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k1

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AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, wavy light green hair, golden eyes, yellow eyes, beautiful face, adult woman, round glasses, flustered expression, looking away, unaware of clothes slipping, heavy blush, white dress shirt, torn shirt, shirt slipping off shoulder, bare shoulder, black lace bra, collarbone, black pencil skirt, skirt askew, black pantyhose, torn pantyhose, torn thigh, perfect hands, delicate fingers, holding pumpkin candy basket, surrounded by students, students' hands reaching for candy, students' silhouettes crowding her, chaotic halloween atmosphere, scattered candy, center focus, (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), Centered, frontal medium shot from eye level: an adult woman with a beautiful, gracefully matured face stands dead-center in the frame, her very long light-green hair falling in loose waves past her waist, heavy dark-green edge on each strand. She wears round wire-rimmed glasses, and behind them her golden eyes have slid hard to the left, refusing to meet anything in front of her; a deep, heavy blush burns across both cheeks and the bridge of her nose, and her lips are parted in a small, wavering caught-off-guard gasp. She is entirely unaware that her white dress shirt has been torn open and dragged down — one shoulder bare, the collar hanging away, a black lace bra fully exposed beneath it — and she holds a round pumpkin-shaped candy basket in both delicate hands at waist height, her fingers elegant and evenly drawn around its handle. Silhouetted student figures press in on her from every side, flat black shapes with no faces, no shading and no interior detail, packed shoulder to shoulder behind and beside her; out of their ranks come several perfect, delicately drawn hands, sleeves flat black, reaching past her shoulders and hips to snatch at the candy spilling from the basket — some fingers already curling around wrapped pieces, a few sweets mid-drop between them. Her black pencil skirt sits askew, the hem dragged to a tilt and the waistband twisted, and her black pantyhose carries a clean, ragged tear across one thigh, showing a flawlessly flat band of skin. The hall floor under her is pure flat color scattered with orange, purple and green wrapped candies, tiny hard-edged triangles of confetti and flat paper bats pinned at the frame edges. Pure flat color throughout: not a single shadow is rendered, no gradient modeling, no ambient occlusion — the whole palette is light green, warm skin, crisp white, flat black and halloween orange, and every one of those colors sits as an unmodulated fill inside bold black outlines that give cel shading its crisp, clean edges. Light exists only as a stated source, an overhead hall light that touches nothing darker than the flat fills themselves. Chaotic halloween atmosphere — cheerful pandemonium, slyly comedic.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, wavy light green hair, golden eyes, yellow eyes, beautiful face, adult woman, round glasses, flustered expression, looking away, unaware of clothes slipping, heavy blush, white dress shirt, torn shirt, shirt slipping off shoulder, bare shoulder, black lace bra, collarbone, black pencil skirt, skirt askew, black pantyhose, torn pantyhose, torn thigh, perfect hands, delicate fingers, holding pumpkin candy basket, surrounded by students, students' hands reaching for candy, students' silhouettes crowding her, chaotic halloween atmosphere, scattered candy, center focus, (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), Centered, frontal medium shot from eye level: an adult woman with a beautiful, gracefully matured face stands dead-center in the frame, her very long light-green hair falling in loose waves past her waist, heavy dark-green edge on each strand. She wears round wire-rimmed glasses, and behind them her golden eyes have slid hard to the left, refusing to meet anything in front of her; a deep, heavy blush burns across both cheeks and the bridge of her nose, and her lips are parted in a small, wavering caught-off-guard gasp. She is entirely unaware that her white dress shirt has been torn open and dragged down — one shoulder bare, the collar hanging away, a black lace bra fully exposed beneath it — and she holds a round pumpkin-shaped candy basket in both delicate hands at waist height, her fingers elegant and evenly drawn around its handle. Silhouetted student figures press in on her from every side, flat black shapes with no faces, no shading and no interior detail, packed shoulder to shoulder behind and beside her; out of their ranks come several perfect, delicately drawn hands, sleeves flat black, reaching past her shoulders and hips to snatch at the candy spilling from the basket — some fingers already curling around wrapped pieces, a few sweets mid-drop between them. Her black pencil skirt sits askew, the hem dragged to a tilt and the waistband twisted, and her black pantyhose carries a clean, ragged tear across one thigh, showing a flawlessly flat band of skin. The hall floor under her is pure flat color scattered with orange, purple and green wrapped candies, tiny hard-edged triangles of confetti and flat paper bats pinned at the frame edges. Pure flat color throughout: not a single shadow is rendered, no gradient modeling, no ambient occlusion — the whole palette is light green, warm skin, crisp white, flat black and halloween orange, and every one of those colors sits as an unmodulated fill inside bold black outlines that give cel shading its crisp, clean edges. Light exists only as a stated source, an overhead hall light that touches nothing darker than the flat fills themselves. Chaotic halloween atmosphere — cheerful pandemonium, slyly comedic.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, wavy light green hair, golden eyes, yellow eyes, beautiful face, adult woman, round glasses, flustered expression, looking away, unaware of clothes slipping, heavy blush, white dress shirt, torn shirt, shirt slipping off shoulder, bare shoulder, black lace bra, collarbone, black pencil skirt, skirt askew, black pantyhose, torn pantyhose, torn thigh, perfect hands, delicate fingers, holding pumpkin candy basket, surrounded by students, students' hands reaching for candy, students' silhouettes crowding her, chaotic halloween atmosphere, scattered candy, center focus, (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), Centered, frontal medium shot from eye level: an adult woman with a beautiful, gracefully matured face stands dead-center in the frame, her very long light-green hair falling in loose waves past her waist, heavy dark-green edge on each strand. She wears round wire-rimmed glasses, and behind them her golden eyes have slid hard to the left, refusing to meet anything in front of her; a deep, heavy blush burns across both cheeks and the bridge of her nose, and her lips are parted in a small, wavering caught-off-guard gasp. She is entirely unaware that her white dress shirt has been torn open and dragged down — one shoulder bare, the collar hanging away, a black lace bra fully exposed beneath it — and she holds a round pumpkin-shaped candy basket in both delicate hands at waist height, her fingers elegant and evenly drawn around its handle. Silhouetted student figures press in on her from every side, flat black shapes with no faces, no shading and no interior detail, packed shoulder to shoulder behind and beside her; out of their ranks come several perfect, delicately drawn hands, sleeves flat black, reaching past her shoulders and hips to snatch at the candy spilling from the basket — some fingers already curling around wrapped pieces, a few sweets mid-drop between them. Her black pencil skirt sits askew, the hem dragged to a tilt and the waistband twisted, and her black pantyhose carries a clean, ragged tear across one thigh, showing a flawlessly flat band of skin. The hall floor under her is pure flat color scattered with orange, purple and green wrapped candies, tiny hard-edged triangles of confetti and flat paper bats pinned at the frame edges. Pure flat color throughout: not a single shadow is rendered, no gradient modeling, no ambient occlusion — the whole palette is light green, warm skin, crisp white, flat black and halloween orange, and every one of those colors sits as an unmodulated fill inside bold black outlines that give cel shading its crisp, clean edges. Light exists only as a stated source, an overhead hall light that touches nothing darker than the flat fills themselves. Chaotic halloween atmosphere — cheerful pandemonium, slyly comedic.