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AI artwork featuring #Tatuaggio, #neo sotto l'occhio and #Pila di libri
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Tatuaggio, neo sotto l'occhio

#Tatuaggio#neo sotto l'occhio#Pila di libri
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Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e puรฒ vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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digital art, (masterpiece:1.2), (best quality:1.2), upper body, medium shot, handsome intellectual tomboy scholar woman, short ash-blonde layered hair with soft curtain bangs, warm hazel eyes behind silver wire-rimmed round glasses, thoughtful gentle gaze, detailed face, beautiful detailed eyes, highly detailed eyelashes, wearing a dark brown vintage tweed vest over a light beige roll-up sleeve shirt, wearing a leather watch, leaning against a high ladder in a classic antique library, holding a thick leather-bound book, sunlight streaming through stained glass, dust motes, AddXL, Manga style, strong lines, high detail, high resolution
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1girl, solo, librarian, long silver hair, straight hair, hair falling behind shoulders, round wire-frame glasses, glasses reflection, calm intelligent expression, half-closed eyes, elegant dark academic coat, charcoal grey wool coat, notched lapels, soft cream silk blouse, high-waisted black pencil skirt, standing, one hand on an open book, head tilted down, looking at object, towering ancient bookshelves, warm library lighting, from below, close-up, depth of field, cinematic composition, highly detailed. The camera sits low among the shelf bases and looks up: a close-up from below, the girl filling the left two-thirds of the frame from waist to above her crown while the bookshelves climb out of the top of the picture and converge toward a dark vanishing point. She stands between two towering ancient shelves, her weight settled on her right leg with the left knee soft and turned slightly inward, hips canted a few degrees off square, one shoulder dropped lower than the other; her right hand rests flat on the open page of a thick worn volume lying on a shelf ledge at her hip, the spine creaking under her palm, while her left hand hangs loose and half-curled at the coat's side seam, thumb hooked lightly on the wool. Long silver hair falls straight past her shoulder blades, one lock slipping forward over the coat's notched lapel where she has tilted her head; the coat is heavy charcoal wool with a matte nap, its sleeves pushed to the wrist, and beneath it the soft cream silk blouse catches a lighter, silkier sheen at the collar and cuffs, tucked into the black pencil skirt. Her head tips down toward the book, chin lowered, eyelids half shut in thought, mouth closed and level, one brow settled a fraction lower than the other -- calm, absorbed, unhurried, not looking at the lens. The round wire frames sit low on the bridge of her nose, and the reflection is the detail the picture spends itself on: the warm amber lamp behind and above her right shoulder lays two small bright windows across each lens, and along the thin silver rim the light runs as a single continuous thread; her eyes are just visible behind the glass, slightly dimmed and slightly displaced by it, more so at the lens edge than at the centre. The lamp is the only source: a low-hanging brass reading lamp off-frame above and to her right, so her right cheekbone, the right side of the jaw and the cream collar are warm, and the left side of her face and the coat's left shoulder fall into soft brown shadow; the shelves immediately behind her recede into darkness so that beyond the lamp's pool the aisle goes nearly black. Dust hangs in the beam as a faint visible haze, thicker where the light crosses the gap between shelves. Warm palette only: amber, honey, dust brown, cream and cool silver-white hair as the single cool note, black skirt as the anchor. The books on both sides run floor to ceiling, their bindings cracked and their gilt titles worn to flecks, some spines sagging, one shelf sagging under weight so the volumes lean together; the nearest shelf edge in the lower right foreground is out of focus and slightly darker, giving the tall crop its depth. Shallow depth of field keeps her lashes, frames and the lit page tack sharp and the high shelves dissolving into grain-soft dark. Quiet, scholarly, aglow.
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