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AI art "貴族の男性1" featuring #Boy

貴族の男性1

#Boy
Dipublikasikan pada 4 days ago
Avatar image of tony

tony

Lihat Lainnya
Character A Character A is a slender and strikingly beautiful young aristocratic man with a refined, slightly androgynous appearance. His face is narrow and elegant rather than round, with a smooth tapered jawline, a small pointed chin, a long straight nose, thin well-shaped eyebrows, and narrow almond-shaped eyes with slightly lowered outer corners. His eyes are half-lidded, giving him a languid, self-assured and faintly seductive expression. His lips are thin and softly curved into an exaggeratedly elegant, knowing smile. His overall expression should feel theatrical, vain, graceful and deliberately charming rather than cheerful or innocent. His hair is pale golden blond, almost ivory blond under the light, and reaches to around the base of the neck. It is smooth but not flat, with large soft strands and a gentle outward sweep at the ends. The long front bangs fall diagonally across the face and partially cover one eye. The crown has natural volume, and several loose strands fan outward because of the spinning motion. Avoid short generic anime hair; the hairstyle should remain long, flowing, asymmetrical and aristocratic. He wears an extremely ornate late-Renaissance or early-Baroque court costume dominated by deep forest green, dark muted red and ivory white. The upper garment is a fitted dark green doublet with puffed shoulders and rounded upper sleeves. The green fabric is richly textured like brocade, with subtle woven patterns and small gold decorative accents. Under the green outer sleeves are close-fitting white sleeves extending down the forearms. Around his neck is a very large, elaborate white lace collar that spreads widely over the shoulders and upper chest. The lace is densely patterned, with black decorative stitching, scalloped edges and intricate floral-like motifs. At the throat is a dark green ribbon bow tied neatly beneath the collar, decorated with a small jeweled or metallic brooch at the center. The front of the torso contains multiple vertical layers of ivory fabric, black piping, gold edging, small buttons and narrow ornamental bands, giving the costume a complex tailored structure rather than a simple tunic. At the waist is an oversized dark red-orange sash tied into a very large bow, with thick loops and long folded fabric tails. Below it he wears voluminous knee-length green breeches with alternating brocade textures, dark patterned panels and pale pleated sections. The front of the lower garment includes a rectangular decorative panel edged with gold embroidery. One of his most important costume features is a large asymmetrical mantle or cape in dark brick red. It hangs heavily from one shoulder and spreads dramatically behind him during the spin. The mantle contains large quilted or geometric stitched sections, dark green inset areas, narrow ivory borders, gold trim and fringed edging. It should look heavy, luxurious and ceremonial, not like a simple superhero cape. His legs are covered by fitted ivory-white stockings. Around the knees are decorative tied ribbons and gathered fabric ornaments. Thin gold or tan cords wrap around parts of the lower legs. His shoes are muted green, soft and low-cut, with small cream or gold bows on the instep. The total silhouette should be narrow at the torso, broad around the shoulders and mantle, then decorative and compact around the short breeches. Character B Character B is a slightly older-looking aristocratic man with a more mature, masculine and flamboyant beauty. His face is longer and more sharply sculpted than Character A’s, with pronounced cheekbones, a straight prominent nose, a defined chin, elegant arched eyebrows and narrow, relaxed eyes. His eyes are also half-lidded, but his expression should feel more worldly, confident and theatrical. He wears a faint, amused smile, almost as though he is consciously posing for an audience. His beauty is sophisticated and decadent rather than youthful. His hair is warm golden blond with light brown undertones. It is medium length and extremely full, made of thick, loose curls and waves. The hair rises with volume above the forehead, frames both sides of the face in layered curls, and extends toward the nape. Individual locks form soft spirals and S-shaped waves. It should resemble carefully styled nobleman’s hair rather than modern short wavy hair. He wears a lavish long court coat in rich burnt orange, vermilion and warm red tones. The coat is tailored close to the upper body but extends downward in long flared panels. Nearly every edge is decorated with elaborate gold embroidery. The gold ornamentation consists of curling filigree, scrolling vines, leaf-like motifs, narrow borders and densely worked decorative bands. The cuffs are especially large and richly embellished, with heavy gold patterning over the red fabric. Under the coat is a very elaborate white shirt. The neckline is filled with multiple layers of soft white ruffles, lace and a broad cascading cravat or jabot. Long white scarf-like strips fall vertically from the throat toward the chest. A jeweled clasp or ornate brooch sits near the center of the neck decoration. The shirt cuffs also emerge beneath the coat sleeves as layered white lace and gathered frills. The shoulders and upper chest of the coat have additional structured decorative sections, including gold-trimmed brocade panels and ornate appliqué-like details. The front opening of the coat reveals more pale fabric and layered inner garments. The garment should appear expensive, heavy and highly ceremonial, with the visual density of embroidered aristocratic costume rather than a plain historical coat. His lower garments are much lighter and cleaner in color than the coat. He wears fitted ivory or white knee-length breeches that narrow toward the knees, followed by long white stockings. The transition around the knees contains subtle gathers and small decorative bands. His shoes are pale peach, cream or light salmon-colored court shoes with rounded toes and delicate gold or pale decorative accents. A darker green and gold ornamental section is visible around the shoulder and back area, functioning like an additional embroidered capelet, shoulder drape or decorative panel. This secondary green element provides contrast against the dominant red-orange coat and should not be omitted. Facial and costume contrast The two men should not look like generic matching blond nobles. Character A is younger, slimmer, more delicate and slightly androgynous, with straighter pale blond hair falling across one eye, a narrow face, a huge lace collar, a dark green short court outfit, an oversized red waist bow and a broad asymmetrical brick-red mantle. Character B is more mature and masculine, with a longer sculpted face, voluminous curly golden hair, a long red-orange embroidered coat, extremely dense gold filigree, a cascading white jabot and a more vertically elongated silhouette. Both should retain deliberately theatrical, vain and elegant expressions, with half-lidded eyes and faint confident smiles. Their beauty should feel like exaggerated aristocratic bishounen character design rather than ordinary handsome men.
Tampilkan Parameter
Ukuran
960 x 1280
Langkah sampling
12
Metode Sampling
Euler
CFG scale
3
Negatif
lowres, bad anatomy, bad hands, bad hand, text, error, extra finger, missing fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, worst quality, low quality, artist name, blurry, censor, fused limbs, fused fingers, realistic skin texture, realistic

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