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AI art "ejen aliya" for keywords ejenaliya, 1girl:(dark eyes), fair skin, 1girl, rodeo machine, trembling machine, straddle a machine, rides the machine
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ejen aliya

Arte IA ยซejen aliyaยป di ailyaร— su PixAI. Creato con Haruka v2.

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Commenti

ejenaliya, 1girl:(dark eyes), fair skin, 1girl, rodeo machine, trembling machine, straddle a machine, rides the machine
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
11
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, (nsfw:1.2), (nude:1.6), (nipple:1.2), naked

Modello e LoRA utilizzati

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AI artwork
Avatar image of ๅŠ็”ฐใ”ใฆ
1girl, solo, adult East Asian woman, black hair, hair tied up high, high ponytail, sitting upright, sitting on hip adduction machine, gym setting, crop top, charcoal grey ribbed crop top, seamless leggings, sage green leggings, thin lightweight super-stretchy fabric, sneakers, white athletic sneakers, legs spread wide, legs resting on machine pedals, both hands gripping handles, gripping handles on both sides, straight back, upright torso, toned abs, visible abdominal muscle lines, visible thigh muscle lines, toned thighs, natural light skin glow, sheen on skin, from side, three-quarter view, full body, vertical framing, 9:16, machine frame in foreground, weight stack, rubber gym floor, cool window light, quiet focus The camera stands at a low three-quarter angle off her left side, roughly hip height, tilted up just enough that the machine's frame and the loaded weight stack sit large in the near foreground while she holds the vertical centre of a 9:16 frame. Seen from this side, she is seated square on the hip adduction machine's padded seat, pelvis settled back against the seat back, both feet planted flat on the two foot pedals that splay out wide to either side, knees pushed apart and open, inner thighs stretched long toward the pedals. Her torso is held straight and tall, spine vertical, shoulders level and rolled back, no lean. Each hand wraps a side handle at hip height, fingers curled fully around the grip and thumb locked over the top, knuckles pale with the squeeze, wrists straight, forearms taut. Her charcoal grey ribbed crop top ends just under the ribs, leaving the midriff bare; the fine ribbing pulls into thin horizontal lines across her chest and lifts slightly at the hem with each controlled breath. The sage green high-waisted seamless leggings sheath her hips, thighs and calves in one unbroken surface โ€” no side seam, no stitched panel โ€” the thin, lightweight, super-stretchy fabric drawn tight and glossy-warm over the quads, creasing in soft radiating folds where her hips fold into the seat and where the leggings press against the pedal edges. White athletic sneakers lace snugly over the pedal plates, soles seated flush. The flat abdominal lines and the long cut of the outer quads read clearly under the stretch, not bulging but drawn fine and even. Her ponytail is gathered high at the crown and falls behind her head, a few loose strands at the temples and nape lifted by the slow gym air; the tip sways slightly toward her shoulder blade. Her face is turned three-quarters toward the lens, chin level, eyes looking forward and a little past the camera with a steady, self-contained focus, lips closed and relaxed, one brow fractionally higher than the other. A faint film of exertion glosses her forehead, collarbones and the tops of her shoulders, catching the light as a narrow highlight rather than a spread shine. The gym is a medium, ordinary space: dark rubber flooring with a faint chalked scuff running back from the machine, a mirrored wall behind her at an angle that shows only the blurred back of her ponytail and the far ceiling, a rack of dumbbells and a second machine soft and out of focus in the deep background. Cool daylight enters from tall windows at frame left, a second softer fill from overhead strip lighting. The window light strikes the left edge of her face, her shoulder, the outer line of her left thigh and the front rim of the machine, while the right side of her body and the gap beneath the seat fall into a quiet grey shadow; the machine's rubber feet press shallow dark dents into the mat, visible where the light rakes across them. Muted palette of charcoal, sage, warm skin tone, white sneakers and cool grey equipment, nothing loud. Calm, disciplined, everyday-strong.
