Zero G Thief

#Tail #Furry #Smile #Handgun #Holster #Girl #Potted plant #Black gloves #Hood #Female Furry #Skylight

Dipublikasikan Sep 1, 2026

Dermot

A wide shot with a hard dutch tilt looking into the vast central atrium of an orbital luxury hotel, featuring a young anthropomorphic ferret woman drifting in zero gravity. She has a wiry, lithe build with a warm sable-and-cream coat, a dark bandit mask across her eyes, a long dark-tipped tail, and a sleek black bob with a cream money-piece under a blackout hood. She wears a matte-black infiltration grip-suit with a deep keyhole neckline to the sternum, high-cut hips, rolled sleeves, a tool-harness, and a compact gun holstered at her hip. She is spinning end-over-end, one hand reaching toward a distant balcony, her face turned toward the viewer with a small, pleased smile. The atrium is a massive well of curved white balconies with loose hanging gardens, glass suites, and a giant window wall showing the planet's curve and stars. Dimmed night-cycle lighting is provided by soft, pale planet-shine. The visual style is glassy anime with clean vector-crisp linework, soft cel-gradients, and strong glossy specular highlights. The atmosphere is cool, weightless, and vivid, filled with shimmering drifting debris.

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Prompt Asli: A wide shot on a hard dutch tilt looking into the vast central atrium of an orbital luxury hotel, a young ferret woman drifting free near the middle of it. She is a full anthro, and at this distance her identity carries in broad strokes: a wiry, very long, lithe build with a medium chest, a warm sable-and-cream coat with a dark bandit mask across the eyes, eyeholes letting her eyes show through, and cream running from throat to belly, dark stockings on the legs, a long dark-tipped tail, small low-set ears, and a sleek black bob with a faint cream money-piece pushed back under a soft blackout hood. She wears a matte-black infiltration grip-suit of solid opaque panels and dark straps, cut in a deep keyhole down the front to the sternum and very high at the hips, the sleeves rolled to the biceps, a slim tool-harness across the chest. The long bare keyhole and the high-cut hip read against the black. A compact gun is holstered at one hip. She is drifting free in the open middle of the atrium, having pushed off somewhere below, her long body stretched out and slowly spinning end over end, one hand reaching toward a distant balcony railing, her masked face turned back and down toward the viewer with a small, focused, pleased smile. The direction of her drift carries her slowly up and across the great well. A slow cloud of drifting debris she has disturbed glints and orbits around her as she turns. The setting fills the frame around her: a many-storeyed well of curved white balconies with their potted trees and hanging garden planters gone loose and trailing long in the zero gravity, glass-walled suites tiered up the sides, a huge curved window wall down one side showing the bright curved limb of the planet below and a scatter of stars, chandeliers of soft light drifting untethered at odd heights through the middle of the space, a dead fountain, and a polished lobby floor far, far beneath. It is the station's night cycle and the interior lights are dimmed low, so the atrium is lit mostly by the pale planet-shine coming through the curved window wall, a soft, wrapping, low light that fills the whole space evenly and leaves everything, the balconies, the drifting planters, the small spinning figure, clearly legible with only the gentlest shadow. Glassy Anime style: clean vector-crisp inked linework with soft cel-gradient shading built around strong glossy specular highlights that give a wet, glass-like sheen, a vivid high-key palette, a flat-graphic finish with polished glossy accents and recurring sparkle and glint highlights on the drifting debris and the glass. The whole image is cool, weightless and quietly delighted with itself.
Mode: standard
Ukuran: 768 x 1280

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