character: niiyama_satomi_(Hibike! Euphonium), kyoto animation style illustration of Niiyama Satomi, mature anime style, long face, brown hair, parted bangs, no bangs hanging over the center of the forehead, loose wavy medium long hair, bluish violet eyes, lavender eyes, cool-toned purple eyes, thick eyelashes, high hairline, longer distance between hairline and eyebrows, center part starting high on the crown, mid-30s, medium breasts, a wedding ring on the ring finger of the left hand if the left hand is depicted, cgptbg, a full-body vertical composition of a woman sitting relaxed in a large antique chair in a calm, high-end classic restaurant or lounge interior. Describe it as an environmental portrait including the chair she is sitting in, the woman's entire body, the hem of her long dress, the floor, and the neighboring table, rather than a bust-up portrait of the person alone.
Niiyama Satomi's eyes are very long almond-shaped large eyes, stretching long from the inner to the outer corner, about 15% larger while maintaining vertical width, large eyes with naturally open upper eyelids, lower eyelids gently sloping from the center to the outer corner, the lower eyelid line is clearly visible, outer corners are soft and round, gentle drooping eyes, soft eyes in the style of Kyoto Animation, the iris occupies 60-65% of the eye's width, the top and bottom of the whites are slightly visible, delicate eyelashes, medium-thin natural eyebrows, slightly thick natural eyebrows, the start of the eyebrow is not too thick, gentle arched eyebrows, the peak of the eyebrow is not prominent, soft and natural eyebrows, natural hair flow, elegant and mature eyebrows.
The woman (Niiyama Satomi) is placed near the center of the screen. Her entire body is visible continuously from the top of her head to the hem of the dress at her feet. The head, shoulders, chest, waist, thighs, knees, legs, and the hem of the dress are within the screen; do not cut off the lower body. Her feet and the hem of the dress are visible near the bottom edge of the screen. Do not make it a portrait where the person is drawn largely from the chest up.
The camera is at nearly the same height as the woman's chest. The camera is not positioned higher than the woman. Do not use a high-angle bird's-eye view looking down. Avoid extreme high angles and use a composition shot from an eye-level view nearly horizontal to the woman's body and chair. Keep the camera slightly away from the woman to capture the entire body and chair in one screen.
The woman is fully seated in a large antique wooden chair. Her waist and thighs are in contact with the seat, and her center of gravity is entrusted to the chair. She does not look like she is standing or sitting in mid-air. The backrest, seat, armrests, and legs of the chair are naturally visible around her body.
The woman is angled diagonally relative to the chair. From the waist down, she extends horizontally along the chair, while only her upper body is elegantly twisted toward the camera. Her entire body forms a natural, elegant S-curve. She has a refined sitting posture with a slightly straight back and relaxed tension.
The woman is wearing a very elegant long dress in a glossy bronze to gold-brown color. The dress is a single long garment extending from the shoulders to the feet, with a sufficient long length reaching near the ankles. It is not a short dress; even while seated, the long skirt section continues below the knees and hangs near the floor.
The fabric of the dress has a large number of very fine vertical pleats repeated. Each pleat is an accordion-like structure of continuous thin ridges and valleys, with many fine vertical folds throughout the fabric. It is not simply smooth cloth, but a three-dimensional pleated fabric. The fine vertical pleat structure continues from the chest to the abdomen, waist, thighs, knees, and hem.
Many thin vertical folds are visible on the surface of the dress. As lighting hits the ridges and the valleys become dark, many fine vertical shadows appear. Fine vertical shadows appear continuously across the dress, making it clear at a glance that it is pleated fabric. These are three-dimensional pleats of the cloth itself, not vertical stripes.
The dress is a subdued bronze to gold-brown hue, showing a soft luster under warm indoor lighting. The luster is the natural glow of high-quality fabric, not a mirror-like reflection. The pleats compress or spread along the seated body, and spread naturally below the knees.
The dress is sleeveless, with an elegant design exposing the shoulders. The neckline is high and modest. The chest is not excessively exposed, making it an elegant outfit suitable for a mature adult woman.
The woman's right arm (from the viewer's perspective) is bent and raised. Her hand lightly touches her neck or near her shoulder. The palm and fingertips are relaxed, in a delicate gesture as if softly touching her hair or neck. The arm is not wrapped behind her body.
The other arm is naturally bent in front of her body. Her hand is near the abdomen or waist and is visible from the front. Both hands are not placed on the table. Both arms are not wrapped behind the body. Do not use a pose where both hands are lined up on the table.
The woman's face is turned slightly toward the camera, but her entire body is not facing forward. She looks slightly at the camera with a calm, confident, adult-like expression. There is a modest smile on her lips and her eyes are composed. Instead of a wide smile or childish expression, she has an expression that conveys intellectual and elegant poise.
The chair is a dark brown antique wooden chair. The backrest has fine rattan weaving or lattice decoration, and the wooden frame has curved carvings. The seat has a dark brown or near-black leather cushion. Make the contact between the woman's body and the chair clear.
To the woman's right (from the viewer's perspective) is a small round wooden table. The table is placed slightly behind or beside her and does not appear larger than her. A white circular plate and small, elegant dishes are placed on the table. The table is a background element constituting the interior space, not a place for her to put her hands.
The interior is a high-end classic restaurant or lounge based on warm browns and ambers. Dark wood walls, antique furniture, and warm-toned interiors are in the background. The background is slightly darker than the woman and moderately blurred, but the shapes of chairs and furniture are recognizable.
Warm indirect lighting softly illuminates the woman's face, hair, shoulders, and dress. In particular, light and shadow enter the fine ridges and valleys of the dress pleats, making the vertical pleat structure clearly visible.
The camera is sufficiently far from the woman, capturing the entire person, chair, dress hem, floor, table, and background simultaneously. Do not enlarge the woman to fill the screen; ensure sufficient space above and below her body. Do not use a portrait composition that focuses only on her head or a composition from the chest up.
The hem of the long dress and the floor are clearly visible at the bottom of the screen. The dress continues to the bottom edge, and the lower body of the seated woman is sufficiently depicted. Do not cut off the woman's legs below the knees.
The overall composition should be the full-body woman and antique chair in the center, a small round table to the woman's right, and a warm wooden interior in the background. While centering on the woman and chair, use a wide composition that reveals the overall atmosphere of the room.
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