ๅŠ็”ฐใ”ใฆ
AI artwork
Avatar image of ๅŠ็”ฐใ”ใฆ
1girl, solo, adult East Asian woman, black hair, hair tied up high, high ponytail, sitting upright, sitting on hip adduction machine, gym setting, crop top, charcoal grey ribbed crop top, seamless leggings, sage green leggings, thin lightweight super-stretchy fabric, sneakers, white athletic sneakers, legs spread wide, legs resting on machine pedals, both hands gripping handles, gripping handles on both sides, straight back, upright torso, toned abs, visible abdominal muscle lines, visible thigh muscle lines, toned thighs, natural light skin glow, sheen on skin, from side, three-quarter view, full body, vertical framing, 9:16, machine frame in foreground, weight stack, rubber gym floor, cool window light, quiet focus The camera stands at a low three-quarter angle off her left side, roughly hip height, tilted up just enough that the machine's frame and the loaded weight stack sit large in the near foreground while she holds the vertical centre of a 9:16 frame. Seen from this side, she is seated square on the hip adduction machine's padded seat, pelvis settled back against the seat back, both feet planted flat on the two foot pedals that splay out wide to either side, knees pushed apart and open, inner thighs stretched long toward the pedals. Her torso is held straight and tall, spine vertical, shoulders level and rolled back, no lean. Each hand wraps a side handle at hip height, fingers curled fully around the grip and thumb locked over the top, knuckles pale with the squeeze, wrists straight, forearms taut. Her charcoal grey ribbed crop top ends just under the ribs, leaving the midriff bare; the fine ribbing pulls into thin horizontal lines across her chest and lifts slightly at the hem with each controlled breath. The sage green high-waisted seamless leggings sheath her hips, thighs and calves in one unbroken surface โ€” no side seam, no stitched panel โ€” the thin, lightweight, super-stretchy fabric drawn tight and glossy-warm over the quads, creasing in soft radiating folds where her hips fold into the seat and where the leggings press against the pedal edges. White athletic sneakers lace snugly over the pedal plates, soles seated flush. The flat abdominal lines and the long cut of the outer quads read clearly under the stretch, not bulging but drawn fine and even. Her ponytail is gathered high at the crown and falls behind her head, a few loose strands at the temples and nape lifted by the slow gym air; the tip sways slightly toward her shoulder blade. Her face is turned three-quarters toward the lens, chin level, eyes looking forward and a little past the camera with a steady, self-contained focus, lips closed and relaxed, one brow fractionally higher than the other. A faint film of exertion glosses her forehead, collarbones and the tops of her shoulders, catching the light as a narrow highlight rather than a spread shine. The gym is a medium, ordinary space: dark rubber flooring with a faint chalked scuff running back from the machine, a mirrored wall behind her at an angle that shows only the blurred back of her ponytail and the far ceiling, a rack of dumbbells and a second machine soft and out of focus in the deep background. Cool daylight enters from tall windows at frame left, a second softer fill from overhead strip lighting. The window light strikes the left edge of her face, her shoulder, the outer line of her left thigh and the front rim of the machine, while the right side of her body and the gap beneath the seat fall into a quiet grey shadow; the machine's rubber feet press shallow dark dents into the mat, visible where the light rakes across them. Muted palette of charcoal, sage, warm skin tone, white sneakers and cool grey equipment, nothing loud. Calm, disciplined, everyday-strong.
ๅŠ็”ฐใ”ใฆ
AI artwork
Avatar image of ๅŠ็”ฐใ”ใฆ
