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AI artwork featuring #Link
Genera gratis

Link

#Link
t2

tanialoon_24192#0

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Commenti

4boys, young link, squall leonhart, cloud strife, zell dincht, male focus, full body, adapted costume, latex clothes, All characters are tied up, multicolored clothes, struggling, blushing, each character get there respective Hair style, each character get there respective costume but clothe material is Latex. Hands are close and wrapped by tape.wraparound tape gag, improvised gag, hair pulled by tape, hair wrapped by tape, tape gag, arms behind back, tied up, taped hands, , tape bondage, arms behind back,,mummified, mummification, wrapped in tape,tape gag
Mostra parametri
Dimensione
1280 x 768
Passaggi di campionamento
25
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,

Modello e LoRA utilizzati

Hoshino - AI Model cover image

PixAI XL

Hoshino
15.79k
Tape Mummification (Pony) - AI Model cover image

LoRA utente

Tape Mummification (Pony)
175
Wrapgag [1.5/Pony/Illustrious/NoobVpred] - AI Model cover image

LoRA utente

Wrapgag [1.5/Pony/Illustrious/NoobVpred]
15

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Avatar image of Lee Hunter
character: link, princess_zelda, zelda_(princess_principal) 2girls, 1boy, link, princess zelda, blonde hair, pointy ears, blue eyes, long oversized puffer coat, big hood up, hood over head, puffy sleeves, quilted fabric, hogtied, bound wrists, bound ankles, wrists bound to ankles behind back, rope, gagged, cleave gag, cloth gag, very tight gag, looking at another, eye contact, very tiny space, cramped, confined, dark, darkness, low light, from above, high angle, dutch angle, close-up, side-lying, prone, facing each other, knees drawn up, cheek pressed to floor, tense shoulders, wide-eyed, furrowed brow, blush, sweatdrop, parted lips, fabric folds, zipper, depth of field, shadow, chiaroscuro. Shot from above at a steep, tilted high angle, the camera pushed in close so the frame is almost entirely filled by the two of them jammed into a shallow, cramped cavity barely wider than their shoulders -- a dark crawlspace of bare close-set walls and a low lip of floor that presses against them from every side, no sky, no window, nothing but the tight box of the space. Link lies on his right side, his long oversize puffer coat ballooning around him in quilted ridges that bunch against the wall and the floor, the big hood pulled up and gathered over his blonde hair so only his sidelocks and the point of one ear escape at the hood's edge; the coat's bulk is absurd against the narrow gap, the fabric creasing hard where it is crushed between his shoulder and the wall. Zelda lies facing him on her left side, her own long oversize puffer coat crushed into the same space, her big hood up and snug over her blonde hair with the braid pushed forward down her cheek, her pointy ears just visible beneath the hood's rim. Their bound forms are drawn into a tight knot: wrists lashed together behind each back and pulled down to the ankles, ankles crossed and tied, the hogtie arching each of them into a shallow bow so their knees are drawn up and their puffer coats ride and bunch at the hips and shoulders; the ropes bite into the quilted fabric and pull dimples into it, and where the cords cross the puffy sleeves the down compresses in deep channels around the binding. Both are gagged very tight: a broad cloth band pulled hard between the lips and knotted at the back of the head, cinching the cheeks and pressing the hood's edge down against the brow. Their faces are close, nearly forehead to forehead, and they are looking directly into each other's eyes -- Link's blue eyes wide and steady under a furrowed brow, Zelda's green-blue eyes locked on his, her lashes low, both of them breathing hard through the gag with parted lips and a faint flush across the cheeks; the shared gaze is the only thing that holds the composition together, their chins tilted toward one another so the eye line runs almost level between them. A single dim source from above and just outside the opening rakes down into the cavity, a cool pool of low light catching the quilted tops of the hoods, the bridge of each nose, the taut cloth of the gags, and the pale rope where it crosses the shoulders; everywhere the light does not reach -- the underside of the coats, the wall behind their backs, the far end of the crawlspace -- falls into dense near-black shadow, and the floor beneath them is swallowed by darkness. Palette is restricted to the muted dark tones of the cavity, the washed pastel and khaki quilted nylon of the two coats, the pale blonde of the escaped hair, the dull off-white of the gags and ropes, and the small warm glint of two pairs of eyes. A single dust motes drift in the shaft of light where the coat's crushed shoulder has displaced air in the narrow space. Clean linework, colors are gentle, skin tones smooth and glossy, with expressive eyes. Tense, intimate, claustrophobic.
Lee Hunter

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