Hey! That's a lie!
In this scene, detective Kanzaki is pissed off by looking at social media and seeing how some people think that the center members are criminals or whatsoever. This didn't reach her amusement, to the point she was angry at those dumb assumptions.
Su PixAI i prompt sono pubblici per impostazione predefinita, ma i creator possono nasconderli in qualsiasi opera pubblicano. Chi ha creato quest'opera ha scelto di farlo, quindi le parole usate per generare l'immagine restano private e può vederle solo lui. Nascondere il prompt non cambia nient'altro: l'opera resta pubblica e puoi metterle mi piace, commentarla e condividerla come sempre.
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Female teacher, straight hair, black hair, curvaceous body, almond shaped eye, black business suit, white blouse, black tight short skirt, coffee colored stockings, low angle, panicked and crying face, surrounded by bastard students
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artist: ssambatea
1girl, solo, close-up, three-quarter view, (expressive graphic lineart:0.5), (cinematic lighting:1.4), dark blue lighting, vibrant colors, dynamic shadows, black hair, wolf cut, wavy hair, hair between eyes, bangs, black eyes, glasses, medium breasts, white collared shirt, black necktie, typing, hands on keyboard, computer desk, office, night,
A close-up three-quarter view captures a young woman seated in an office cubicle late at night, focused intently on her work. Her layered, wavy black hair is styled into a textured wolf cut, with loose shaggy strands framing her face and distinct pieces of hair hanging between her eyes. Behind rectangular glasses perched firmly on the bridge of her nose, her dark black eyes track lines across an unseen computer monitor with sharp concentration. She wears a clean white collared shirt tailored over medium breasts, paired with a neat black necktie running straight down the placket. At the bottom of the frame, her fingertips are captured mid-motion typing against a backlit keyboard, pressing down individual keys. The scene is saturated with high-contrast, dark blue lighting from the darkened nocturnal office surrounding her, carved open by the vivid, punchy cyan and white illumination of the display screen casting dramatic (cinematic lighting:1.4) across her face and shirt. A faint secondary glare reflects across the glass of her spectacles onto her cheek, while bold cast shadows stretch deep into the blue room behind her. Rendered with (expressive graphic lineart:0.5) defining bold graphic silhouettes, crisp cel-shading, and high-contrast dark blue lighting with vibrant punchy hues. Quiet concentration.
Karina Elvira
s
Moenoco
slopped
s
Japanese female police, police uniform, police hat, curvaceous body, almond shaped eye, defeated by criminals, got panicked, highly embarrassed with torn clothes and exposured body, fall backwards pose, slightly injured, clothes highly torn, begging for life, short grey hair with purple tone, many accessories suitable for policewoman, matured 20s woman
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