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Fate/EXTRA Galeri

Jelajahi karya seni 40.170 Fate/EXTRA yang sedang tren

Fate/EXTRA is a dungeon-crawling role-playing game developed by Type-Moon and Imageepoch. Fans frequently generate stunning AI artwork featuring popular characters like Saber (Nero Claudius), Caster (Tamamo-no-Mae), Archer (Nameless), and protagonist Hakuno Kishinami. The digital landscape of the Moon Cell Automaton and the virtual SE.RA.PH battleground provide a striking futuristic cyberpunk aesthetic for these creative illustrations.

AI artwork
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character: kingprotea_(fate), nero_claudius_(bride)_(fate), artist: keihh, yamazaki_jun, copyright: fate/extra_ccc, year_2024 3girls, tamamo no mae, fox ears, large fox tail, long pink hair, blonde hair, blue eyes, red eyes, yellow eyes, purple hair, very long purple hair, purple eyes, hair ribbon, elaborate bride dress, white and gold gown, veil, red flower ornament, bandages, elbow gloves, ribbon, kneeling, leaning forward, head tilt, looking at another, looking at viewer, wide-eyed, light smile, open mouth, blush, from below, cinematic lighting, depth of field, clean linework, crisp cel-shading, no watermark, no logo, no text, no signature, no icon From a low camera angle tilted up, three women cluster on a seamless neutral studio sweep, no horizon, no props, staggered in depth so that no body blocks another's face. At the left, a fox-eared woman with long pink hair and a huge soft tail sweeping low behind her kneels on both knees, hips back on her heels, torso pitched forward toward the centre, her gloved hands resting one over the other at the floor in front of her knees; her chin lifts, one ear swiveled toward the woman beside her, the other relaxed forward, and her red eyes slide sideways to the blonde mid-turn. At the centre-right the bride leans in from a half-kneel, one knee raised under the billowing white-and-gold gown, the skirt pooling and folding in thick creases where it meets the floor; she twists her shoulders toward the pink-haired woman, the veil swinging off one shoulder and a red flower pinning it at the temple, her blonde hair with its single upward stray strand catching the key light, green eyes wide with bright delight and lips parted into a full open smile aimed at her companion. Behind and slightly right, taller than both, the purple-haired woman with the ribbon in her very long hair crouches mid-motion, one gloved hand braced on her own knee, the other raised loosely near her collarbone; she lowers her chin and looks down at the two kneeling women, her eyes half-lidded in an easy amused expression, bandage-wrapped arms and torso leaning into the group's diagonal. The key light comes from high camera-right as a single soft studio source with a slight warm bias: it rakes the blonde's cheek and the tops of her shoulders, glints along the golden gown's seams and the flower petals, picks out the rim of the fox tail's fur, and slides along the purple hair's part; shadows fall hard-edged to camera-left, deep under the skirts and beneath the kneeling women's bodies where they meet the floor, with cooler fill softening the shadow side so contrast stays balanced rather than crushed. Palette is restrained and coordinated: warm gold and ivory on the bride, dusty rose and pale fox-white on the pink-haired figure, muted violet and cream bandage tones on the tall woman, all against the quiet neutral grey of the sweep. Depth of field is shallow enough to let the far shoulder of the tallest figure soften while every face stays crisp. A low contact shadow spreads and flattens beneath each skirt hem exactly where it pools, confirming the single overhead-right source. The surface is entirely bare -- clean, uninterrupted, unmarked -- with no lettering, no marks, no emblems and no stray graphic elements anywhere in or over the frame. Intimate, delightfully conspiratorial.
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