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Sands of Time

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Marik Ishtar :marikuish, 1boy, male focus, solo, dark skin, dark-skinned male, closed eyes, blonde hair, parted bangs, jewerly, earrings, neck ring, armlet, black tshirt, crop top black tshirt, short black leather jacket, ((sleeves rolled up)) , navel, belt, leather pants, black pants, serious, solemn, praying, own hands together, kneeling, (cowboy shot), ancient egyptian architecture, hieroglyphics, temple, shrine, candles, shrine dedicated to a person, there's a golden frame with the photo of a man on the altar , (((altar))),
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Dimensione
1280 x 768
Passaggi di campionamento
5
Metodo di campionamento
DPM++ SDE Karras
Scala CFG
3
Negativo
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
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AI artwork
mp
A digital fantasy illustration featuring an older, 30-year-old version of the male character from image1, now in a commanding standing pose inside a grand stone temple. He has a highly defined, muscular physique with sun-darkened, tanned skin. His glowing blonde hair is much longer, flowing freely past his shoulders. His expression features a serene yet penetrating gaze, looking forward with striking reddish-orange-gold draconic eyes with slit pupils. Shimmering, highly metallic golden scales cover extensive portions of his neck, chest, torso, and arms, significantly more widespread than before. Both of his hands retain their human structural shape, but his left hand displays prominent draconic traits, heavily covered in thick golden scales, while his right hand remains mostly bare. He is dressed as an ancient Mesopotamian Lugal, wearing regal noble attire consisting of an ornate, layered gold and white draped lower garment, a thick waist sash, and a heavy, intricate golden collar piece, perfectly maintaining the color palette of the original reference. Dramatic, ethereal shafts of sunlight beam down from above, illuminating him against the massive carved stone pillars and ancient masonry of the dimly lit room. The style of the image remains faithful to image1.
Mateus Pertussatti