ラプラスの魔　ツバキ３リメイク

Dipublikasikan 17 hours ago

tony

(anime coloring:2.0), detailed body, smooth skin, sharp focus, SD digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone, A retro hard-boiled anime illustration inspired by a classic Japanese supernatural mystery RPG, set in an early-20th-century American-style haunted mansion. Use detailed hand-drawn anime linework, strong cel-style shading, slightly muted vintage colors, and dramatic cinematic lighting. The atmosphere should combine gothic horror, pulp adventure, occult mystery, and energetic action. The scene is dark and shadowy, illuminated only by dim candlelight, cold moonlight from the windows, the flash of a revolver, the brilliant flash of an old camera, and pale supernatural energy. The characters and background should share the same stylized anime rendering rather than using a realistic background. Inside a large, dim bedroom of an old Western mansion, a violent poltergeist phenomenon is occurring. Three men stand together in the foreground and middle ground while the entire room is being torn apart by invisible supernatural forces. A heavy wooden bed, chairs, a table, books, sheets, pillows, fragments of wood, and small objects are lifted high into the air and thrown around at dangerous angles. Pale translucent mist and ghostly energy twist through the room between the floating furniture. On the left side of the composition is a broad-shouldered, strongly built adult detective. He has a rugged square face, sharp serious eyes, and the solid physical presence of an experienced investigator. He wears a dark brown early-20th-century suit with a vest and necktie beneath a long brown overcoat, together with a dark fedora. His clothing is practical and slightly worn rather than elegant. The detective stands in the front-left foreground with his legs spread in a firm combat stance. His coat swings outward from the violent movement around him. He extends one arm forward and fires a large revolver toward an unseen supernatural enemy outside the left side of the frame. A bright muzzle flash bursts from the barrel and briefly illuminates his stern face. His expression remains focused and determined despite the chaos. Near the center of the image, slightly behind the detective, is a young male journalist and photographer. He has an energetic, curious appearance and wears a brown newsboy cap, a white shirt with the sleeves rolled up, a narrow necktie, dark trousers, and visible suspenders running over his shoulders. His clothes clearly resemble those of an early-20th-century newspaper reporter rather than modern clothing. He carries a large box-shaped vintage camera fitted with an oversized circular flash reflector. The journalist crouches and leans forward while gripping the camera with both hands. He points the lens directly toward the supernatural disturbance and continues taking photographs even while furniture flies around him. The large flash fires brightly in the middle of the scene. His mouth is open and his eyes are wide, showing nervous excitement rather than pure fear. He is clearly frightened by the danger but also fascinated and thrilled by the chance to document an impossible paranormal event. On the right side is a thin, eccentric male scientist with a narrow body and slightly hunched posture. He has wild, unkempt brown hair sticking out in several directions and wears very thick round bottle-bottom glasses that partly obscure his eyes. He is dressed in a white laboratory coat over a shirt and tie. Large leather straps secure a bizarre mechanical ghost-fighting apparatus to his back. The scientist's equipment looks like an experimental early electrical machine rather than modern technology. The backpack contains metal cylinders, brass fittings, glass tubes, pressure gauges, coils, valves, cables, and other complicated mechanical components. Thick cables connect the backpack to a long handheld anti-spirit weapon with concentric metal rings and electrical coils around its barrel. The scientist occupies the right foreground and reacts with exaggerated mad-scientist energy. He bends forward with both hands gripping the strange weapon, aiming it toward the supernatural presence on the right side of the room. His hair is thrown into disorder, his mouth is open in a frantic shout, and his glasses reflect the surrounding light. Pale green-white spectral energy pours from the weapon in twisting streams, mixing with the supernatural mist surrounding the floating furniture. The bedroom itself is spacious and old-fashioned, with dark carved wooden walls and heavy antique furniture. A large ornate wooden bed dominates the upper center of the background, completely lifted off the floor and tilted diagonally through the air. Its white sheets and pillows billow violently around it. A wooden chair spins high near the ceiling, while another table and pieces of furniture tilt upward in the foreground. Books, broken wood, porcelain objects, papers, and debris are suspended throughout the room. Tall windows on the left reveal the cold blue darkness of night outside. Thin curtains whip violently inward as if pulled by an invisible vortex. Old portraits, wooden cabinets, lamps, and an ornate chandelier establish the mansion interior. Small candle flames remain visible in the darkness. Faint ghostly faces and barely defined human-like shapes appear inside the pale mist around the room, especially along the upper walls and right side of the composition. They should remain partially transparent and secondary to the three human characters, appearing as supernatural forms emerging from smoke rather than solid monsters. Use a dynamic slightly low camera angle with strong depth. Place the detective prominently in the left foreground, the journalist slightly farther back in the center, and the scientist prominently in the right foreground, creating a clear three-character triangular composition. The airborne bed and chairs should fill the upper half of the image and make the entire room feel unstable. Use diagonal furniture, flying debris, swirling fabric, smoke, muzzle flash, camera flash, and spectral energy to create constant motion. The final image should resemble a dramatic battle scene from a dark retro Japanese RPG: three ordinary but highly distinctive investigators confronting genuine supernatural phenomena inside an American haunted mansion, combining hard-boiled detective fiction, eccentric early science, gothic horror, and adventurous occult mystery.

