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Raphael Lim

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Commenti

day time, full body, 1boy, cute little boy, male child, boy kid, male focus, looking at viewer, embarrassed, non muscular, legs apart, solo, masterpiece, child, teen, kodomo, little boy, preteen, small body, small boy, 12 years old, public swimming pool, standing, short hair, black hair, brown eyes, barefoot, alolan style, black speedo, swimming goggles
Mostra parametri
Immissione richiesta originale
Day time setting, full body views, Cute_little_boy, male_child, boy_kid, male_focus, looking at the viewer, embarrassed, non muscular body, legs spread apart, cute boy, solo, masterpiece, male focus, child, teen, Kodomo, little boy, preteen, kodomo, small body, small boy, 12 year's old, public swimming pool background, 1 boy, 1boy, shota, standing up, short hairstyles, black hair, brown eyes, barefoot, Alolan STYLE, black speedo-breif, wearing a swimming goggles,
Dimensione
768 x 1280
Passaggi di campionamento
20
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
worst quality, bad quality, bad hands, very displeasing, extra digit, fewer digits, jpeg artifacts, signature, username, reference, mutated, lineup, manga, comic, disembodied, cropped, amputee, bad foreshortening, what, guro, logo, bad anatomy, bad perspective, bad proportions, artistic error, anatomical nonsense, amateur, out of frame, multiple views, text ( copyright name:1),

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顧
character: sawamura_eijun 1boy, solo, full body, front view, eye level, tall, muscular male, very tall, broad shoulders, defined deltoids, defined biceps, defined pectorals, six-pack abs, taut abdominal muscles, bronzed skin, tan lines, glossy oiled skin, bare torso, shirtless, messy brown hair, short hair, black-blue eyes, blue-black irises, sanpaku eyes, walking, walking toward viewer, mid-stride, relaxed gait, arms at sides, arms hanging down, hands relaxed, open hands, swim briefs, snug swim briefs, barefoot, poolside, standing on wet concrete, outdoor swimming pool, hotel in background, resort hotel, sunny, clear sky, blue sky, bright daylight, depth of field, looking at viewer, calm confident expression, cool demeanor, realistic anime rendering, Full-body frontal shot at eye level: a single tall, powerfully built young man walks straight toward the lens along the wet concrete apron of an outdoor pool, one foot planted flat and the other caught mid-roll onto the ball of the foot, weight carried on the back leg, torso square to the camera. His arms hang loose at his sides, hands slack and open at the level of his upper thighs, shoulders relaxed so the deltoids read as clean cut masses against the trapezius. Every striation is a studio-bright, high-contrast form: deltoid separations, the biceps belly, a hard six-pack under a sheen of oil that throws a broken white highlight along the collarbone, the top of each pectoral and the ridge of the shoulder — the oil slick so bright the skin underneath reads darker bronze. His messy brown hair is broken into dry spikes and clumps that lift slightly with the walk; his black-blue eyes are heavy-lidded and low, the whites showing under the iris in the sanpaku way, chin level, gaze fixed dead-on into the lens with a cool, faintly amused half-smile at one corner of the mouth. Swim briefs sit low and tight at the waistband, the elastic biting a soft crease into the hip skin. His bare feet are dark against the pale concrete, toes spread on contact, and small wet footprints trail behind him with the pool water beading in the seams of the slab. Behind him the turquoise pool surface shimmers with sun-refracted ropes of light along its shallow edge; a long low resort hotel of white balcony rails, tinted glass and a row of parasols dissolves into soft focus across the background, its edges feathered by a shallow depth of field so only the man is razor sharp. A high, single hard sun from the upper left carves a crisp short shadow of him onto the concrete to his right, and the wet ground throws back a dimmer, softer, slightly blurred reflection of his legs and briefs, darkest directly beneath him. Palette is bronze skin, turquoise water, sun-bleached white architecture and hard blue sky, nothing else admitted. Bright, effortlessly cool.
顧惟淵
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Avatar image of 十兵衛
1girl, a high school boy with a petite, slender build and a cool, beautiful girl-like face with slightly upturned eyes, standing at a summer pool looking directly at the viewer. He has short black hair and is shirtless, wearing only swim trunks. His expression is shy and blushing, with his mouth slightly open to reveal his front teeth in a gentle smile. The scene is set at an outdoor pool on a bright summer day, with sparkling blue water, sunlight reflecting off the surface, and a clear sky with soft clouds. The atmosphere is cheerful and warm, capturing the candid charm of a youthful summer moment. The style is detailed anime illustration with soft lighting, expressive eyes, and vibrant colors, focusing on the delicate contrast between his boyish features and feminine beauty.
十兵衛

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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