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AI art "天空橋朋花" featuring #The Idolmaster, #The Idolmaster Million Live! and #Tomoka Tenkubashi
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天空橋朋花

#The Idolmaster#The Idolmaster Million Live!#Tomoka Tenkubashi
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tenkubashi_tomoka, The female idol from "Idolmaster" is sitting at a table in an upscale café. She wears a brown autumn cardigan over a white shirt, with her long, straight brown hair down and elegantly styled. Leaning forward with her elbow on the table, she smiles warmly at someone sitting across from her in a friendly, engaging expression. The café interior is warmly lit with diffused lighting, while outside is dark night. Two cups of coffee sit on the table, one closer to her and the other in the background. The atmosphere is cozy and stylish, evoking a sense of a pleasant evening conversation.
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Prompt Asli
(The setting is lunch style:1.2,)最高傑作,最高品質,ピントがはっきり合っている,超詳細,8K,しっとりとした肌の質感 / 滑らかなグラデーションの影,オレンジ色の照り返し / 温かみのある肌のトーン,繊細な線画,ディフューズ光,すっきりと、しっかりとした線,人物がテカっている,しっかりと濃い色の絵,お洒落なカフェの店内,テーブルに向い合わせで座る,アイドルマスター,天空橋朋花,髪を下ろした状態,秋らしいブラウンのカーディガン,白色のシャツ,上半身のみの画角,テーブルに肘を置き、椅子に座る,向かいに座るこちらに微笑む,温かな照明が店内を照らす,外は夜で暗い,テーブルにはコーヒーの入ったカップが２つ、手前と奥に置く,(汗はかかない:1.2),
Tag Kualitas
high quality, year_2025, year_2024, ﹝Petunjuk﹞
Ukuran
768 x 1280
Langkah sampling
22
Metode Sampling
Euler
CFG scale
7
Negatif
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name,blurry,sweat,sweaty, too many hands,mutated hands,upside down,awkward position,extra limbs,three

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lunch style らんちスタイル
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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