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planarians

4Di seguito4Seguaci93Mi piace ricevuti
OpereCollezioni
AI artwork
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2girls, 1boy, girl, boy, handing something to another, giving, offering, holding pouch, blushing, embarrassed, ashamed, confessing, looking down, short hair, brown hair, tomboyish, small face, flat chest, slender, tall, footless romper, frills, pink ribbon, diaper, thighhighs, pink thighhighs, heart pattern, ribbon-trimmed legwear, pink footwear, male high school student, school uniform, gakuran, short black hair, cowboy shot, from side, profile, indoor, classroom, after school, warm afternoon light, A medium side-on view at chest height: on the left a tall, slim girl of about sixteen with short tomboyish brown hair cropped close at the nape and a small, delicate face; her body is slender and elongated with a completely flat chest under the loose, soft bulk of her garment. She wears a footless romper over a diaper, the romper's fabric crowded with frilled tiers at the shoulders, hem and cuffs and studded with small pink ribbon bows, the leg openings stopping at mid-thigh and the frilled edges standing away from her legs; below, her long slim legs are wrapped in pink heart-patterned thigh-high socks whose printed hearts and ribbon bows ride the fabric over her shins, the sock tops cut with frilled elastic just under the knee; pink shoes on both feet. She turns her upper body toward the boy on the right, chin tucked, eyes cast down and to the side, brows furrowed, cheeks and ears flooded with pink blush, mouth pressed small and tight, and both her hands push a little pastel pouch of handmade chocolate forward at waist height, the pouch's ribboned tie pinched between her fingers, her shoulders drawn up and her weight shifted onto her back foot. The boy stands on the right in a dark high school uniform jacket and trousers, short black hair, caught mid-reach: his right hand meets hers at the pouch, and his head is tipped down toward the little bag, lips slightly parted, one foot planted a half-step forward. Between them the pouch sits at the meeting point of both gazes; the girl does not look at his face. A single soft window light comes in from the left off-frame, laying a bright edge along the girl's cheek, her hair and the pouch's face, throwing her long shadow and the boy's shadow back to the right across the floor, and leaving the corners of the room dim. Warm cream and dusty beige walls, a blurred desk edge in the right foreground, the floorboards showing long grain lines. Pastel pink, cream and soft brown hold the palette, the pink carried in the ribbons, the sock hearts and the shoes, broken only by the boy's dark uniform. The tissue of the pouch dimples inward where her fingers press. Tender, awkward.
Oct 26, 2026 8:07 AM
#zetaCollab#differenza di età#1 ragazza
AI artwork
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2girls, 1boy, girl, boy, handing something to another, giving, offering, holding pouch, blushing, embarrassed, ashamed, confessing, looking down, short hair, brown hair, tomboyish, small face, flat chest, slender, tall, footless romper, frills, pink ribbon, diaper, thighhighs, pink thighhighs, heart pattern, ribbon-trimmed legwear, pink footwear, male high school student, school uniform, gakuran, short black hair, cowboy shot, from side, profile, indoor, classroom, after school, warm afternoon light, A medium side-on view at chest height: on the left a tall, slim girl of about sixteen with short tomboyish brown hair cropped close at the nape and a small, delicate face; her body is slender and elongated with a completely flat chest under the loose, soft bulk of her garment. She wears a footless romper over a diaper, the romper's fabric crowded with frilled tiers at the shoulders, hem and cuffs and studded with small pink ribbon bows, the leg openings stopping at mid-thigh and the frilled edges standing away from her legs; below, her long slim legs are wrapped in pink heart-patterned thigh-high socks whose printed hearts and ribbon bows ride the fabric over her shins, the sock tops cut with frilled elastic just under the knee; pink shoes on both feet. She turns her upper body toward the boy on the right, chin tucked, eyes cast down and to the side, brows furrowed, cheeks and ears flooded with pink blush, mouth pressed small and tight, and both her hands push a little pastel pouch of handmade chocolate forward at waist height, the pouch's ribboned tie pinched between her fingers, her shoulders drawn up and her weight shifted onto her back foot. The boy stands on the right in a dark high school uniform jacket and trousers, short black hair, caught mid-reach: his right hand meets hers at the pouch, and his head is tipped down toward the little bag, lips slightly parted, one foot planted a half-step forward. Between them the pouch sits at the meeting point of both gazes; the girl does not look at his face. A single soft window light comes in from the left off-frame, laying a bright edge along the girl's cheek, her hair and the pouch's face, throwing her long shadow and the boy's shadow back to the right across the floor, and leaving the corners of the room dim. Warm cream and dusty beige walls, a blurred desk edge in the right foreground, the floorboards showing long grain lines. Pastel pink, cream and soft brown hold the palette, the pink carried in the ribbons, the sock hearts and the shoes, broken only by the boy's dark uniform. The tissue of the pouch dimples inward where her fingers press. Tender, awkward.
