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AI art "新山聡美(芋煮会)"
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新山聡美(芋煮会)

Entri Kontes
2nd "Favorite Work" Contest
#Wanita dewasa#duduk#Luar ruangan#Makanan#Senyum#sayuran#anting#cincin kawin#memegang#sup#mangkuk#Sound! Euphonium#batu#Satomi Niiyama
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copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, gentle drooping eyes, the lower eyelid gently slopes down from the center to the outer corner, the lower eyelid line is clearly visible, the outer corners of the eyes are soft and round, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the ring finger of the left hand is depicted, place a wedding ring only on the left ring finger, high-quality depiction of a woman enjoying an imoni party on a riverbed in Miyagi Prefecture on a sunny October autumn day. A scene of an imoni party on a riverbed, an autumn tradition. The riverbed is spread with round stones and flat rocks of various sizes, with green grass and plants starting to turn autumn colors growing between them. Bright autumn sunlight illuminates the entire riverbed, making the texture of the natural stones and the colors of the grass clearly visible. Create a gentle and friendly scene of making imoni outdoors and tasting the finished warm dish. The woman is a married woman in her early 30s, a neat and elegant woman with long hair. Leave the character design of the face and hair to the character LoRA, and follow this prompt for clothing, accessories, posture, and expression. This woman is the only person appearing on screen, and she should be depicted as the main subject of the photograph. The woman is sitting low on a large flat stone on the riverbed, with her body slightly turned toward the camera. Her upper body is naturally upright, in a relaxed posture with her shoulders down. Her face is turned toward the camera, with her gaze naturally directed here. She holds a white ceramic bowl in front of her chest with one hand, pushing the bowl slightly toward the camera. Inside the bowl is freshly made imoni. In her other hand, she holds chopsticks, lifting a bite-sized portion of ingredients from the bowl. The chopsticks naturally grip ingredients such as taro, mushrooms, and vegetables, capturing the moment she is just about to taste the imoni. The roles of the hand holding the chopsticks and the hand supporting the bowl are clear, and the shapes of the fingers and wrists are natural. The woman's expression is an elegant and gentle smile that conveys the joy of enjoying warm imoni on an autumn riverbed. Her mouth is naturally relaxed, smiling just enough to show her teeth slightly. Do not make her laugh loudly with her mouth wide open or give an exaggerated smile with overly raised cheeks. Her eyes are soft, and she looks at the camera with a friendly and calm gaze. Not a posed model-like expression, but like a moment where she is enjoying the freshly made imoni and smiles naturally upon noticing the camera. Prioritize a modest and warm smile befitting an elegant adult woman in her 30s. The woman's clothing is a move-friendly and clean autumn casual style suitable for enjoying an imoni party on a riverbed in October. On her upper body, she is wearing a soft beige or light greige long-sleeved knit. The knit is a material with a subdued weave, has moderate looseness, and has natural wrinkles from crouching to cook. The bottoms are dark indigo blue denim pants, with natural creases corresponding to her sitting posture on the riverbed. Accessories are limited to small earrings, and she does not wear large ornaments that would hinder cooking or eating. Instead of a too-glamorous dress or formal attire, it should be a subdued and