Tampilkan Parameter

Prompt Asli: A retro hard-boiled anime illustration inspired by a classic Japanese supernatural mystery RPG, set in an early-20th-century American-style haunted mansion. Use detailed hand-drawn anime linework, strong cel-style shading, slightly muted vintage colors, and dramatic cinematic lighting. The atmosphere should combine gothic horror, pulp adventure, occult mystery, and energetic action. The scene is dark and shadowy, illuminated only by dim candlelight, cold moonlight from the windows, the flash of a revolver, the brilliant flash of an old camera, and pale supernatural energy. The characters and background should share the same stylized anime rendering rather than using a realistic background. Inside a large, dim bedroom of an old Western mansion, a violent poltergeist phenomenon is occurring. Three men stand together in the foreground and middle ground while the entire room is being torn apart by invisible supernatural forces. A heavy wooden bed, chairs, a table, books, sheets, pillows, fragments of wood, and small objects are lifted high into the air and thrown around at dangerous angles. Pale translucent mist and ghostly energy twist through the room between the floating furniture. On the left side of the composition is a broad-shouldered, strongly built adult detective. He has a rugged square face, sharp serious eyes, and the solid physical presence of an experienced investigator. He wears a dark brown early-20th-century suit with a vest and necktie beneath a long brown overcoat, together with a dark fedora. His clothing is practical and slightly worn rather than elegant. The detective stands in the front-left foreground with his legs spread in a firm combat stance. His coat swings outward from the violent movement around him. He extends one arm forward and fires a large revolver toward an unseen supernatural enemy outside the left side of the frame. A bright muzzle flash bursts from the barrel and briefly illuminates his stern face. His expression remains focused and determined despite the chaos. Near the center of the image, slightly behind the detective, is a young male journalist and photographer. He has an energetic, curious appearance and wears a brown newsboy cap, a white shirt with the sleeves rolled up, a narrow necktie, dark trousers, and visible suspenders running over his shoulders. His clothes clearly resemble those of an early-20th-century newspaper reporter rather than modern clothing. He carries a large box-shaped vintage camera fitted with an oversized circular flash reflector. The journalist crouches and leans forward while gripping the camera with both hands. He points the lens directly toward the supernatural disturbance and continues taking photographs even while furniture flies around him. The large flash fires brightly in the middle of the scene. His mouth is open and his eyes are wide, showing nervous excitement rather than pure fear. He is clearly frightened by the danger but also fascinated and thrilled by the chance to document an impossible paranormal event. On the right side is a thin, eccentric male scientist with a narrow body and slightly hunched posture. He has wild, unkempt brown hair sticking out in several directions and wears very thick round bottle-bottom glasses that partly obscure his eyes. He is dressed in a white laboratory coat over a shirt and tie. Large leather straps secure a bizarre mechanical ghost-fighting apparatus to his back. The scientist's equipment looks like an experimental early electrical machine rather than modern technology. The backpack contains metal cylinders, brass fittings, glass tubes, pressure gauges, coils, valves, cables, and other complicated mechanical components. Thick cables connect the backpack to a long handheld anti-spirit weapon with concentric metal rings and electrical coils around its barrel. The scientist occupies the right foreground and reacts with exaggerated mad-scientist energy. He bends forward with both hands gripping the strange weapon, aiming it toward the supernatural presence on the right side of the room. His hair is thrown into disorder, his mouth is open in a frantic shout, and his glasses reflect the surrounding light. Pale green-white spectral energy pours from the weapon in twisting streams, mixing with the supernatural mist surrounding the floating furniture. The bedroom itself is spacious and old-fashioned, with dark carved wooden walls and heavy antique furniture. A large ornate wooden bed dominates the upper center of the background, completely lifted off the floor and tilted diagonally through the air. Its white sheets and pillows billow violently around it. A wooden chair spins high near the ceiling, while another table and pieces of furniture tilt upward in the foreground. Books, broken wood, porcelain objects, papers, and debris are suspended throughout the room. Tall windows on the left reveal the cold blue darkness of night outside. Thin curtains whip violently inward as if pulled by an invisible vortex. Old portraits, wooden cabinets, lamps, and an ornate chandelier establish the mansion interior. Small candle flames remain visible in the darkness. Faint ghostly faces and barely defined human-like shapes appear inside the pale mist around the room, especially along the upper walls and right side of the composition. They should remain partially transparent and secondary to the three human characters, appearing as supernatural forms emerging from smoke rather than solid monsters. Use a dynamic slightly low camera angle with strong depth. Place the detective prominently in the left foreground, the journalist slightly farther back in the center, and the scientist prominently in the right foreground, creating a clear three-character triangular composition. The airborne bed and chairs should fill the upper half of the image and make the entire room feel unstable. Use diagonal furniture, flying debris, swirling fabric, smoke, muzzle flash, camera flash, and spectral energy to create constant motion. The final image should resemble a dramatic battle scene from a dark retro Japanese RPG: three ordinary but highly distinctive investigators confronting genuine supernatural phenomena inside an American haunted mansion, combining hard-boiled detective fiction, eccentric early science, gothic horror, and adventurous occult mystery.
Mode: pro
Ukuran: 1632 x 1232
Negatif: lowres, worst quality, low quality, bad anatomy, explicit