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, wavy light green hair, golden eyes, yellow eyes, beautiful face, adult woman, round glasses, flustered expression, looking away, unaware of clothes slipping, heavy blush, white dress shirt, torn shirt, shirt slipping off shoulder, bare shoulder, black lace bra, collarbone, black pencil skirt, skirt askew, black pantyhose, torn pantyhose, torn thigh, perfect hands, delicate fingers, holding pumpkin candy basket, surrounded by students, students' hands reaching for candy, students' silhouettes crowding her, chaotic halloween atmosphere, scattered candy, center focus, (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), Centered, frontal medium shot from eye level: an adult woman with a beautiful, gracefully matured face stands dead-center in the frame, her very long light-green hair falling in loose waves past her waist, heavy dark-green edge on each strand. She wears round wire-rimmed glasses, and behind them her golden eyes have slid hard to the left, refusing to meet anything in front of her; a deep, heavy blush burns across both cheeks and the bridge of her nose, and her lips are parted in a small, wavering caught-off-guard gasp. She is entirely unaware that her white dress shirt has been torn open and dragged down — one shoulder bare, the collar hanging away, a black lace bra fully exposed beneath it — and she holds a round pumpkin-shaped candy basket in both delicate hands at waist height, her fingers elegant and evenly drawn around its handle. Silhouetted student figures press in on her from every side, flat black shapes with no faces, no shading and no interior detail, packed shoulder to shoulder behind and beside her; out of their ranks come several perfect, delicately drawn hands, sleeves flat black, reaching past her shoulders and hips to snatch at the candy spilling from the basket — some fingers already curling around wrapped pieces, a few sweets mid-drop between them. Her black pencil skirt sits askew, the hem dragged to a tilt and the waistband twisted, and her black pantyhose carries a clean, ragged tear across one thigh, showing a flawlessly flat band of skin. The hall floor under her is pure flat color scattered with orange, purple and green wrapped candies, tiny hard-edged triangles of confetti and flat paper bats pinned at the frame edges. Pure flat color throughout: not a single shadow is rendered, no gradient modeling, no ambient occlusion — the whole palette is light green, warm skin, crisp white, flat black and halloween orange, and every one of those colors sits as an unmodulated fill inside bold black outlines that give cel shading its crisp, clean edges. Light exists only as a stated source, an overhead hall light that touches nothing darker than the flat fills themselves. Chaotic halloween atmosphere — cheerful pandemonium, slyly comedic.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, thin framed glasses, glasses reflecting light, (1girl, center focus:1.5), from behind, back facing viewer, looking back over shoulder, (back facing viewer, looking back over shoulder:1.4), head turned back toward viewer, looking up at blackboard, unaware, slight smile, (looking up at the blackboard, unaware, slight smile:1.4), standing on tiptoes, reaching up high, (standing on tiptoes, reaching up high:1.6), both arms raised, arms up, outstretched arm, white dress shirt, long sleeves, shirt riding up, (white dress shirt, shirt riding up:1.4), black pencil skirt, skirt pulled up, black pantyhose, garter belt, (black pencil skirt, skirt pulled up, exposing black pantyhose and garter belt:1.6), perfect hands, delicate fingers, (perfect hands, delicate fingers:1.3), large blackboard, bat silhouettes on blackboard, (bat silhouettes on blackboard:1.3), chalk dust, minimalist classroom, (minimalist classroom, large blackboard, chalk dust:1.3), students' silhouettes at desks watching her, (students' silhouettes at desks watching her:1.5), students looking up her skirt, (students looking up her skirt:1.4), pure flat color, (pure flat color:1.6), cel shading, (cel shading:1.4), no shading, flat lighting, (no shading, flat lighting:1.5), bold black outlines, crisp clean lineart, (masterpiece, best quality, highres:1.2), The camera sits low behind the teacher's chair row, looking up and slightly forward: a single mature woman stands at the very center of the frame, her back squarely to the viewer, and this is the view the whole picture obeys. She is up on both tiptoes, heels lifted clear of the floor planks, her weight rolled onto the balls of her feet, and both arms are stretched overhead toward the top of the blackboard — the more detailed budget goes to her raised hands, framing the slate, the fingers long and slender, each knuckle softly articulated, pads pressed flat against the board's face where a chalk stick is pinched between thumb and forefinger, and a thin pale caterpillar of chalk dust drifting down from the contact point. Her long light green hair falls in one heavy sheet down her back, past the waistband, the ends swaying slightly toward the board from the reach, and her head is turned back over her right shoulder so her face is caught in three-quarter profile looking back toward the viewer — golden eyes half-lidded in a slight, knowing closed-lip smile, lashes low, one brow faintly lifted, chin dipped toward her shoulder. Thin-framed glasses sit on her nose, the lens tilted so a hard white flat-filled highlight glints across it and hides the eye behind it from this angle. The white dress shirt, long-sleeved, is untucked at the small of her back and has ridden up with the stretch, its hem lifted above the waistband and exposing a sliver of bare lower back between shirt and skirt; the black pencil skirt is pulled up at the hip and rides high as she reaches, its back seam drawn taut, and beneath it the black pantyhose and the black garter belt straps show where skirt meets leg. Her back fills the center of the frame; the blackboard rises behind and above her, a huge dark rectangle cropped at the top edge, and scattered across the slate in solid black silhouette are small bats with scalloped wings, some of them half-erased beneath drifting chalk dust. In the near foreground, cropped at the waist, the rounded silhouettes of seated students at desks are turned entirely toward her, heads tilted up so their gaze climbs the visible line of her legs to the lifted skirt, all of them rendered as flat dark shapes with no faces. The room around them is minimalist and bare — pale flat walls, a row of empty desks at the sides, no decoration beyond the slate. The lighting is completely flat: no cast shadow under her feet, no gradation on her hair or the skirt, every surface filled with a single solid pure color — the light green of the hair, white of the shirt, black of skirt and hose, dark green of the board, beige of the room's walls — and shade exists nowhere, only crisp, uniform bold black outlines enclosing each flat area. Something faintly disconcerting sits in the room's absolute evenness, quietly stylish.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, thin framed glasses, glasses reflecting light, (1girl, center focus:1.5), from behind, back facing viewer, looking back over shoulder, (back facing viewer, looking back over shoulder:1.4), head turned back toward viewer, looking up at blackboard, unaware, slight smile, (looking up at the blackboard, unaware, slight smile:1.4), standing on tiptoes, reaching up high, (standing on tiptoes, reaching up high:1.6), both arms raised, arms up, outstretched arm, white dress shirt, long sleeves, shirt riding up, (white dress shirt, shirt riding up:1.4), black pencil skirt, skirt pulled up, black pantyhose, garter belt, (black pencil skirt, skirt pulled up, exposing black pantyhose and garter belt:1.6), perfect hands, delicate fingers, (perfect hands, delicate fingers:1.3), large blackboard, bat silhouettes on blackboard, (bat silhouettes on blackboard:1.3), chalk dust, minimalist classroom, (minimalist classroom, large blackboard, chalk dust:1.3), students' silhouettes at desks watching her, (students' silhouettes at desks watching her:1.5), students looking up her skirt, (students looking up her skirt:1.4), pure flat color, (pure flat color:1.6), cel shading, (cel shading:1.4), no shading, flat lighting, (no shading, flat lighting:1.5), bold black outlines, crisp clean lineart, (masterpiece, best quality, highres:1.2), The camera sits low behind the teacher's chair row, looking up and slightly forward: a single mature woman stands at the very center of the frame, her back squarely to the viewer, and this is the view the whole picture obeys. She is up on both tiptoes, heels lifted clear of the floor planks, her weight rolled onto the balls of her feet, and both arms are stretched overhead toward the top of the blackboard — the more detailed budget goes to her raised hands, framing the slate, the fingers long and slender, each knuckle softly articulated, pads pressed flat against the board's face where a chalk stick is pinched between thumb and forefinger, and a thin pale caterpillar of chalk dust drifting down from the contact point. Her long light green hair falls in one heavy sheet down her back, past the waistband, the ends swaying slightly toward the board from the reach, and her head is turned back over her right shoulder so her face is caught in three-quarter profile looking back toward the viewer — golden eyes half-lidded in a slight, knowing closed-lip smile, lashes low, one brow faintly lifted, chin dipped toward her shoulder. Thin-framed glasses sit on her nose, the lens tilted so a hard white flat-filled highlight glints across it and hides the eye behind it from this angle. The white dress shirt, long-sleeved, is untucked at the small of her back and has ridden up with the stretch, its hem lifted above the waistband and exposing a sliver of bare lower back between shirt and skirt; the black pencil skirt is pulled up at the hip and rides high as she reaches, its back seam drawn taut, and beneath it the black pantyhose and the black garter belt straps show where skirt meets leg. Her back fills the center of the frame; the blackboard rises behind and above her, a huge dark rectangle cropped at the top edge, and scattered across the slate in solid black silhouette are small bats with scalloped wings, some of them half-erased beneath drifting chalk dust. In the near foreground, cropped at the waist, the rounded silhouettes of seated students at desks are turned entirely toward her, heads tilted up so their gaze climbs the visible line of her legs to the lifted skirt, all of them rendered as flat dark shapes with no faces. The room around them is minimalist and bare — pale flat walls, a row of empty desks at the sides, no decoration beyond the slate. The lighting is completely flat: no cast shadow under her feet, no gradation on her hair or the skirt, every surface filled with a single solid pure color — the light green of the hair, white of the shirt, black of skirt and hose, dark green of the board, beige of the room's walls — and shade exists nowhere, only crisp, uniform bold black outlines enclosing each flat area. Something faintly disconcerting sits in the room's absolute evenness, quietly stylish.