practical outfit for a neat and elegant woman participating in an outdoor autumn event. The woman's long hair flows naturally over her shoulders, not hiding the contours of her face or her eyes. Her hair has a soft luster from the sunlight, and the tips move naturally in the slight wind. Do not make the hair unnaturally short or tightly tied; maintain the impression of long hair expressed by the character LoRA. Autumn natural light hits her face, hair, and clothes, and her skin tone is healthy and natural. The woman sits stably on the riverbed stone, and her body or legs do not sink into or unnaturally float above the stone. The positional relationship between the hand holding the bowl, the hand manipulating the chopsticks, the arms, and the shoulders is natural, making the posture convincing as a moment during a meal. The bowl the woman is holding is a deep, clean white ceramic bowl. The bowl contains Miyagi-style miso-based imoni, with large-cut taro, pork, radish, carrot, burdock, konjac, mushrooms, and long green onions visible. The broth made with Sendai miso is a warm brown, and the ingredients have a natural glaze from being simmered. The ingredients are moderately served in the bowl without the broth spilling, clearly conveying the delicious texture of the food. A bite-sized portion of ingredients is gripped by the chopsticks and lifted above the bowl. The chopsticks are thin wooden ones, and both tips naturally support the ingredients. Ensure the bowl and chopsticks do not overlap the woman's face, so both the food and the smile are clearly visible. The background is a natural riverbed spread with large and small stones and gravel. The stone colors are a mix of gray, light brown, beige, and pale white, with rounded and uneven surfaces creating natural shading. Between the stones, green grass and autumn withered grass grow, giving a rustic natural feel characteristic of a riverbed. Riverside vegetation or a shallow river may be visible in part of the background, but keep the background details moderately subdued so the gaze focuses on the woman and the bowl. Do not include other people; make it a scene where the woman is tasting imoni alone. Instead of placing a large cooking pot in the center of the screen, the protagonists this time are the woman and the bowl of imoni in her hand. The camera shoots from an oblique front angle of the woman, from a close position where the face and bowl are clearly visible. Place the woman slightly to the right of the center of the screen, capturing her face and upper body prominently. The white bowl held in one hand is pushed from her chest slightly toward the camera, making the imoni inside the bowl in the foreground clearly visible. The chopsticks in the other hand, along with the ingredients lifted above the bowl, are included within the frame. Create a composition where the woman's face, her elegant smile, the bowl, and the ingredients at the tip of the chopsticks are understood at a glance. Rather than a portrait cropping only the person's face, make it a medium-close shot that also conveys the texture of the riverbed stones and the outdoor atmosphere. Ensure the top of the head, the bowl, and the tips of the chopsticks are not unnaturally cut off at the edge of the screen, and use a landscape composition where both the woman and the food fit beautifully. The lighting is bright natural light during a daytime in October. Soft sunlight hits the woman's face, showing natural shadows around the eyes, mouth, and cheeks. The white bowl is not blown out, retaining the rounded texture of the ceramic. The imoni broth and ingredients have natural colors and an appetizing texture and luster. Natural shadows occur on the chopsticks and fingers, making the shape of