Oct 26, 2026 8:07 AM
#zetaCollab#differenza di età#1 ragazza
AI artwork
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character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga (kancolle), brown hair, long hair, side ponytail, brown eyes, from side, cowboy shot, standing, holding bow, short bow in left hand, right hand on hip, indigo corset, white strapless tube bra, underboob, breast compression, tight fit, black string panties, side-tie panties, two knives hanging from panty strings, thigh-high socks, leather boots, knee-high boots, quiver on back, arrows in quiver, white fletching, quiver opening behind right shoulder, adventurer archer, relaxed confident posture, faint closed-lip smile, half-closed eyes, looking to the side, dusk forest clearing, palette discipline, soft rim light The camera stands at a low three-quarter side angle, looking up at the archer's left side; her body is turned partly away so her back and the quiver read clearly, while her head is angled back toward the viewer over her left shoulder. She stands with her weight settled onto her right leg, left knee slightly bent and toe turned out. Her left arm hangs down and slightly forward, the short recurve bow gripped loosely in her left hand with her fingers curled around the riser and the string end just grazing her thigh. Her right palm is pressed flat against her right hip bone, fingers splayed, thumb hooked back, tightening the skin there. The quiver rides diagonally across her back from her right shoulder down to her left waist, and its open top sits just above and behind her right shoulder blade; the white fletching of several arrows bristles from the opening. At her hips the black string panties sit high on her hipbones, the side ties knotted tight, and from each tie a short leather thong hangs down to a sheathed knife, one on each side, both blades pointed down along her outer thigh. The indigo corset cinches her waist and is laced with matching cord. Beneath it the white strapless tube bra clings tight to her chest, the fabric pulled taut so her breasts are compressed and their undersides bulge out below the lower hem, the band tight against her ribs. Thigh-high socks climb her legs to mid-thigh, and the leather boots rise to just below her knees, the tops worn and creased. Her brown side ponytail hangs over her left shoulder, the tips catching the light. The light comes from the low sun behind her left shoulder, warm amber rimming the hair on the back of her head, the white fletching, and the rim of the quiver; the side of her body toward the camera falls into a slightly cooler shade, with only a faint bounce light lifting the underside of her breasts and the soft brown of her eyes. Behind her, a dim forest clearing: tall dark trunks, shallow mist, a scatter of pale stones. The palette is limited to deep indigo, warm brown, white, and black leather, against the muted moss green and amber of the woods. The mood is quiet confidence with a dangerous edge, effortlessly stoic.