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, thin framed glasses, glasses reflecting light, (1girl, center focus:1.5), from behind, back facing viewer, looking back over shoulder, (back facing viewer, looking back over shoulder:1.4), head turned back toward viewer, looking up at blackboard, unaware, slight smile, (looking up at the blackboard, unaware, slight smile:1.4), standing on tiptoes, reaching up high, (standing on tiptoes, reaching up high:1.6), both arms raised, arms up, outstretched arm, white dress shirt, long sleeves, shirt riding up, (white dress shirt, shirt riding up:1.4), black pencil skirt, skirt pulled up, black pantyhose, garter belt, (black pencil skirt, skirt pulled up, exposing black pantyhose and garter belt:1.6), perfect hands, delicate fingers, (perfect hands, delicate fingers:1.3), large blackboard, bat silhouettes on blackboard, (bat silhouettes on blackboard:1.3), chalk dust, minimalist classroom, (minimalist classroom, large blackboard, chalk dust:1.3), students' silhouettes at desks watching her, (students' silhouettes at desks watching her:1.5), students looking up her skirt, (students looking up her skirt:1.4), pure flat color, (pure flat color:1.6), cel shading, (cel shading:1.4), no shading, flat lighting, (no shading, flat lighting:1.5), bold black outlines, crisp clean lineart, (masterpiece, best quality, highres:1.2), The camera sits low behind the teacher's chair row, looking up and slightly forward: a single mature woman stands at the very center of the frame, her back squarely to the viewer, and this is the view the whole picture obeys. She is up on both tiptoes, heels lifted clear of the floor planks, her weight rolled onto the balls of her feet, and both arms are stretched overhead toward the top of the blackboard — the more detailed budget goes to her raised hands, framing the slate, the fingers long and slender, each knuckle softly articulated, pads pressed flat against the board's face where a chalk stick is pinched between thumb and forefinger, and a thin pale caterpillar of chalk dust drifting down from the contact point. Her long light green hair falls in one heavy sheet down her back, past the waistband, the ends swaying slightly toward the board from the reach, and her head is turned back over her right shoulder so her face is caught in three-quarter profile looking back toward the viewer — golden eyes half-lidded in a slight, knowing closed-lip smile, lashes low, one brow faintly lifted, chin dipped toward her shoulder. Thin-framed glasses sit on her nose, the lens tilted so a hard white flat-filled highlight glints across it and hides the eye behind it from this angle. The white dress shirt, long-sleeved, is untucked at the small of her back and has ridden up with the stretch, its hem lifted above the waistband and exposing a sliver of bare lower back between shirt and skirt; the black pencil skirt is pulled up at the hip and rides high as she reaches, its back seam drawn taut, and beneath it the black pantyhose and the black garter belt straps show where skirt meets leg. Her back fills the center of the frame; the blackboard rises behind and above her, a huge dark rectangle cropped at the top edge, and scattered across the slate in solid black silhouette are small bats with scalloped wings, some of them half-erased beneath drifting chalk dust. In the near foreground, cropped at the waist, the rounded silhouettes of seated students at desks are turned entirely toward her, heads tilted up so their gaze climbs the visible line of her legs to the lifted skirt, all of them rendered as flat dark shapes with no faces. The room around them is minimalist and bare — pale flat walls, a row of empty desks at the sides, no decoration beyond the slate. The lighting is completely flat: no cast shadow under her feet, no gradation on her hair or the skirt, every surface filled with a single solid pure color — the light green of the hair, white of the shirt, black of skirt and hose, dark green of the board, beige of the room's walls — and shade exists nowhere, only crisp, uniform bold black outlines enclosing each flat area. Something faintly disconcerting sits in the room's absolute evenness, quietly stylish.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo, mature female, teacher, long light green hair, very long hair, golden eyes, beautiful face, thin framed glasses, glasses reflecting light, (1girl, center focus:1.5), from behind, back facing viewer, looking back over shoulder, (back facing viewer, looking back over shoulder:1.4), head turned back toward viewer, looking up at blackboard, unaware, slight smile, (looking up at the blackboard, unaware, slight smile:1.4), standing on tiptoes, reaching up high, (standing on tiptoes, reaching up high:1.6), both arms raised, arms up, outstretched arm, white dress shirt, long sleeves, shirt riding up, (white dress shirt, shirt riding up:1.4), black pencil skirt, skirt pulled up, black pantyhose, garter belt, (black pencil skirt, skirt pulled up, exposing black pantyhose and garter belt:1.6), perfect hands, delicate fingers, (perfect hands, delicate fingers:1.3), large blackboard, bat silhouettes on blackboard, (bat silhouettes on blackboard:1.3), chalk dust, minimalist classroom, (minimalist classroom, large blackboard, chalk dust:1.3), students' silhouettes at desks watching her, (students' silhouettes at desks watching her:1.5), students looking up her skirt, (students looking up her skirt:1.4), pure flat color, (pure flat color:1.6), cel shading, (cel shading:1.4), no shading, flat lighting, (no shading, flat lighting:1.5), bold black outlines, crisp clean lineart, (masterpiece, best quality, highres:1.2), The camera sits low behind the teacher's chair row, looking up and slightly forward: a single mature woman stands at the very center of the frame, her back squarely to the viewer, and this is the view the whole picture obeys. She is up on both tiptoes, heels lifted clear of the floor planks, her weight rolled onto the balls of her feet, and both arms are stretched overhead toward the top of the blackboard — the more detailed budget goes to her raised hands, framing the slate, the fingers long and slender, each knuckle softly articulated, pads pressed flat against the board's face where a chalk stick is pinched between thumb and forefinger, and a thin pale caterpillar of chalk dust drifting down from the contact point. Her long light green hair falls in one heavy sheet down her back, past the waistband, the ends swaying slightly toward the board from the reach, and her head is turned back over her right shoulder so her face is caught in three-quarter profile looking back toward the viewer — golden eyes half-lidded in a slight, knowing closed-lip smile, lashes low, one brow faintly lifted, chin dipped toward her shoulder. Thin-framed glasses sit on her nose, the lens tilted so a hard white flat-filled highlight glints across it and hides the eye behind it from this angle. The white dress shirt, long-sleeved, is untucked at the small of her back and has ridden up with the stretch, its hem lifted above the waistband and exposing a sliver of bare lower back between shirt and skirt; the black pencil skirt is pulled up at the hip and rides high as she reaches, its back seam drawn taut, and beneath it the black pantyhose and the black garter belt straps show where skirt meets leg. Her back fills the center of the frame; the blackboard rises behind and above her, a huge dark rectangle cropped at the top edge, and scattered across the slate in solid black silhouette are small bats with scalloped wings, some of them half-erased beneath drifting chalk dust. In the near foreground, cropped at the waist, the rounded silhouettes of seated students at desks are turned entirely toward her, heads tilted up so their gaze climbs the visible line of her legs to the lifted skirt, all of them rendered as flat dark shapes with no faces. The room around them is minimalist and bare — pale flat walls, a row of empty desks at the sides, no decoration beyond the slate. The lighting is completely flat: no cast shadow under her feet, no gradation on her hair or the skirt, every surface filled with a single solid pure color — the light green of the hair, white of the shirt, black of skirt and hose, dark green of the board, beige of the room's walls — and shade exists nowhere, only crisp, uniform bold black outlines enclosing each flat area. Something faintly disconcerting sits in the room's absolute evenness, quietly stylish.
