Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

Sawah Galeri

Jelajahi karya seni 725 Sawah yang sedang tren

AI artwork
Avatar image of mussamu12134
rough cotton paper texture, coarse cotton fibers, matte absorbent paper grain, natural ivory paper tone, subtle pulp specks, irregular fibrous surface, fine dry paper texture, information detail density enhancer, refined local details, enhanced material textures, precise small elements, balanced detail density, flower garden, flower bed, flower, cute anime style, flat coloring, flat shading, masterpiece, high quality, high detail, high resolution, natural lighting, detailed background, 1girl, cute alignment, cute expansion, Matte painting style, thick outline, rounded facial contours, round form eye line, teenager-like atmosphere, ultra detailed, emphasizes shadows lighting, Transparency, 3 beautiful young sisters. The ages of the 3 sisters are 17, 15, and 10 years old. Each is wearing their respective school uniform. Walking along a rural road on their way to school. The 17-year-old's hairstyle is black hair ponytail. The 15-year-old's hairstyle is black hair short cut. The 12-year-old's hairstyle is black hair twin-tails, red ribbons.
mussamu12134
AI artwork
狐
character: takane_lui 1girl, solo, takane lui, pink hair, short hair, hair between eyes, blue eyes, head wings, hairband, white shirt, long sleeves, black shorts, high-waist shorts, fingerless black gloves, necktie, pantyhose, squatting, sitting down, sitting in water, kneeling in mud, crouching, leaning forward, scooping, hand in mud, cupped hands, muddy hands, mud on hands, mud on gloves, wet clothes, wet shirt, mud splatter, smile, grinning, open mouth, excited, wide-eyed, sparkling eyes, looking down, looking at object, from above, from side, dutch angle, close-up, rice paddy field, mud, water, rice shoots, rural landscape The camera looks down at a steep angle from her left, tilted slightly off level, so the flooded paddy spreads beneath her in bands of brown water and green rice-shoot rows running away to a low bund. She is crouched low, not seated flat — hips near the waterline, weight sunk back on her bent right leg with its knee buried in the soft mud, left knee raised higher, left forearm resting across it, and her whole torso pitched forward over the water. Both hands are cupped together and just lifted from the paddy: a rounded daub of thick dark mud held in the hollow of her gloved palms, slurry still draining between her fingers in thick threads and dripping back down, the droplets striking the water surface and throwing out small concentric rings that swell and fade around her knees. Her fingerless gloves are black and slick, the exposed fingertips and the cuffs ringed with wet mud; mud is smeared in a streak across the back of her right hand and up along the white shirt cuff, and the long sleeves are darkened and clinging where the water has soaked them. Her left knee has pushed a ridge of mud up around it, and the water pools in a shallow darker hollow where her weight has pressed the paddy floor down. Her head is tilted down toward the mud in her hands, eyes wide and fixed on it, mouth open in a delighted grin with the corners pulled high, one brow lifted — the excitement is all in the eyes and the held breath, not in a pose. Short pink hair with the strands falling between her eyes swings forward around her jaw as she leans; the two small white head wings above her hairband flick upward and back with the tilt of her head, their edges caught in the light. The hairband sits above them, a little rain-misted. Water beads stand on her skin and on the fabric of the shirt. Late-afternoon daylight comes from the upper right, low and warm, raking across the paddy; it lights the top of her head, the ridge of her shoulders, the raised knee and the wet sheen of the mud in her hands, while the undersides of her arms and the water immediately beneath her chest fall into shadow, and her cast shadow lies as a compressed dark shape on the water at her knees, shortened and bent by the slope of the ground. The palette is narrow and earthy: ochre-brown and grey-green water and mud, the vivid new green of the rice shoots, and against them the pale pink of her hair and the clean white of the soaked shirt as the only bright notes. She is small in the upper-left of the frame, the paddy filling the rest, with the far bund and a thin line of treeline as an out-of-focus band at the top. Playful, sunlit.
狐
123...17

Tag Terkait

Pedesaan1.6K karya
kabel listrik7.1K karya
Pagar25.7K karya
Pagar kayu1.7K karya
Capung1.3K karya
tiang listrik4.4K karya
sungai8.9K karya
Pohon105.5K karya
BerandaModelBuatProfil