the hand supporting the bowl and the fingers holding the chopsticks clearly visible. The stones in the background have bright areas and soft shadows from the sunlight, giving a sense of three-dimensionality. Ensure the skin, hair, clothing, and food do not unnaturally float in brightness, but all exist within the same natural light. Overall, express natural human anatomy, correct finger structures, realistic chopstick-holding, ceramic texture, ingredients of miso-based imoni, and details of riverbed stones and plants, as if photographed at an actual autumn riverbed. The woman has an elegant and friendly smile, showing the imoni in the bowl to the camera while enjoying the ingredients picked up with chopsticks. Create a natural, immersive, high-quality image that conveys the joy and warmth of an imoni party, an autumn tradition of Miyagi. Do not add titles, logos, watermarks, or signatures to the image.
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Prompt Asli
10月の晴れた秋の日、宮城県の河川敷で芋煮会を楽しむ女性を、高品質に描く。秋の風物詩である河原の芋煮会の一場面。河原には大小さまざまな丸い石や平たい岩が広がり、その間には緑の草や秋色に変わり始めた植物が生えている。明るい秋の日差しが河原全体を照らし、自然の石の質感や草の色が鮮明に見える。屋外で芋煮を作り、できあがった温かな料理を味わっている、穏やかで親しみやすい情景にする。 女性は30代前半の既婚者で、清楚で上品なロングヘアの女性。顔立ちや髪などのキャラクター造形はキャラクターLoRAに任せ、服装、アクセサリ、姿勢、表情はこのプロンプトの指定に従う。画面に登場する人物はこの女性一人だけとし、女性を写真の主役として描く。 女性は河原の大きな平たい石の上に腰を低くして座り、身体を少しカメラの方へ向けている。上半身は自然に起こし、肩の力を抜いたくつろいだ姿勢。顔はカメラに向け、視線をこちらへ自然に向けている。片手で白い陶器の器を胸の前に持ち、器を少しだけカメラ側へ差し出している。器の中には、できたての芋煮が盛られている。もう片方の手には箸を持ち、器の中から具材を一口分つまみ上げている。箸先には里芋やきのこ、野菜などの具材が自然につかまれており、今まさに芋煮を味わおうとしている瞬間を捉える。箸を持つ手と器を支える手の役割が明確で、指や手首の形も自然にする。 女性の表情は、秋の河原で温かな芋煮を楽しんでいる喜びが伝わる、上品で穏やかな笑顔。口元は自然に緩み、歯が少し見える程度に微笑んでいる。口を大きく開けた大笑いや、頬を過度に持ち上げた大げさな笑顔にはしない。目元は柔らかく、親しみやすく落ち着いた眼差しでカメラを見ている。気取ったモデルのような表情ではなく、出来たての芋煮をおいしそうに味わい、撮影に気づいて自然に微笑んだ瞬間のようにする。30代の上品な大人の女性らしい、控えめで温かな笑顔を大切にする。 女性の服装は、10月の河川敷で芋煮会を楽しむのにふさわしい、動きやすく清潔感のある秋のカジュアルスタイル上半身には柔らかなベージュまたはライトグレージュの長袖ニットを着ている。ニットは落ち着いた編み目のある素材で、適度なゆとりがあり、しゃがんで調理するときにも自然なシワが生まれている。ボトムスは濃いインディゴブルーのデニムパンツで、河原に座った姿勢に合わせた自然な折り目が見える。アクセサリは小さなイヤリング程度に抑え、調理や食事の邪魔になる大きな装飾品は身につけない。華やかすぎるドレスやフォーマルな服装ではなく、清楚で上品な女性が屋外の秋の行事に参加する際の、落ち着いた実用的な装いにする。 女性のロングヘアは自然に肩の前後へ流れ、顔の輪郭や目元を隠さない。髪には日差しによる柔らかな艶があり、少しだけ風を受けて毛先が自然に動いている。髪を不自然に短くしたり、きつくまとめたりせず、キャラクターLoRAで表現されるロングヘアの印象を保つ。顔、髪、衣服には秋の自然光が当たり、肌色は健康的で自然。女性は河原の石の上に安定して座り、身体や脚が石にめり込んだり、不自然に浮いたりしない。器を持つ手、箸を操る手、腕、肩の位置関係が自然で、食事中の一瞬として説得力のある姿勢にする。 女性が持っている器は、清潔感のある白い陶器の深めの丼。器には宮城風の味噌仕立ての芋煮が入り、大きめに切った里芋、豚肉、大根、にんじん、ごぼう、こんにゃく、きのこ、長ねぎなどが見える。仙台味噌を使った汁は温かな茶色で、具材には煮込まれた自然な艶がある。器の中に具材が適度に盛られ、汁がこぼれることなく、料理のおいしそうな質感がはっきり伝わる。箸先には具材が一口分つままれ、器の上に持ち上がっている。箸は細い木製の箸で、両方の先端が自然に具材を支えている。器と箸が女性の顔に重ならず、料理も笑顔も同時にはっきりと見えるようにする。 背景は、大小の石や砂利が広がる自然の河川敷。石の色は灰色、薄茶色、ベージュ、淡い白色などが混在し、丸みや凹凸のある表面が自然な陰影を作っている。石の間には緑の草や秋の枯れ始めた草が生え、河原らしい素朴な自然が感じられる。背景の一部には川沿いの植生や浅い川が見えてもよいが、女性と器に視線が集まるよう、背景の細部は適度に落ち着かせる。ほかの人物は登場させず、女性一人で芋煮を味わっている情景にする。大きな調理鍋を画面の中心に置くのではなく、今回の主役は女性と、手に持った芋煮の器である。 カメラは女性の斜め前方から、顔と器がよく見える近めの位置で撮影する。女性を画面中央からやや右寄りに配置し、顔と上半身を大きめに写す。片手で持つ白い器は胸の前から少しカメラ側へ差し出され、手前にある器の中の芋煮がはっきり見える。もう片方の手に持った箸は、器の上に持ち上げた具材とともに画面内に収める。女性の顔、上品な笑顔、器、箸先の具材が一目で分かる構図にする。人物の顔だけを切り取ったポートレートではなく、河原の石の質感と屋外の雰囲気も伝わる中近景の写真にする。頭頂部や器、箸先が画面端で不自然に切れないようにし、女性と料理の両方がきれいに収まる横長構図にする。 照明は明るい10月の日中の自然光。女性の顔には柔らかな日差しが当たり、目元、口元、頬の自然な陰影が分かる。白い器は白飛びせず、丸みのある陶器の質感が残っている。芋煮の汁や具材は自然な色合いで、食欲をそそる質感と艶がある。箸や指には自然な影が生じ、器を支える手や箸を持つ指の形が明確に見える。背景の石には日差しによる明るい部分と柔らかな影があり、立体感が感じられる。肌や髪、服装、料理が不自然に明るく浮き上がらず、すべてが同じ自然光の中に存在しているようにする。 全体は、実際の秋の河川敷で撮影したように、自然な人体、正しい手指の構造、現実的な箸の持ち方、陶器の質感、味噌仕立ての芋煮の具材、河原の石や植物の細部を丁寧に表現する。女性は上品で親しみやすい微笑みを浮かべ、器の中の芋煮をカメラに見せながら、箸でつまんだ具材を楽しんでいる。宮城の秋の風物詩である芋煮会の楽しさと温かさが伝わる、自然で臨場感のある高品質な映像にする。画像内にタイトル、ロゴ、透かし、署名を追加しない。
Mode
ultra
Tag Kualitas
﹝Petunjuk﹞
Ukuran
2480 x 1488
Negatif
前髪が額の中央に垂れる, text, 文章, 透かし, ロゴ, 署名, lowres, worst quality, low quality, bad anatomy, explicit

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