Oct 28, 2026 2:44 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass 1girl, solo female teacher, (center focus:1.5), mature female, long light green hair, very long hair falling forward over her shoulders, golden eyes, beautiful face, (thin framed glasses:1.5), (focused expression, serious look, unaware of exposure, slight blush:1.4), (bending over a school desk, leaning forward deeply:1.6), (pointing at a paper on the desk:1.3), (perfect hands, delicate fingers:1.3), white dress shirt, unbuttoned top, collar hanging open, (exposing black lace bra and heavy cleavage:1.6), (black pencil skirt:1.3), (black pantyhose, zettai ryouiki:1.4), students' silhouettes watching her from lower desks, (students looking at her chest:1.4), (minimalist classroom background:1.3), (glowing jack-o'-lantern on desk:1.3), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (masterpiece, best quality, highres:1.2), The camera sits low at the front row of the classroom, tilted slightly up and off-axis to the right, so the desk edge cuts a hard diagonal across the lower third of the frame and the teacher's leaning upper body fills the center — the whole composition pivots on her. She is bent deeply over a school desk that faces the class: both palms and forearms planted flat on the desk top, spine long and angled sharply forward, hips pushed back and up so the black pencil skirt pulls taut across them, weight carried on her left forearm while her right hand lifts free, index finger extended and pressed down on a single sheet of paper lying flat on the desk surface just left of the pumpkin. Her long light green hair slides off her shoulders and hangs straight down toward the desk, the tips brushing the paper's edge and swaying with the lean. Behind the thin black rims of her glasses her golden eyes are fixed down on the paper, brows drawn level, mouth flat and set in a serious, patient line — she is entirely absorbed in the page, chin lowered, and her slight blush sits high on her cheeks as a matter of course, unnoticed by her. The white dress shirt hangs open from the collar down, the collar points splayed wide and away from her throat, its front placket falling apart to expose a black lace bra with an intricate web-like pattern and heavy cleavage; below the waistband the black pencil skirt, and beneath it black pantyhose with a band of bare thigh showing above the hem — the zettai ryouiki. On the desk beside the paper, a carved jack-o'-lantern glows: its only light is a warm orange rim that climbs the underside of her chin, the inner edges of her glasses, the lowered sheet of her hair and the crease of her open collar, while everything above and behind her stays in the classroom's even neutral tone. Behind her the room is reduced to its bones — a pale empty wall, a rectangle of blackboard, the grid of desks and chairs descending toward the camera. At the two nearest desks in the lower corners, faceless student silhouettes sit as flat dark shapes, heads tilted up, their fixed attention aimed squarely at her chest while she points at the paper, oblivious. She is drawn in pure flat color and cel shading with crisp clean lineart and bold black outlines, no shading and flat lighting throughout: uniform colors, zero gradients, the pumpkin's glow confined to a flat orange shape against the flat surfaces it touches. The shadow cast under the desk is a single hard flat wedge. Her index finger leaves a soft crease in the paper at the point of contact. Quiet classroom hush, faintly mischievous.
Oct 28, 2026 2:43 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Glasses Characters Assemble
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (half-rim rectangular glasses, glasses slightly falling off:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, looking back at viewer:1.5), (forced to bend over the podium:1.6), (face pressed against wood:1.4), (trembling:1.2), (torn white dress shirt:1.5), (black lace bra:1.3), (black pencil skirt, skirt pulled up:1.4), (black pantyhose:1.5), (torn pantyhose, ladder rips on thighs:1.6), (black witch cloak draped over back:1.4), (large glowing jack-o'-lantern on podium:1.5), (black cat standing on her thigh:1.4), (bats flying silhouette background:1.3), (minimalist classroom background:1.3), (perfect hands, delicate fingers:1.3), from behind, looking back, over-shoulder composition, medium shot, cape, podium The camera sits behind her right shoulder at hip height, tilted slightly downward: a young woman bends forward over a plain wooden lectern, both forearms flat on its slanted top, her cheek and chin pressed into the wood so the skin of her face flattens against the grain. Her back arches up toward the lens; her weight rests on her elbows and on the balls of both feet, heels lifted, knees slightly knocked together, a fine shiver running through her shoulders and the backs of her legs. Her head is turned back over her shoulder toward the viewer, golden eyes wide and swimming with held tears, heavy blush flooding her cheeks and the bridge of her nose, lower lip caught and dented between her teeth. Half-rim rectangular glasses sit askew at the bridge of her nose, one temple arm riding high toward her ear, and the long pale-green hair falls forward across the wood and spills tangled over her shoulder. The white dress shirt is torn open down the back and along one sleeve, its collar hanging loose, revealing the black lace bra across her chest where she presses to the lectern. The black pencil skirt is yanked up over her hips, its hem bunched at her waist, and black pantyhose sheathes her legs with ladder rips climbing both thighs in jagged runs of stretched mesh. A black witch cloak is draped over her back, its folds sliding off her shoulders and hanging down across the lectern edge. Her hands lie upturned and slack on the wood beside her face, pale and clean-fingered. A large jack-o'-lantern sits on the far corner of the podium, and every plane of color in the image is flat: its carved grin and triangular eyes are solid unshaded orange-yellow, and its glow lands as three flat crescents of pale yellow on her cheek, the cloak and the lectern top, with no gradient and no cast shadow anywhere. A small round black cat stands four-square on her left thigh, tail up, eyes two flat yellow dots. Behind them the classroom is a bare minimum of flat shapes: three rows of desk silhouettes, a plain board, a high window, and bats cut out as flat black silhouettes scattered across the pale wall. Palette limited to black, white and hot orange. Humiliated, brittle-held composure.
