OC - Shoji Imai
Mostra parametri
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 20
- Metodo di campionamento
- Euler a
- Scala CFG
- 6
- Seme
- 5980561168445268
- Negativo
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry
Modello e LoRA utilizzati
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กป
character: furina_(genshin_impact). A medium shot from a front view shows Furina standing alone in a sparse, industrial setting. She has long, multicolored white and blue hair with distinct streaks and a small ahoge, with her heterochromatic blue eyes looking toward the viewer with a nervous expression. She is dressed in a teal-green Squid Game tracksuit, featuring a white collar and white stripes down the sleeves. On the left side of her chest, the number "119" is printed in a bold, white sans-serif font. Her hands are clenched together in front of her waist in a gesture of anxiety. The background consists of a minimalist, high-ceilinged room with grey concrete walls and a polished floor, reflecting the sterile atmosphere of the game. The lighting is bright and flat, utilizing a clean anime illustration style with sharp line art and a muted color palette to enhance the tension of the scene.
กฤติธี ปัญญา
กป
character: furina_(genshin_impact). A medium shot from a front view shows Furina standing alone in a sparse, industrial setting. She has long, multicolored white and blue hair with distinct streaks and a small ahoge, with her heterochromatic blue eyes looking toward the viewer with a nervous expression. She is dressed in a teal-green Squid Game tracksuit, featuring a white collar and white stripes down the sleeves. On the left side of her chest, the number "119" is printed in a bold, white sans-serif font. Her hands are clenched together in front of her waist in a gesture of anxiety. The background consists of a minimalist, high-ceilinged room with grey concrete walls and a polished floor, reflecting the sterile atmosphere of the game. The lighting is bright and flat, utilizing a clean anime illustration style with sharp line art and a muted color palette to enhance the tension of the scene.
กฤติธี ปัญญา
กป
character: furina_(genshin_impact). A medium shot from a front view shows Furina standing alone in a sparse, industrial setting. She has long, multicolored white and blue hair with distinct streaks and a small ahoge, with her heterochromatic blue eyes looking toward the viewer with a nervous expression. She is dressed in a teal-green Squid Game tracksuit, featuring a white collar and white stripes down the sleeves. On the left side of her chest, the number "119" is printed in a bold, white sans-serif font. Her hands are clenched together in front of her waist in a gesture of anxiety. The background consists of a minimalist, high-ceilinged room with grey concrete walls and a polished floor, reflecting the sterile atmosphere of the game. The lighting is bright and flat, utilizing a clean anime illustration style with sharp line art and a muted color palette to enhance the tension of the scene.
กฤติธี ปัญญา
d7
character: qing_xiao_(wuthering_waves). A medium shot, 3/4 view of Qing Xiao from Wuthering Waves, standing in a stark, minimalist environment. She is wearing a green and white Squid Game player tracksuit, with the number "866" clearly printed in white on the left side of her chest. The fabric of the tracksuit is slightly tight, emphasizing her large breasts. She stands with a neutral expression, her arms resting naturally at her sides. The background is a vast, empty white room with clean lines, evoking the sterile atmosphere of the game's arena. The lighting is bright and overhead, casting soft shadows on the floor, with a clean and high-contrast color palette dominated by the vibrant green of the uniform against the sterile white surroundings.
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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