Oct 25, 2026 12:43 AM
#zetaCollab#Kantai Collection#Kaga
AI artwork
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character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, archer, adventurer, short bow, holding bow in left hand, bow held low at her side, right hand on hip, hand on own hip, indigo corset, white tube top, strapless, tight fit, breast squeeze, underboob, quiver, quiver on back, diagonal strap, arrows, white fletching, black panties, string panties, micro panties, front ribbon, sheathed knives at hips, knife in sheath, two knives, white thighhighs, ribbon trim on thighhighs, leather boots, knee boots, from side, cowboy shot, dutch angle, looking to the side, sideways glance, light smile, half-closed eyes, confident, outdoors, forest clearing, dappled light, depth of field, seductive_smile, midriff, bare shoulders, collarbone The camera sits low and slightly to her right, tilted a few degrees off level, framing her from mid-thigh to just above the ponytail: she stands side-on in profile, weight sunk onto her back leg with the front knee eased forward, hips cocked so the indigo corset's laced panel pulls taut across her waist and the black micro string panties sit high on the nearer hip, their front ribbon riding the point of the hipbone. Her left arm hangs relaxed and slightly away from her body, the short bow gripped at its wrapped leather riser, the lower limb angled back toward her calf and the string a faint straight line crossing the empty air behind her thigh; her right hand is planted flat on her hip, thumb hooked over the corset's top edge, fingers spread against the indigo fabric and pressing a shallow crease into it. The white strapless tube bra is drawn tight and level, its upper edge biting a soft horizontal line into the tops of her breasts while the band below rides high enough to leave the undersides bare and full, a thin shadow collecting under the band and a faint pink flush along the compressed skin. The quiver rides high and diagonally across her back, its strap crossing the near shoulder, and its dark leather mouth juts up behind her right shoulder with three white-fletched arrow shafts splaying slightly out of it, the fletching catching the light so it glows against the shaded green behind her. Two sheathed knives hang point-down from the panty strings, one at each hip, their slim sheaths swinging just barely with her weight shift. White thighhighs band her thighs with ribbon-trimmed tops that bite a soft line into the flesh; the leather boots rise to just below her knees, creased at the ankle and scuffed matte along the toe. Her chin is turned so she looks out past the frame's left edge, not at the viewer, eyelids dropped to a cool half-lidded glance, one corner of her mouth lifted in a faint lopsided smile, chest lifted mid-breath. Behind her a forest clearing recedes: a near oak trunk crosses the left foreground out of focus, leaf-shadow dapples her shoulder and thigh in broken patches, a shaft of late afternoon sun comes from high left and behind, rimming the ponytail and the quiver's arrows in warm light while her front stays in cool green shade. Palette held to indigo, white, dark brown leather and forest green. Quiet, self-assured.
Oct 25, 2026 12:43 AM
#Arco#Stivali#mutandine nere
AI artwork
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character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, pink choker, strapless, armor, european armor, heart-shaped chestplate, breastplate, bare shoulders, bare arms, armored gauntlets, arm armor, white drawers, frilled drawers, ribbon, bloomers, miniskirt, skirt armor, side-only plating, thigh boots, knee armor, greaves, holding spear, two-handed, spear, 2.5m spear, mounted, riding, horse, from side, profile, full body, dynamic angle, outdoors, battlefield, daylight, wind, A full-body side view, camera low and slightly ahead of the horse's shoulder so the rider's profile rides across the frame from left to right. She sits astride a dark bay warhorse with a black mane, its neck arched and one foreleg lifted mid-stride, hooves striking a dry dust-grey plain; the horse's head and shoulder occupy the left third, her body the right two thirds. Her weight is settled into the saddle on her seat bones, right hip forward, both thighs gripping the barrel, knees bent and calves wrapped along the horse's flanks; her booted lower legs hang with the stirrup irons under the balls of her feet, and the greaves run from just below the knee down over the ankle. Both hands are on the spear: the right hand grips the shaft high, knuckles white against it, the left hand lower and slightly behind, and the 2.5-metre shaft runs diagonally across her body from down-left to up-right, its butt end trailing behind the horse's rump and its steel head lifted above and ahead of her shoulder, the whole length foreshortened by the side view. The spear rests against the heel of her right palm and does not intersect her torso. Her upper body is straight-backed and turned just a few degrees toward the camera so the plated chest reads in near-profile: a strapless European cuirass of polished steel with fluted, ridged panels, its top edge cut low and curving straight across her chest with bare skin, bare collarbones and bare shoulders above it, and at the centre of each breast a raised, heart-shaped plate wrought into the steel, framed by riveted brass trim. Her arms are bare from the shoulder to mid-upper-arm, then