Oct 27, 2026 3:58 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (half-rim rectangular glasses, glasses slightly falling off:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, looking back at viewer:1.5), (forced to bend over the podium:1.6), (face pressed against wood:1.4), (trembling:1.2), (torn white dress shirt:1.5), (black lace bra:1.3), (black pencil skirt, skirt pulled up:1.4), (black pantyhose:1.5), (torn pantyhose, ladder rips on thighs:1.6), (black witch cloak draped over back:1.4), (large glowing jack-o'-lantern on podium:1.5), (black cat standing on her thigh:1.4), (bats flying silhouette background:1.3), (minimalist classroom background:1.3), (perfect hands, delicate fingers:1.3), from behind, looking back, over-shoulder composition, medium shot, cape, podium The camera sits behind her right shoulder at hip height, tilted slightly downward: a young woman bends forward over a plain wooden lectern, both forearms flat on its slanted top, her cheek and chin pressed into the wood so the skin of her face flattens against the grain. Her back arches up toward the lens; her weight rests on her elbows and on the balls of both feet, heels lifted, knees slightly knocked together, a fine shiver running through her shoulders and the backs of her legs. Her head is turned back over her shoulder toward the viewer, golden eyes wide and swimming with held tears, heavy blush flooding her cheeks and the bridge of her nose, lower lip caught and dented between her teeth. Half-rim rectangular glasses sit askew at the bridge of her nose, one temple arm riding high toward her ear, and the long pale-green hair falls forward across the wood and spills tangled over her shoulder. The white dress shirt is torn open down the back and along one sleeve, its collar hanging loose, revealing the black lace bra across her chest where she presses to the lectern. The black pencil skirt is yanked up over her hips, its hem bunched at her waist, and black pantyhose sheathes her legs with ladder rips climbing both thighs in jagged runs of stretched mesh. A black witch cloak is draped over her back, its folds sliding off her shoulders and hanging down across the lectern edge. Her hands lie upturned and slack on the wood beside her face, pale and clean-fingered. A large jack-o'-lantern sits on the far corner of the podium, and every plane of color in the image is flat: its carved grin and triangular eyes are solid unshaded orange-yellow, and its glow lands as three flat crescents of pale yellow on her cheek, the cloak and the lectern top, with no gradient and no cast shadow anywhere. A small round black cat stands four-square on her left thigh, tail up, eyes two flat yellow dots. Behind them the classroom is a bare minimum of flat shapes: three rows of desk silhouettes, a plain board, a high window, and bats cut out as flat black silhouettes scattered across the pale wall. Palette limited to black, white and hot orange. Humiliated, brittle-held composure.
Oct 27, 2026 3:58 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (half-rim rectangular glasses, glasses slightly falling off:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, looking back at viewer:1.5), (forced to bend over the podium:1.6), (face pressed against wood:1.4), (trembling:1.2), (torn white dress shirt:1.5), (black lace bra:1.3), (black pencil skirt, skirt pulled up:1.4), (black pantyhose:1.5), (torn pantyhose, ladder rips on thighs:1.6), (black witch cloak draped over back:1.4), (large glowing jack-o'-lantern on podium:1.5), (black cat standing on her thigh:1.4), (bats flying silhouette background:1.3), (minimalist classroom background:1.3), (perfect hands, delicate fingers:1.3), from behind, looking back, over-shoulder composition, medium shot, cape, podium The camera sits behind her right shoulder at hip height, tilted slightly downward: a young woman bends forward over a plain wooden lectern, both forearms flat on its slanted top, her cheek and chin pressed into the wood so the skin of her face flattens against the grain. Her back arches up toward the lens; her weight rests on her elbows and on the balls of both feet, heels lifted, knees slightly knocked together, a fine shiver running through her shoulders and the backs of her legs. Her head is turned back over her shoulder toward the viewer, golden eyes wide and swimming with held tears, heavy blush flooding her cheeks and the bridge of her nose, lower lip caught and dented between her teeth. Half-rim rectangular glasses sit askew at the bridge of her nose, one temple arm riding high toward her ear, and the long pale-green hair falls forward across the wood and spills tangled over her shoulder. The white dress shirt is torn open down the back and along one sleeve, its collar hanging loose, revealing the black lace bra across her chest where she presses to the lectern. The black pencil skirt is yanked up over her hips, its hem bunched at her waist, and black pantyhose sheathes her legs with ladder rips climbing both thighs in jagged runs of stretched mesh. A black witch cloak is draped over her back, its folds sliding off her shoulders and hanging down across the lectern edge. Her hands lie upturned and slack on the wood beside her face, pale and clean-fingered. A large jack-o'-lantern sits on the far corner of the podium, and every plane of color in the image is flat: its carved grin and triangular eyes are solid unshaded orange-yellow, and its glow lands as three flat crescents of pale yellow on her cheek, the cloak and the lectern top, with no gradient and no cast shadow anywhere. A small round black cat stands four-square on her left thigh, tail up, eyes two flat yellow dots. Behind them the classroom is a bare minimum of flat shapes: three rows of desk silhouettes, a plain board, a high window, and bats cut out as flat black silhouettes scattered across the pale wall. Palette limited to black, white and hot orange. Humiliated, brittle-held composure.
Oct 27, 2026 3:58 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, half-rim rectangular glasses, (half-rim rectangular glasses, glasses slightly falling off:1.4), (humiliated expression, heavy blush, teary eyes, biting lower lip, looking back at viewer:1.5), (forced to bend over the podium:1.6), (face pressed against wood:1.4), (trembling:1.2), (torn white dress shirt:1.5), (black lace bra:1.3), (black pencil skirt, skirt pulled up:1.4), (black pantyhose:1.5), (torn pantyhose, ladder rips on thighs:1.6), (black witch cloak draped over back:1.4), (large glowing jack-o'-lantern on podium:1.5), (black cat standing on her thigh:1.4), (bats flying silhouette background:1.3), (minimalist classroom background:1.3), (perfect hands, delicate fingers:1.3), from behind, looking back, over-shoulder composition, medium shot, cape, podium The camera sits behind her right shoulder at hip height, tilted slightly downward: a young woman bends forward over a plain wooden lectern, both forearms flat on its slanted top, her cheek and chin pressed into the wood so the skin of her face flattens against the grain. Her back arches up toward the lens; her weight rests on her elbows and on the balls of both feet, heels lifted, knees slightly knocked together, a fine shiver running through her shoulders and the backs of her legs. Her head is turned back over her shoulder toward the viewer, golden eyes wide and swimming with held tears, heavy blush flooding her cheeks and the bridge of her nose, lower lip caught and dented between her teeth. Half-rim rectangular glasses sit askew at the bridge of her nose, one temple arm riding high toward her ear, and the long pale-green hair falls forward across the wood and spills tangled over her shoulder. The white dress shirt is torn open down the back and along one sleeve, its collar hanging loose, revealing the black lace bra across her chest where she presses to the lectern. The black pencil skirt is yanked up over her hips, its hem bunched at her waist, and black pantyhose sheathes her legs with ladder rips climbing both thighs in jagged runs of stretched mesh. A black witch cloak is draped over her back, its folds sliding off her shoulders and hanging down across the lectern edge. Her hands lie upturned and slack on the wood beside her face, pale and clean-fingered. A large jack-o'-lantern sits on the far corner of the podium, and every plane of color in the image is flat: its carved grin and triangular eyes are solid unshaded orange-yellow, and its glow lands as three flat crescents of pale yellow on her cheek, the cloak and the lectern top, with no gradient and no cast shadow anywhere. A small round black cat stands four-square on her left thigh, tail up, eyes two flat yellow dots. Behind them the classroom is a bare minimum of flat shapes: three rows of desk silhouettes, a plain board, a high window, and bats cut out as flat black silhouettes scattered across the pale wall. Palette limited to black, white and hot orange. Humiliated, brittle-held composure.
