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Ryomou Shimei
Mostra parametri
- Dimensione
- 768 x 1280
- Passaggi di campionamento
- 14
- Metodo di campionamento
- Euler a
- Scala CFG
- 5
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Modello e LoRA utilizzati
PixAI XL
Haruka v2
25.30k
LoRA utente
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24
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12
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Ryomou Shimei (呂蒙子明)/Lu Meng Ziming - Ikkitousen/Senran Kagura: Peach Beach Splash (閃乱カグラ PEACH BEACH SPLASH) DLC | SDXL
8
Immagini simili
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【Artist Style 148】作例3
たいたい
呂蒙子明
hmzero
character: ryomou_shimei
1girl, solo, ryomou shimei, short blue hair, emerald green eyes, mole under mouth, blue and white maid outfit, white frills, red bow, maid headpiece, blue gloves, hands clasped together in front, hands together, standing, elegant posture, confident, looking down, looking at viewer, from below, slightly low-angle, mid-thigh to head framing, cowboy shot, subtle mischievous smile, closed mouth smile, calm self-assured expression, half-closed eyes, dominant presence, soft cinematic lighting, rich colors, delicate shading, clean lineart, polished anime illustration, no eyepatch, both eyes visible, bare of eye covering, symmetrical eye area unobstructed, one person, indoor maid's parlor
A slightly low-angle vertical shot framed from mid-thigh up: a short blue-haired young woman stands centered but not squared to the lens, her weight settled on her right leg with the left knee softly bent and the left hip dropped, so her silhouette carries a slow curve from shoulder to hem rather than a flat front face. Her short blue hair is rendered with silky two-tone volume, the fringe falling in a sharp, glossy sweep across the brow and the ends curving inward at her jaw; a small dark mole sits just under the right corner of her lower lip. Both eyes are uncovered and fully visible — no eyepatch, no strap, the eye area completely clear — and the emerald-green irises catch a single high highlight as her chin dips downward: she looks down the line of her nose at the viewer from below, lids dropped to a calm half-mast, one brow level, the other lifted a fraction. Her mouth is closed in a small, lopsided mischievous smile, one corner pulled higher than the other, with no teeth showing.
Her arms hang forward, elbows soft and close to her ribs, and both gloved hands meet low in front of her waist, fingers of one hand gently overlapped and resting over the back of the other, resting weight rather than grip; the blue gloves are snug from wrist to each knuckle. The blue and white maid dress reads clearly: a white frilled bib and apron panels layered over a deep blue bodice and skirt, the white frills scalloped along the bust line, the apron edge and the short sleeve cuffs, with a red bow knotted just under her collar and one more small red bow at the apron waist; a white maid headpiece sits on the crown of her head, its frilled band arcing between the hair's parting and the gorgeously rendered strands. Her shoulders are back, her neck long, her posture composed and unhurried — the ease of someone who does not need to raise her voice.
The environment is a soft, uncluttered interior corner: a faint wainscot line and a shadowed wall behind her, out of focus, with enough depth separation that she detaches cleanly from it. Key light comes from above and slightly camera-left — a broad, soft cinematic source that lays a gentle highlight along her fringe, the tops of her shoulders, the frills of the bib and the curve of the red bow, and drops a soft falloff under her chin, under her jaw and beneath her clasped hands, with a faint secondary bounce from the pale floor lifting the underside of the skirt's shadow. Where the light grazes the white frills they are the brightest thing in frame, and the deep blue fabric holds its color in the shadows rather than going gray.
Palette is disciplined: deep cobalt blue in the dress and hair, crisp warm white in the frills, apron and headpiece, a single saturated crimson in the two bows, emerald green only in the one visible eye, and a neutral warm-grey environment holding it all together. Care in the render is concentrated in the face, the eye's modeling, the lash line and mouth corner, the fine scalloping of every frill, the gloves' seams and the soft sheen where her clasped fingers press together. Naturally dominant, quietly playful.
02 NSFW/NFSW - https://t.me/BOBAHY
character: ryomou_shimei
1girl, solo, ryomou shimei, short blue hair, emerald green eyes, mole under mouth, blue and white maid outfit, white frills, red bow, maid headpiece, blue gloves, hands clasped together in front, hands together, standing, elegant posture, confident, looking down, looking at viewer, from below, slightly low-angle, mid-thigh to head framing, cowboy shot, subtle mischievous smile, closed mouth smile, calm self-assured expression, half-closed eyes, dominant presence, soft cinematic lighting, rich colors, delicate shading, clean lineart, polished anime illustration, no eyepatch, both eyes visible, bare of eye covering, symmetrical eye area unobstructed, one person, indoor maid's parlor
A slightly low-angle vertical shot framed from mid-thigh up: a short blue-haired young woman stands centered but not squared to the lens, her weight settled on her right leg with the left knee softly bent and the left hip dropped, so her silhouette carries a slow curve from shoulder to hem rather than a flat front face. Her short blue hair is rendered with silky two-tone volume, the fringe falling in a sharp, glossy sweep across the brow and the ends curving inward at her jaw; a small dark mole sits just under the right corner of her lower lip. Both eyes are uncovered and fully visible — no eyepatch, no strap, the eye area completely clear — and the emerald-green irises catch a single high highlight as her chin dips downward: she looks down the line of her nose at the viewer from below, lids dropped to a calm half-mast, one brow level, the other lifted a fraction. Her mouth is closed in a small, lopsided mischievous smile, one corner pulled higher than the other, with no teeth showing.
Her arms hang forward, elbows soft and close to her ribs, and both gloved hands meet low in front of her waist, fingers of one hand gently overlapped and resting over the back of the other, resting weight rather than grip; the blue gloves are snug from wrist to each knuckle. The blue and white maid dress reads clearly: a white frilled bib and apron panels layered over a deep blue bodice and skirt, the white frills scalloped along the bust line, the apron edge and the short sleeve cuffs, with a red bow knotted just under her collar and one more small red bow at the apron waist; a white maid headpiece sits on the crown of her head, its frilled band arcing between the hair's parting and the gorgeously rendered strands. Her shoulders are back, her neck long, her posture composed and unhurried — the ease of someone who does not need to raise her voice.
The environment is a soft, uncluttered interior corner: a faint wainscot line and a shadowed wall behind her, out of focus, with enough depth separation that she detaches cleanly from it. Key light comes from above and slightly camera-left — a broad, soft cinematic source that lays a gentle highlight along her fringe, the tops of her shoulders, the frills of the bib and the curve of the red bow, and drops a soft falloff under her chin, under her jaw and beneath her clasped hands, with a faint secondary bounce from the pale floor lifting the underside of the skirt's shadow. Where the light grazes the white frills they are the brightest thing in frame, and the deep blue fabric holds its color in the shadows rather than going gray.
Palette is disciplined: deep cobalt blue in the dress and hair, crisp warm white in the frills, apron and headpiece, a single saturated crimson in the two bows, emerald green only in the one visible eye, and a neutral warm-grey environment holding it all together. Care in the render is concentrated in the face, the eye's modeling, the lash line and mouth corner, the fine scalloping of every frill, the gloves' seams and the soft sheen where her clasped fingers press together. Naturally dominant, quietly playful.
02 NSFW/NFSW - https://t.me/BOBAHY
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
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이름
이름
1
...
Tofu
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the ballerina
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