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AI art "taihou (office lady)13" featuring #Cangkir, #wanita kantor, #Azur Lane and #Taihou

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taihou (office lady)13

#Cangkir #wanita kantor #Azur Lane #Taihou

Dipublikasikan Oct 29, 2026

ok100002

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character: taihou_(azur_lane), copyright: azur_lane upper body, 1girl, sitting, on chair, indoors, dining room, table, white cup on table, black hair, long hair, very long hair, twintails, red eyes, hair between eyes, crossed bangs, ahoge, hair ornament, white shirt, black pencil skirt, black pantyhose, office lady, from above, close-up, head tilt, looking down, holding cup, both hands, light smile, half-closed eyes, volumetric lighting, warm palette, Shot from above and slightly in front, the camera looks down past her shoulder onto the corner of a dining table where she sits, so that the cropped top of her head, her face turned up three-quarters toward the lens, and the white cup between her hands are all that the upper-body crop admits. She sits sideways on the chair, weight sunk into her right hip against the seat, her left leg crossed over the right under the table so the black pencil skirt pulls taut across her thigh and its hem rides up a finger's width, the black pantyhose running smooth and slightly sheened down into the shadow beneath the table edge. Her right elbow rests on the tabletop, forearm angled in, and both hands close around the white cup, fingers interlaced over its side, the pad of her right thumb pressed flat against the porcelain just under the rim where a thin curl of steam bends toward her chin. Her back is not square to the chair: she leans forward off the backrest a little, left shoulder dropped, chin tipped down and to her left, and her red eyes look down along the steam rather than into the lens, lids lowered to a sleepy half-mast, one corner of her mouth lifted in a faint closed-lip smile. Her black twintails fall forward over both shoulders, the tails heavy and very long, one of them sliding across the white shirt's front and disappearing past the crop; the crossed bangs part over her forehead, the stray lock drops between her brows, the ahoge curves forward as if still settling from the turn of her head, and the hair ornament sits pinned at the base of the left tail. The white shirt is buttoned high but the collar sits open at the throat, sleeves rolled to the forearm, the fabric creasing at the inside of her elbow where it meets the table. The room behind her is a dining room reduced to shapes by the crop: the far chair back, a sideboard edge, a curtained window at the upper left that supplies the only strong light, cool daylight raking from her left so it catches the rim of the cup, the near plane of her cheek and the top of her left shoulder, while the right side of her throat, the underside of the table and the hollow of the chair fall into soft brown darkness. Steam off the cup is the teller of that light, glowing where it crosses the window's beam and gone where it does not. Palette held to warm wood brown, off-white porcelain and shirt, black of hair, skirt and pantyhose, and the single red of her eyes. Gentle daylight on smooth skin, quiet and warm.

taihou (office lady)13

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