Oct 27, 2026 3:58 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (1girl, solo:1.5), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), long light green hair, very long hair, messy hair, golden eyes, yellow eyes, mature female, curvier body, humiliated expression, broken mind, heavy blush, crying, tears, drool on chin, trembling, thin gold-rimmed glasses, (delicate metal glasses chain hanging down:1.6), (arms tied behind back:1.6), (leaning against blackboard:1.4), (large black witch hat tilted on head:1.4), black gothic corset, (white dress shirt torn open:1.5), bare shoulders, black garter belt, (black pantyhose:1.5), (minimalist blackboard background:1.4), (chalk drawn bats flying on blackboard:1.4), (floating pumpkin silhouette:1.2), (perfect hands, delicate fingers:1.3), cowboy shot, from below, The camera sits low and slightly off her right, looking up: a lone mature woman leans back against a wide flat blackboard that fills the frame behind her, its surface a clean expanse of flat slate-black with a faint chalk dust haze. Her spine presses to the board, hips pushed forward, shoulders flat against the slate, weight carried by her left hip and the leg braced under her; both legs are together and slightly bent, the other knee slack, the black sheer shine of her pantyhose held as one uniform flat black tone with crisp white-free edges. Behind her back both wrists are lashed at the small of her spine, the tie unseen past her waist, so only the taut strain of her shoulders and the forward pull of her elbows read; the bound hands sit hidden behind her hips as a compact silhouette of delicate fingers curled loosely against her own back, each finger fine and separate where they peek past her hip line. Her oversized black witch hat is tipped low over the right side of her brow, its wide brim a hard black ellipse cutting across the dark board; beneath it her long light green hair spills out in messy tangles, strands stuck flat to her wet cheek, some ends caught under the hat band, others swinging forward over the torn shirt. Thin gold-rimmed glasses sit crooked on her nose, one lens catching a flat pale oval, and from both temples the fine gold chain of her glasses runs down in paired drooping arcs, curving over her jaw and disappearing behind her neck, links rendered as tiny flat gold beads. Her white dress shirt is ripped open down the front, the torn edges ragged and jagged, pulled off both shoulders so bare skin shows at the collarbones above the black gothic corset, its laced front and boning drawn as flat black and bone-white panels with hard outlines; below, the black garter belt straps stretch down taut to the sheer black stockings. Her face tilts up toward the lens: brows drawn and pinched, one eye squeezed half shut behind the tilted lens while the other stares glassy and unfocused, lashes clumped wet, twin tear tracks running flat and pale down both cheeks, a deep red blush staining the whole of her face as one even tone with no gradient, mouth parted in a broken, wobbling grimace with a single thread of drool slipping from her lower lip to her chin. Across the blackboard behind her shoulder, chalk bats fly in a rising arc toward the upper left, drawn in thin white scrawl, one with wings cut off by the hat brim; near the upper right a flat orange pumpkin silhouette floats as a clean cutout against the slate, its stem curled. The only light is even, sourceless flat wash from the front, so every plane — hat felt, corset panels, stockings, chalk lines — is a single unbroken fill with no shadow cast anywhere and no highlight gradients; a shallow pool of dark sits under the brim of her hat purely as flat black. Palette held to slate black, chalk white, flat gold, the pale green of her hair and the single orange of the pumpkin. Humiliated, brittle.
Oct 27, 2026 3:58 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (1girl, solo:1.5), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), long light green hair, very long hair, messy hair, golden eyes, yellow eyes, mature female, curvier body, humiliated expression, broken mind, heavy blush, crying, tears, drool on chin, trembling, thin gold-rimmed glasses, (delicate metal glasses chain hanging down:1.6), (arms tied behind back:1.6), (leaning against blackboard:1.4), (large black witch hat tilted on head:1.4), black gothic corset, (white dress shirt torn open:1.5), bare shoulders, black garter belt, (black pantyhose:1.5), (minimalist blackboard background:1.4), (chalk drawn bats flying on blackboard:1.4), (floating pumpkin silhouette:1.2), (perfect hands, delicate fingers:1.3), cowboy shot, from below, The camera sits low and slightly off her right, looking up: a lone mature woman leans back against a wide flat blackboard that fills the frame behind her, its surface a clean expanse of flat slate-black with a faint chalk dust haze. Her spine presses to the board, hips pushed forward, shoulders flat against the slate, weight carried by her left hip and the leg braced under her; both legs are together and slightly bent, the other knee slack, the black sheer shine of her pantyhose held as one uniform flat black tone with crisp white-free edges. Behind her back both wrists are lashed at the small of her spine, the tie unseen past her waist, so only the taut strain of her shoulders and the forward pull of her elbows read; the bound hands sit hidden behind her hips as a compact silhouette of delicate fingers curled loosely against her own back, each finger fine and separate where they peek past her hip line. Her oversized black witch hat is tipped low over the right side of her brow, its wide brim a hard black ellipse cutting across the dark board; beneath it her long light green hair spills out in messy tangles, strands stuck flat to her wet cheek, some ends caught under the hat band, others swinging forward over the torn shirt. Thin gold-rimmed glasses sit crooked on her nose, one lens catching a flat pale oval, and from both temples the fine gold chain of her glasses runs down in paired drooping arcs, curving over her jaw and disappearing behind her neck, links rendered as tiny flat gold beads. Her white dress shirt is ripped open down the front, the torn edges ragged and jagged, pulled off both shoulders so bare skin shows at the collarbones above the black gothic corset, its laced front and boning drawn as flat black and bone-white panels with hard outlines; below, the black garter belt straps stretch down taut to the sheer black stockings. Her face tilts up toward the lens: brows drawn and pinched, one eye squeezed half shut behind the tilted lens while the other stares glassy and unfocused, lashes clumped wet, twin tear tracks running flat and pale down both cheeks, a deep red blush staining the whole of her face as one even tone with no gradient, mouth parted in a broken, wobbling grimace with a single thread of drool slipping from her lower lip to her chin. Across the blackboard behind her shoulder, chalk bats fly in a rising arc toward the upper left, drawn in thin white scrawl, one with wings cut off by the hat brim; near the upper right a flat orange pumpkin silhouette floats as a clean cutout against the slate, its stem curled. The only light is even, sourceless flat wash from the front, so every plane — hat felt, corset panels, stockings, chalk lines — is a single unbroken fill with no shadow cast anywhere and no highlight gradients; a shallow pool of dark sits under the brim of her hat purely as flat black. Palette held to slate black, chalk white, flat gold, the pale green of her hair and the single orange of the pumpkin. Humiliated, brittle.
