みたいな顔で」 Overall style: finished Japanese romance/drama manga illustration, monochrome ink drawing, elegant thin line art, soft screentone gradients, delicate cross-hatching, realistic manga background details, high-quality professional comic page, emotional cinematic framing, gentle lighting, atmospheric composition, detailed hair rendering, refined facial expressions, black and white only. No color, no digital painting, traditional manga print texture.
yui111
AI artwork
マイ
1boy, 1girl, school_uniform, blazer, pleated_skirt, walking, profile, hallway, school_corridor, looking_away A monochrome manga page featuring a single horizontal panel. In a strict side-profile medium shot, a male student and a female student walk past each other in a quiet high-school hallway after classes. The boy is positioned on the left, walking toward the right, while the girl is on the right, walking toward the left. Both are captured in mid-stride, maintaining a tense, precise distance between them. The boy wears a dark blazer, light shirt, and dark trousers, his short dark hair neat as he stares straight ahead with a neutral, distant expression. The girl wears a dark blazer, light blouse, and a dark pleated skirt, her shoulder-length dark hair swaying slightly; she also looks forward, her gaze avoiding his. The background consists of a receding corridor with closed classroom doors, rendered with soft grayscale screentones to evoke the stillness of late afternoon. High-contrast ink linework and dot-patterned shading define the depth of the hallway and the folds of their uniforms, emphasizing a poignant atmosphere of silence and emotional distance.
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AI art "漫画"
Avatar image of いちにの/ichinino
漫画
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