sleeved in articulated plate — rerebrace, couter with a flared fan, vambrace — running continuously down to gauntleted fingers, and she wears no gloves beneath, the steel segments overlapping like scales as her grip closes. Around her throat sits a slim pink choker, a flat band of rose-pink leather with a small steel ring at the side, sitting above the collarbone and below the jaw, unobstructed by hair or armor. Below the cuirass's fauld her hips are clad in short white drawers, the cloth gathered in soft frilled tiers with narrow ribbon bows at the outer thigh, and over them a skirt of armor made of overlapping lames only along the left and right flanks — the front and the back of the skirt stand open, so from this side view the white frilled cloth shows through the gap below the hip and behind the thigh, and the side plating flares slightly as the horse's motion lifts it. Her right leg's greave catches the light along its ridge; her left leg is partly hidden behind the horse's barrel, with only the stirrup and the toe of the sabaton visible. The light is low, hard afternoon sun from the upper left, striking the polished plate in bright specular strips on the heart-shaped breastplate, the couter fans and the spearhead, while the horse's near side and the underside of her skirt fall into deep warm shadow; the rider casts a compact shadow onto the horse's shoulder, and the horse throws a long shadow to the right across the dust. Palette is restrained: polished steel grey and brass, warm dark bay, the dusty ochre of the ground, and the single pink of the choker and the white of the drawers. Wind pushes her long brown ponytail back off her shoulder, the tail streaming behind her head, and the frilled cloth of the drawers flutters against the side plating. Her chin is lifted, brown eyes narrowed slightly and fixed forward past the spearhead toward something beyond the frame, mouth set in a flat, calm line, a strand of hair crossing her cheek. Steady, martial resolve.
Oct 25, 2026 12:14 AM
#Stivali#tacchi alti#choker
AI artwork
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character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga \(kancolle\), brown hair, long hair, side ponytail, brown eyes, sleeveless, very high-leg leotard, highleg, assassin outfit, european-style assassin garb, hood, hood down, black gloves, thigh boots, thigh strap, from below, dutch angle, cowboy shot, standing, weight on one leg, leaning forward, hand on own hip, looking down at viewer, sideways glance, half-closed eyes, light smile, serious, dark alley, night, moonlight, distant lantern glow, stone wall, cobblestone, The view is from below at a slight dutch tilt, a cowboy shot framing her from mid-thigh to just above her head, so the receding stone wall of a narrow European alley runs diagonally behind her and the night sky opens above the rooflines. She stands with her weight sunk into her right leg, left knee relaxed and turned inward, torso leaning slightly forward toward the lens, right hand planted flat on her hip with fingers spread over the crest of the hipbone, left arm hanging easy with the glove's cuff pushed back at the wrist. Her chin is lowered and her eyes travel down to the viewer from under a half-lowered upper lid, one brow faintly lifted, mouth closed at a flat line with one corner just barely turned. Her long brown hair falls from a high side ponytail gathered on the left of her head, the tail sweeping down past her shoulder and swinging slightly forward across the collarbone with her lean, loose strands lifting behind her neck. Her brown eyes catch a cold rim of light along the lower lid. The outfit is the whole detail budget: a sleeveless very high-leg leotard in matte charcoal-black, cut high at the hip so the leg openings ride up over the crest of the pelvis and leave the full outer hip and side of the thigh bare, the shoulder seam narrow and the neckline a sharp square. Over it, European-style assassin gear, close-fitting rather than bulky: a short shoulder-caped mantle in worn oxblood leather clasping at the sternum, the hem of the cape hanging to the small of her back; a wide leather belt riding diagonally across the hip above the leotard's cut; black elbow-length gloves with stitched finger seams; a thigh strap tight around the right upper thigh above a low-buckled boot. A deep hood sits pushed back off her head, collar bunched at the nape; her head is bare, the ponytail fully visible. The leotard's fabric is slightly sheened satin with a matte seam running down each flank, pulling taut where her hip takes her weight, and the cape's leather shows a crease at the bent elbow. Light: one cold moonlight source high and behind-left of her, striking the top of the far shoulder, the cape's outer edge and the crown of her head, sliding off the front of her body into a soft grey falloff; the only other light is a distant amber lantern glow thrown up from the alley floor at the bottom of the frame, grazing the inner edge of her right thigh and the underside of the belt, warm against the cool blue-grey stone. Her cast shadow drops back and to the right along the cobblestones, long and thinning at the tip. Cobblestones show damp seams where the lantern light pools irregularly in the joints, not across the raised faces. Palette: charcoal-black, oxblood, cold blue-grey stone and the single amber patch low in the frame, nothing else admitted. Quiet, knife-edged menace.