Oct 27, 2026 3:58 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (1girl, solo:1.5), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), long light green hair, very long hair, messy hair, golden eyes, yellow eyes, mature female, curvier body, humiliated expression, broken mind, heavy blush, crying, tears, drool on chin, trembling, thin gold-rimmed glasses, (delicate metal glasses chain hanging down:1.6), (arms tied behind back:1.6), (leaning against blackboard:1.4), (large black witch hat tilted on head:1.4), black gothic corset, (white dress shirt torn open:1.5), bare shoulders, black garter belt, (black pantyhose:1.5), (minimalist blackboard background:1.4), (chalk drawn bats flying on blackboard:1.4), (floating pumpkin silhouette:1.2), (perfect hands, delicate fingers:1.3), cowboy shot, from below, The camera sits low and slightly off her right, looking up: a lone mature woman leans back against a wide flat blackboard that fills the frame behind her, its surface a clean expanse of flat slate-black with a faint chalk dust haze. Her spine presses to the board, hips pushed forward, shoulders flat against the slate, weight carried by her left hip and the leg braced under her; both legs are together and slightly bent, the other knee slack, the black sheer shine of her pantyhose held as one uniform flat black tone with crisp white-free edges. Behind her back both wrists are lashed at the small of her spine, the tie unseen past her waist, so only the taut strain of her shoulders and the forward pull of her elbows read; the bound hands sit hidden behind her hips as a compact silhouette of delicate fingers curled loosely against her own back, each finger fine and separate where they peek past her hip line. Her oversized black witch hat is tipped low over the right side of her brow, its wide brim a hard black ellipse cutting across the dark board; beneath it her long light green hair spills out in messy tangles, strands stuck flat to her wet cheek, some ends caught under the hat band, others swinging forward over the torn shirt. Thin gold-rimmed glasses sit crooked on her nose, one lens catching a flat pale oval, and from both temples the fine gold chain of her glasses runs down in paired drooping arcs, curving over her jaw and disappearing behind her neck, links rendered as tiny flat gold beads. Her white dress shirt is ripped open down the front, the torn edges ragged and jagged, pulled off both shoulders so bare skin shows at the collarbones above the black gothic corset, its laced front and boning drawn as flat black and bone-white panels with hard outlines; below, the black garter belt straps stretch down taut to the sheer black stockings. Her face tilts up toward the lens: brows drawn and pinched, one eye squeezed half shut behind the tilted lens while the other stares glassy and unfocused, lashes clumped wet, twin tear tracks running flat and pale down both cheeks, a deep red blush staining the whole of her face as one even tone with no gradient, mouth parted in a broken, wobbling grimace with a single thread of drool slipping from her lower lip to her chin. Across the blackboard behind her shoulder, chalk bats fly in a rising arc toward the upper left, drawn in thin white scrawl, one with wings cut off by the hat brim; near the upper right a flat orange pumpkin silhouette floats as a clean cutout against the slate, its stem curled. The only light is even, sourceless flat wash from the front, so every plane — hat felt, corset panels, stockings, chalk lines — is a single unbroken fill with no shadow cast anywhere and no highlight gradients; a shallow pool of dark sits under the brim of her hat purely as flat black. Palette held to slate black, chalk white, flat gold, the pale green of her hair and the single orange of the pumpkin. Humiliated, brittle.
Oct 27, 2026 3:58 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, round glasses, (lens reflecting light, hiding eyes:1.4), (humiliated expression, heavy blush, teary eyes, looking up at viewer:1.5), (pumpkin choker collar:1.5), (tight black turtleneck sweater:1.5), long sleeves, (torn black pencil skirt:1.4), (black pantyhose, torn pantyhose on knees:1.5), (sitting on floor under desk, wariza:1.5), (hugging own knees:1.4), arms around legs, (perfect hands, delicate fingers:1.3), (scattered halloween candy on floor:1.3), (round lollipops, wrapped caramel candies, candy corn), (black cat plushie:1.2), (large wooden desk legs:1.3), (minimalist office background:1.4), from above, looking up, close-up, tight framing, desk underside framing the figure The camera looks steeply down from above, the underside of a large minimalist office desk filling the top of the frame: two thick pale-wood desk legs drop vertically at left and right, a cross-brace shadowless behind them, the desk's underside a flat slab closing the ceiling of the shot. In the narrow space beneath it a single mature woman sits in wariza on the pale grey floor, both shins folded flat under her thighs, knees splayed wide apart and lifted, her weight settled back on her hips. Her arms wrap forward around both knees, hands overlapping at the shins, delicate long fingers curled cleanly over the black knit of her sleeves, every knuckle and nail crisp and unblemished. Her tight black turtleneck sweater hugs her torso and long sleeves to the wrists, the collar rising under a wide pumpkin-orange choker with a ribbed band and a small carved jack-o'-lantern face at the front of her throat. Her torn black pencil skirt is split along the hem and ripped open at one hip. Black pantyhose sheathes her legs to the toes, both knees burst open in ragged horizontal ladders of runs, pale skin showing through the holes. Her long light green hair spills over her shoulders and pools on the floor in flat sheets behind her hips, strands catching between the desk legs. She tilts her face up toward the viewer, chin lifted, heavy blush burning across both cheeks in hard-edged oval patches, tears brimming and one bead breaking loose at the outer corner of her eye. Round thin-rimmed glasses sit on her nose, and both lenses flare with an opaque white highlight that wipes her eyes out completely, so only the wet shine below the rims and the pressed line of her mouth read the humiliation. Her brows draw up and together. Scattered around her folded legs across the floor lie halloween candies: striped round lollipops, twisted wrapped caramels, a few candy corn kernels, one lollipop lying against her shin. A small black cat plushie with stitched whiskers and round bead eyes sits between her hip and the near desk leg, half tucked under her thigh. Beyond the desk legs the office is bare: a flat off-white wall, a single straight skirting line, nothing else. The light is even and directionless, no shadow pooled under the desk, no gradient on the wall, every surface a single unbroken fill; the only variation is the flat white of the lens highlights and the black of the outlines. Palette held to black, off-white, pale wood, pumpkin orange and the green of her hair. Quietly mortifying, graphic and clean.
Oct 27, 2026 3:57 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, round glasses, (lens reflecting light, hiding eyes:1.4), (humiliated expression, heavy blush, teary eyes, looking up at viewer:1.5), (pumpkin choker collar:1.5), (tight black turtleneck sweater:1.5), long sleeves, (torn black pencil skirt:1.4), (black pantyhose, torn pantyhose on knees:1.5), (sitting on floor under desk, wariza:1.5), (hugging own knees:1.4), arms around legs, (perfect hands, delicate fingers:1.3), (scattered halloween candy on floor:1.3), (round lollipops, wrapped caramel candies, candy corn), (black cat plushie:1.2), (large wooden desk legs:1.3), (minimalist office background:1.4), from above, looking up, close-up, tight framing, desk underside framing the figure The camera looks steeply down from above, the underside of a large minimalist office desk filling the top of the frame: two thick pale-wood desk legs drop vertically at left and right, a cross-brace shadowless behind them, the desk's underside a flat slab closing the ceiling of the shot. In the narrow space beneath it a single mature woman sits in wariza on the pale grey floor, both shins folded flat under her thighs, knees splayed wide apart and lifted, her weight settled back on her hips. Her arms wrap forward around both knees, hands overlapping at the shins, delicate long fingers curled cleanly over the black knit of her sleeves, every knuckle and nail crisp and unblemished. Her tight black turtleneck sweater hugs her torso and long sleeves to the wrists, the collar rising under a wide pumpkin-orange choker with a ribbed band and a small carved jack-o'-lantern face at the front of her throat. Her torn black pencil skirt is split along the hem and ripped open at one hip. Black pantyhose sheathes her legs to the toes, both knees burst open in ragged horizontal ladders of runs, pale skin showing through the holes. Her long light green hair spills over her shoulders and pools on the floor in flat sheets behind her hips, strands catching between the desk legs. She tilts her face up toward the viewer, chin lifted, heavy blush burning across both cheeks in hard-edged oval patches, tears brimming and one bead breaking loose at the outer corner of her eye. Round thin-rimmed glasses sit on her nose, and both lenses flare with an opaque white highlight that wipes her eyes out completely, so only the wet shine below the rims and the pressed line of her mouth read the humiliation. Her brows draw up and together. Scattered around her folded legs across the floor lie halloween candies: striped round lollipops, twisted wrapped caramels, a few candy corn kernels, one lollipop lying against her shin. A small black cat plushie with stitched whiskers and round bead eyes sits between her hip and the near desk leg, half tucked under her thigh. Beyond the desk legs the office is bare: a flat off-white wall, a single straight skirting line, nothing else. The light is even and directionless, no shadow pooled under the desk, no gradient on the wall, every surface a single unbroken fill; the only variation is the flat white of the lens highlights and the black of the outlines. Palette held to black, off-white, pale wood, pumpkin orange and the green of her hair. Quietly mortifying, graphic and clean.
