AI art "澪(月が導く異世界道中)" featuring #Convenient Leg, #Bob cut, #Bug, #Butterfly, #Bare legs, #Greek foot and #Colored inner hair
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澪(月が導く異世界道中)

#Convenient Leg#Bob cut#Bug#Butterfly#Bare legs#Greek foot#Colored inner hair
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Commenti

medieval dress with spider web and flower hair, 1girl, japanese clothes, short hair, kimono, green eyes, gloves, bangs, bob cut, red bow, bow, blunt bangs, black gloves, breasts,barefoot soles,foot focus
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Modello e LoRA utilizzati

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This is a low-angle, close-up shot focusing on the soles of a mature woman's bare feet, positioned centrally in the frame. The woman has long black hair and a cold, expressionless face, seen partially in the background as she is kneeling in a traditional seiza pose on a straw tatami mat. She is dressed in a formal, elegant kimono with intricate fabric patterns. The camera's perspective emphasizes the detailed textures of her soles, with a high level of precision in the rendering of the skin's natural lines, creases, and soft textures. The setting is a traditional Japanese room with the subtle weave of the tatami flooring visible. The lighting is soft and diffused, casting gentle shadows that enhance the three-dimensional form of her feet, creating a serene yet distant atmosphere.
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This is a low-angle, close-up shot focusing on the soles of a mature woman's bare feet, positioned centrally in the frame. The woman has long black hair and a cold, expressionless face, seen partially in the background as she is kneeling in a traditional seiza pose on a straw tatami mat. She is dressed in a formal, elegant kimono with intricate fabric patterns. The camera's perspective emphasizes the detailed textures of her soles, with a high level of precision in the rendering of the skin's natural lines, creases, and soft textures. The setting is a traditional Japanese room with the subtle weave of the tatami flooring visible. The lighting is soft and diffused, casting gentle shadows that enhance the three-dimensional form of her feet, creating a serene yet distant atmosphere.
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An ultra-detailed 2.5D semi-realistic masterpiece illustration. Rio Tsukatsuki from Blue Archive, an elegant young woman with very long straight black hime-cut hair, blunt bangs and long sidelocks, sharp red eyes, and her signature floating geometric halo above her head. She wears a pale indigo yukata with a neat obi, the hem spread modestly around her knees, barefoot. Evening in the school's tea ceremony room, warm light from a paper lantern. She kneels in seiza on the tatami, sitting back on her heels with her hands folded neatly in her lap, her toes folded under so the soles of her bare feet face backward toward the viewer, one foot resting slightly ahead of the other. A tea bowl and whisk rest on a wooden tray beside her, and her white tabi socks lie folded neatly on the tatami next to her knees. Her soles carry a soft rosy flush blooming on her heels and the balls of her feet, fading to a paler tone across the hollow of each arch, fine natural creases gathering at the base of her folded toes, matte skin with a faint natural sheen catching the light along the arch. Each foot perfectly formed with five slender toes folded under, ten toes in all. Shot from tatami level directly behind her, her upturned soles filling the near foreground, looking up past her feet. The lantern light rakes across her soles from one side, the hollow of each arch falling into gentle shade. She glances back over her shoulder, looking down toward the viewer, her halo floating motionless above her hair, her expression composed with a small polite smile. Crucially, her feet stay completely bare with no tabi socks and no footwear on them, her toes stay folded under with both soles fully facing the viewer, and her two soles stay offset at slightly different depths.
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