Oct 24, 2026 3:07 AM
#zetaCollab#Kantai Collection#Kaga
AI artwork
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character: kaga_(kancolle), copyright: kantai_collection sole_female, 1girl, kaga \(kancolle\), brown hair, long hair, side ponytail, brown eyes, european-style assassin outfit, sleeveless, high-leg leotard, sideboob, bare shoulders, completely open armholes, bare underarms, no fabric under the arms, bare sides, black and deep-crimson palette, tight bodysuit cut, thigh strap with sheathed dagger, standing, weight on one leg, from below, dutch angle, looking down at viewer, half-closed eyes, smug, head tilt, arms crossed above head, one hand gripping opposite forearm, elbow raised, hair blown to one side, dark stone alley, single lantern light, high contrast, sharp cel shading, sleek dangerous mood. The camera sits low and tilted a few degrees off level, looking up at a single standing woman so that the whole diagonal of her body crosses the frame and the dark stone of an old European alley rises behind her. She stands with her weight on her left leg, right knee slightly bent and right foot forward on the ball, hips pushed a little to the left; both arms are raised and crossed above her head, the left hand gripping the right forearm just below the elbow, which lifts and opens the entire underarm and side of her torso to the low lens. Her hair is long and brown, gathered into a side ponytail that hangs to her right shoulder and lifts slightly away from her neck in a draft, a few loose strands crossing her cheek. Her brown eyes are narrowed under half-lowered lids, chin tipped down so she looks down the tilt of her face at the viewer, one corner of her mouth pulled into a small, knowing smirk. Her outfit is a European-style assassin's leotard: a sleeveless, high-leg one-piece in matte black with deep-crimson seams and a short standing collar, cut high at the hip so the leg openings ride up over her hipbones, and cut completely open at the armholes, with no cloth beneath the arms at all — the fabric closes only over the centre of her chest and her back, leaving the whole underarm and the side of each breast bare from the collarbone to the waist, so the low angle shows the pale outer curve of her breasts at the open side seams against the dark suit. The garment is belted at the waist with a narrow crimson strap, and a single leather thigh strap with a sheathed dagger sits on her right thigh; her legs are otherwise bare down to low soft boots. The only light is a single iron lantern bracketed to the wall on the left, warm and low; it strikes the left side of her face, the bare skin of her left underarm and side, and the crimson seams, while her right side and the alley behind her fall into a deep cool blue-black. Where the lantern light passes the raised edge of her black suit it throws a hard thin shadow from the fabric rim onto the bare skin beside it — the leotard's cut edge reading as a crisp line of darkness on the lit underarm, the clearest proof of how much skin the armhole exposes. The alley is narrow, the walls wet stone with illegible carved signage, and the ground below her is cut off by the frame. Moody, quietly lethal.
Oct 24, 2026 3:07 AM
Precedenteprossimo
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