Oct 27, 2026 3:57 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, round glasses, (lens reflecting light, hiding eyes:1.4), (humiliated expression, heavy blush, teary eyes, looking up at viewer:1.5), (pumpkin choker collar:1.5), (tight black turtleneck sweater:1.5), long sleeves, (torn black pencil skirt:1.4), (black pantyhose, torn pantyhose on knees:1.5), (sitting on floor under desk, wariza:1.5), (hugging own knees:1.4), arms around legs, (perfect hands, delicate fingers:1.3), (scattered halloween candy on floor:1.3), (round lollipops, wrapped caramel candies, candy corn), (black cat plushie:1.2), (large wooden desk legs:1.3), (minimalist office background:1.4), from above, looking up, close-up, tight framing, desk underside framing the figure The camera looks steeply down from above, the underside of a large minimalist office desk filling the top of the frame: two thick pale-wood desk legs drop vertically at left and right, a cross-brace shadowless behind them, the desk's underside a flat slab closing the ceiling of the shot. In the narrow space beneath it a single mature woman sits in wariza on the pale grey floor, both shins folded flat under her thighs, knees splayed wide apart and lifted, her weight settled back on her hips. Her arms wrap forward around both knees, hands overlapping at the shins, delicate long fingers curled cleanly over the black knit of her sleeves, every knuckle and nail crisp and unblemished. Her tight black turtleneck sweater hugs her torso and long sleeves to the wrists, the collar rising under a wide pumpkin-orange choker with a ribbed band and a small carved jack-o'-lantern face at the front of her throat. Her torn black pencil skirt is split along the hem and ripped open at one hip. Black pantyhose sheathes her legs to the toes, both knees burst open in ragged horizontal ladders of runs, pale skin showing through the holes. Her long light green hair spills over her shoulders and pools on the floor in flat sheets behind her hips, strands catching between the desk legs. She tilts her face up toward the viewer, chin lifted, heavy blush burning across both cheeks in hard-edged oval patches, tears brimming and one bead breaking loose at the outer corner of her eye. Round thin-rimmed glasses sit on her nose, and both lenses flare with an opaque white highlight that wipes her eyes out completely, so only the wet shine below the rims and the pressed line of her mouth read the humiliation. Her brows draw up and together. Scattered around her folded legs across the floor lie halloween candies: striped round lollipops, twisted wrapped caramels, a few candy corn kernels, one lollipop lying against her shin. A small black cat plushie with stitched whiskers and round bead eyes sits between her hip and the near desk leg, half tucked under her thigh. Beyond the desk legs the office is bare: a flat off-white wall, a single straight skirting line, nothing else. The light is even and directionless, no shadow pooled under the desk, no gradient on the wall, every surface a single unbroken fill; the only variation is the flat white of the lens highlights and the black of the outlines. Palette held to black, off-white, pale wood, pumpkin orange and the green of her hair. Quietly mortifying, graphic and clean.
Oct 27, 2026 3:57 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
AI artwork
k1
character: c.c., copyright: code_geass (masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo:1.5), mature female, long light green hair, very long hair, golden eyes, round glasses, (lens reflecting light, hiding eyes:1.4), (humiliated expression, heavy blush, teary eyes, looking up at viewer:1.5), (pumpkin choker collar:1.5), (tight black turtleneck sweater:1.5), long sleeves, (torn black pencil skirt:1.4), (black pantyhose, torn pantyhose on knees:1.5), (sitting on floor under desk, wariza:1.5), (hugging own knees:1.4), arms around legs, (perfect hands, delicate fingers:1.3), (scattered halloween candy on floor:1.3), (round lollipops, wrapped caramel candies, candy corn), (black cat plushie:1.2), (large wooden desk legs:1.3), (minimalist office background:1.4), from above, looking up, close-up, tight framing, desk underside framing the figure The camera looks steeply down from above, the underside of a large minimalist office desk filling the top of the frame: two thick pale-wood desk legs drop vertically at left and right, a cross-brace shadowless behind them, the desk's underside a flat slab closing the ceiling of the shot. In the narrow space beneath it a single mature woman sits in wariza on the pale grey floor, both shins folded flat under her thighs, knees splayed wide apart and lifted, her weight settled back on her hips. Her arms wrap forward around both knees, hands overlapping at the shins, delicate long fingers curled cleanly over the black knit of her sleeves, every knuckle and nail crisp and unblemished. Her tight black turtleneck sweater hugs her torso and long sleeves to the wrists, the collar rising under a wide pumpkin-orange choker with a ribbed band and a small carved jack-o'-lantern face at the front of her throat. Her torn black pencil skirt is split along the hem and ripped open at one hip. Black pantyhose sheathes her legs to the toes, both knees burst open in ragged horizontal ladders of runs, pale skin showing through the holes. Her long light green hair spills over her shoulders and pools on the floor in flat sheets behind her hips, strands catching between the desk legs. She tilts her face up toward the viewer, chin lifted, heavy blush burning across both cheeks in hard-edged oval patches, tears brimming and one bead breaking loose at the outer corner of her eye. Round thin-rimmed glasses sit on her nose, and both lenses flare with an opaque white highlight that wipes her eyes out completely, so only the wet shine below the rims and the pressed line of her mouth read the humiliation. Her brows draw up and together. Scattered around her folded legs across the floor lie halloween candies: striped round lollipops, twisted wrapped caramels, a few candy corn kernels, one lollipop lying against her shin. A small black cat plushie with stitched whiskers and round bead eyes sits between her hip and the near desk leg, half tucked under her thigh. Beyond the desk legs the office is bare: a flat off-white wall, a single straight skirting line, nothing else. The light is even and directionless, no shadow pooled under the desk, no gradient on the wall, every surface a single unbroken fill; the only variation is the flat white of the lens highlights and the black of the outlines. Palette held to black, off-white, pale wood, pumpkin orange and the green of her hair. Quietly mortifying, graphic and clean.
Oct 27, 2026 3:57 AM
#Code Geass: Lelouch of the Rebellion#C.C.#Witch Compendium
Precedenteprossimo
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