1girl, solo, adult East Asian woman, black hair, hair tied up high, high ponytail, sitting upright, sitting on hip adduction machine, gym setting, crop top, charcoal grey ribbed crop top, seamless leggings, sage green leggings, thin lightweight super-stretchy fabric, sneakers, white athletic sneakers, legs spread wide, legs resting on machine pedals, both hands gripping handles, gripping handles on both sides, straight back, upright torso, toned abs, visible abdominal muscle lines, visible thigh muscle lines, toned thighs, natural light skin glow, sheen on skin, from side, three-quarter view, full body, vertical framing, 9:16, machine frame in foreground, weight stack, rubber gym floor, cool window light, quiet focus The camera stands at a low three-quarter angle off her left side, roughly hip height, tilted up just enough that the machine's frame and the loaded weight stack sit large in the near foreground while she holds the vertical centre of a 9:16 frame. Seen from this side, she is seated square on the hip adduction machine's padded seat, pelvis settled back against the seat back, both feet planted flat on the two foot pedals that splay out wide to either side, knees pushed apart and open, inner thighs stretched long toward the pedals. Her torso is held straight and tall, spine vertical, shoulders level and rolled back, no lean. Each hand wraps a side handle at hip height, fingers curled fully around the grip and thumb locked over the top, knuckles pale with the squeeze, wrists straight, forearms taut. Her charcoal grey ribbed crop top ends just under the ribs, leaving the midriff bare; the fine ribbing pulls into thin horizontal lines across her chest and lifts slightly at the hem with each controlled breath. The sage green high-waisted seamless leggings sheath her hips, thighs and calves in one unbroken surface โ€” no side seam, no stitched panel โ€” the thin, lightweight, super-stretchy fabric drawn tight and glossy-warm over the quads, creasing in soft radiating folds where her hips fold into the seat and where the leggings press against the pedal edges. White athletic sneakers lace snugly over the pedal plates, soles seated flush. The flat abdominal lines and the long cut of the outer quads read clearly under the stretch, not bulging but drawn fine and even. Her ponytail is gathered high at the crown and falls behind her head, a few loose strands at the temples and nape lifted by the slow gym air; the tip sways slightly toward her shoulder blade. Her face is turned three-quarters toward the lens, chin level, eyes looking forward and a little past the camera with a steady, self-contained focus, lips closed and relaxed, one brow fractionally higher than the other. A faint film of exertion glosses her forehead, collarbones and the tops of her shoulders, catching the light as a narrow highlight rather than a spread shine. The gym is a medium, ordinary space: dark rubber flooring with a faint chalked scuff running back from the machine, a mirrored wall behind her at an angle that shows only the blurred back of her ponytail and the far ceiling, a rack of dumbbells and a second machine soft and out of focus in the deep background. Cool daylight enters from tall windows at frame left, a second softer fill from overhead strip lighting. The window light strikes the left edge of her face, her shoulder, the outer line of her left thigh and the front rim of the machine, while the right side of her body and the gap beneath the seat fall into a quiet grey shadow; the machine's rubber feet press shallow dark dents into the mat, visible where the light rakes across them. Muted palette of charcoal, sage, warm skin tone, white sneakers and cool grey equipment, nothing loud. Calm, disciplined, everyday-strong.
ๅŠ็”ฐใ”ใฆ
AI artwork
k
An eye-level medium shot of a cute 19-year-old Japanese tomboy sports girl standing confidently in a modern gym. She has short black hair with slightly messy bangs, tanned brown skin, and bright, refreshing eyes gazing toward the viewer with a cheerful, self-assured smile. Her athletic body is muscular yet feminine, with toned shoulders, visible abs, and large full breasts subtly emphasized by her outfit. She wears a tight athletic tracksuit (jersey) in a fresh color that hugs her toned figure, with zipper and fabric stitching details visible, sleeves pushed up slightly, and matching track pants; her natural confident pose has one hand resting on her hip and the other relaxed at her side. The background shows a clean modern gym interior with weight machines, dumbbell racks, and large wall mirrors reflecting soft gym lighting from overhead panels. The style is a high-detail anime illustration with great quality, best quality rendering, detailed skin and muscle texture, soft realistic shading, and a healthy, energetic, attractive atmosphere.
katplo

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Avatar image of ใƒชใ‚ช
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
ใƒชใ‚ช