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AI art "Fog World/Alchemilla (Silent Hill)" featuring #Ospedale and #Nebbia
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Fog World/Alchemilla (Silent Hill)

#Ospedale#Nebbia

Commenti

Scary platform, indoors, rusty covered tiles style flooring and tiles style walls, corner room, darkness immersed and fog atmosphere shadows enhanced, pitch black window, silent Hill style, nightmare realm masterpiece anime style, rusty flooring, perspective crack in wall, a old flat surfaced hospital style bed with a rusty style bed frame and a old flat pillow on top, moldy, random dried blood stains around, dirty atmosphere
Mostra parametri
Dimensione
576 x 1024
Passaggi di campionamento
38
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, regular shoes, silly nose, normal face, normal eyes, red metal object on her back, face attached to her back, normal platform, normal surfaced area, norm buildings, no people, no humans, no animals, bent frames, bent, wires, city Silhouette, people silhouette,, wood frame, wood structure, chains, rusty chains, roots, vines, threads, crooked tile lines, clean atmosphere, face's visible in windows, people visible in windows, silhouette

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no humans, empty room, old boarding school single bedroom, dark room, night, single iron-frame bed, narrow mattress, folded grey blanket, wooden desk, cane chair, tall sash window, drawn curtains, bare floorboards, high ceiling, peeling paint, from above, dutch angle, wide shot, deep shadow, moonlight, single light source, cold blue palette, dust motes, still The camera looks down from high in one corner of the room on a steep dutch angle, the floorboards and the bed's iron frame running off the frame's edges at a tilt so the little single bedroom feels taller than it is and slightly wrong. This is an old boarding school single bedroom after lights-out: one narrow iron-frame bed pushed against the left wall, its mattress stripped to a thin grey blanket folded square at the foot, one flat pillow; a scarred wooden desk under the tall sash window with a cane-seated chair pushed in at an angle, its seat worn through in the middle; a bare bulb on a short cord hanging unlit above the desk; bare wide floorboards with the varnish gone in a path between door and bed; walls painted a sickly two-tone with a dado rail, the upper coat blistering and peeling in flakes that curl away from the plaster. The curtains are only half drawn, and that gap is the whole image's light: cold blue moonlight enters through the dirty glass as a hard-edged slab, lays a bright parallelogram across the floorboards and the near edge of the bed, and dies before it reaches the far wall, so everything beyond it -- the door, the wardrobe recess, the corner behind the headboard -- sits in near-black. The moon is the only light source; outside its slab nothing is lit, and the darkness in the corners is absolute rather than grey. Dust hangs in the slab of moonlight as visible motes, brightest where the beam is thinnest, and the window's crossbars print their shadow distorted long across the floorboards, stretched by the low angle of the light. Palette is restricted to cold blue moonlight, the brown-black of old wood, and the chalky green-grey of the peeling wall, nothing warmer admitted. Detail budget goes to the slab of light and the objects it touches -- the flaking paint edges, the iron scrollwork of the bedstead, the grain of the floorboards -- while the unlit half of the room is simplified into silhouette. Quiet dread.
Ed Ryan

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リオ