隆酣さま２

Dipublikasikan 16 hours ago

tony

p1xel, semi-realistic anime illustration, pixelated anti-aliased edges, crayon-textured linework, parallel hair hatching, high-contrast eye detail, flat overexposed skin, loose gestural marks, scattered sparkle bloom, muted palette with vivid chromatic pop, semi-painterly, nihonga-inspired, soft volumetric shading, smooth gradients, semi-thick paint, fine line detail, warm muted palette, ivory and cream tones, delicate brushwork, subtle gouache texture, clean sketch line, a mountain deity sitting quietly cross-legged on a rocky area at the summit of a sacred mountain, looking down at the mountains below shrouded in mist. The figure wears a white kariginu worn by Japanese Shinto priests. It is an ancient style with large openings at the joints between the body and sleeves, with a black hitoe layered underneath peeking through the gaps at the shoulders. The attire feels sacred and ancient, but not too ornate, depicted as the garments of a non-human entity enshrined as a mountain god. While appearing as a man, it is important that he does not look entirely human. Glossy black hair flows straight to the shoulders and is tied in a ponytail at the back. On the forehead, instead of horns, two long centipede-like jaw organs grow from the left and right sides. These should not be decorative horns, but biological, irregular foreign objects. The facial features are refined, but not so perfectly handsome as a beautiful young man. Keep the long eyes, maro-mayu (plucked eyebrows), red makeup at the corners of the eyes, and red lips. However, he should not be an aesthetic nobleman, but rather an old mountain apparition who happens to be taking human form. The most important elements are the expression and the eyes. The expression reveals almost no human emotions. He is composed, but this is not personal composure, but the indifference of a transcendent being who perceives human activities as nothing more than the changing of seasons. His head is slightly tilted, and there is a sense of relaxation in his posture. However, he does not lose his dignity; despite the slumped posture, his status as a being remains high. The eyes are not human; one or both eyes harbor a non-human strangeness. The pupils are not ordinary irises, but have an abnormal structure like multiple thin overlapping rings, and the focus is not on the nearby scenery. Even when open, there is no surprise or anger; while the whole face is quiet, only the eyes look like the organs of a different creature. There is extremely little movement in the facial muscles, and neither the mouth nor the eyebrows show emotion. A quiet and empty gaze, not so much looking down on humans as not recognizing humans as equals from the start. Do not make it a scary face. The quieter it is, the more eerie it should be, making the viewer feel uneasy on their own. Around the figure, the presence of a giant centipede, presumably his true form, appears as if blending into the mountainside and the mist. It does not appear clearly as a physical entity, but as a mist-like presence drawn with pointillism and ink blurring, drifting as if coiled around the mountain. This should not be mere background decoration, but make it feel as if a giant centipede is lurking within the mountain itself. The art style is a serene expression with wabi-sabi, as if fusing Japanese painting (Nihonga) and ink wash painting (Suibokuga). Use only black ink and vermilion ink. Utilize blurring, scratching, negative space, and pointillism to achieve both stillness and strangeness. Do not lean toward a Chinese immortal or aesthetic fantasy style; emphasize Japanese sacred mountain beliefs and the aura of ancient apparitions. No text, dialogue, speech bubbles, or seals/stamps within the image.

Tampilkan Parameter

Prompt Asli: 霊山の山頂の岩場に、胡坐をかくように静かに腰を下ろし、霧に包まれた下界の山々を見下ろす山の主。人物は日本の神職が着る白い狩衣をまとっている。身頃と袖の接合部が大きく開いた古式の仕立てで、肩口の隙間から下に重ねた黒い単が覗いている。衣装は神聖さと古さを感じさせるが、華美すぎず、あくまで山の神として祭られている異形の存在の装束として描く。男性の姿をしているが、人間そのものには見えないことが重要。艶のある黒髪はまっすぐ肩まで流れ、後頭部でポニーテールにまとめている。額には、角の代わりに百足の長い顎のような器官が左右に2本生えている。装飾的な角ではなく、生物的で不規則な異物として見せる。顔立ちは端正だが、美青年として整いすぎない。切れ長の目、麻呂眉、目じりの紅、唇の紅は保つ。ただし耽美な貴公子ではなく、山に棲む古い怪異がたまたま人の姿を取っているようにする。最重要事項は表情と目である。表情は、人間的な喜怒哀楽がほとんど読み取れない。悠然としているが、それは人格的な余裕ではなく、人間の営みを季節の移ろいほどにしか認識していない超越者の無関心さである。首をわずかに傾け、姿勢には少し脱力感がある。しかし威厳は失わず、崩れた姿勢なのに存在としての格だけが高い。目は人間の目ではなく、片目、あるいは両目に、人外めいた異様さを宿す。瞳は普通の虹彩ではなく、幾重もの細い輪が重なったような異形の構造を持ち、焦点が近くの景色に合っていない。見開いていても驚きや怒りはなく、顔全体は静かなのに、目だけが別の生き物の器官のように見える。表情筋の動きは極端に乏しく、口元も眉もほとんど感情を示さない。人間を見下しているというより、最初から人間を自分と同列の存在として認識していないような、静かで空虚なまなざし。怖い顔にはしない。静かであるほど不気味で、見る側が勝手に不安になるような顔にする。人物の周囲には、本体と思われる巨大な百足の気配が、山肌や霧の中に溶け込むように現れている。それは実体としてくっきり現れるのではなく、点描と墨のにじみで描かれた霧状の存在感として、山にとぐろを巻くように漂っている。単なる背景装飾ではなく、山そのものに巨大な百足が潜んでいると感じられるようにする。画風は、日本画と水墨画を融合したような、わびさびのある静謐な表現。使用する色は黒の墨と朱墨のみ。にじみ、かすれ、余白、点描を活かし、静けさと異様さを両立させる。全体に中華仙人風・耽美ファンタジー風には寄せず、日本の霊山信仰と古い怪異の気配を強くする。画面内に文字、台詞、吹き出し、落款は入れない。
Mode: pro
Tag Kualitas: masterpiece, ﹝Petunjuk﹞
Ukuran: 864 x 1152
Negatif: watermark, lowres, worst quality, low quality, bad anatomy, explicit