Sign up free, get 10,000 credits
Starter credits added when you sign up.
Sign up and create 8 images for free
Starter credits added when you sign up.
James
Mostra parametri
- Dimensione
- 648 x 480
- Passaggi di campionamento
- 28
- Metodo di campionamento
- Euler a
- Scala CFG
- 5
- Negativo
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Modello e LoRA utilizzati
Immagini simili
Mostra di più
A pair of massive Viking berserkers leaning against each other after battle, both laughing. The first has dark auburn hair in thick braids, heavy beard, broad nose, amber eyes, tusk-shaped bone ornaments braided into his beard and hair, thick boar-hide cloak, scarred arms covered in geometric tattoos, short brutal spear and broad seax at his belt, powerful barrel-chested build. The second is taller and broader, with shaggy sandy-blond hair, short beard, pale blue eyes, huge bear-fur mantle, enormous round shield strapped to his back and a heavy axe in one hand. One looks feral and mischievous, the other looks cheerfully vacant. Nordic mountain settlement, snow, smoke rising from longhouses, soft historically inspired Nordic setting, expressive character design, soft cinematic lighting, soft lines, realistic, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth, semi-realistic illustration, painterly digital rendering, loose textured brushwork, soft blended shading, ethereal glow, sketchy linework, dramatic colored lighting, subtle cross-hatching, selective saturated accents, semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin.
Meemow
1boy, solo, dwarven man, warrior, short stocky build, broad shoulders, adult man, long red beard, single long braid down the beard, braided beard, thick red mustache, horned helmet, iron helmet, two curved horns, scaled iron armour, scale mail, metal scales, shoulder pauldrons, gauntlets, standing, holding axe, two-handed grip on axe haft, large battle axe, axe head resting near his boots, smiling, open smile, teeth showing, crinkled eyes, looking at viewer, sunset, orange sky, low sun, backlight, rim light, full body, from below, wide shot, head tilt, leaning on axe
The camera sits low, near the ground, looking up at him: from below he fills the frame, boots planted wide apart in a sun-hardened dirt clearing, his weight sunk onto his right leg while the left foot is set forward and slightly turned out. Both gauntleted hands close around the long haft of the axe in front of his chest, the right hand high under the head, the left hand lower down the shaft, the butt of the haft driven into the dirt beside his right boot, so the axe stands as a thing he leans his weight against rather than swings. The great crescent axe head is turned edge-on to the low sun, and its polished bevel catches a hot copper sliver of that light.
He is turned three-quarters toward the camera with his chest opened to the viewer and his helmeted head tipped a little to his left, chin up. He is smiling -- an open, unforced grin that pulls his cheeks up and shows the top row of teeth, the skin at the outer corners of his eyes creasing into deep folds above the swollen cheekbones and the broken-veined nose. His eyes are bright and fixed straight on the viewer, half-squinted against the glare. The braid of his beard, thick as a rope and bound in three tight plaits, hangs down the centre of his chest over the scales, its red gone almost blood-dark where the armour shadows it and blazing where the sun finds its outer curve; the fine stray hairs escape sideways in the low wind and glow as a halo of copper threads. His mustache flows out over the braid's knot. The helmet is riveted iron, dented at the brow, and its two horns curve up and out, their tips rimmed with fire.
Behind him the sun sits just above a ridge of black rock, low and enormous, and the whole clearing is graded from furnace orange at the horizon to dusty umber underfoot. The light comes from behind and to his right, so it blows out the horns, the shoulders of the pauldrons and the edge of the axe into bright lines while his front falls into warm, shallow shadow, lit only by what the dust throws back up at him; his shadow stretches forward toward the camera, long and narrow, and the scales of his armour each hold one pinpoint of sun. The sky above the ridge runs orange into a violet that deepens toward the top of the frame. Palette held to furnace orange, iron grey-black, and the red of the beard. Warm, triumphant.
PhantomMoth
1boy, solo, viking, burly, braided ginger beard, long unruly hair, leather headband, fur mantle, dark brown fur, grey linen tunic, wide leather belt, brass buckle, leather boots, circular wooden shield, iron boss, bearded axe, ash wood handle, from below, low angle, dutch angle, wide shot, standing on one leg, foot on rock, leaning forward, outstretched arm, pointing at viewer, looking down at viewer, grin, open mouth, teeth, wind, overcast sky, storm clouds, rugged northern coastline, cold blue-grey palette, fur and hair blown sideways
Camera looks up from below the level of the man's knees, tilted a few degrees off vertical, so he looms over the lens against a low heavy sky. He stands on a wet black basalt outcrop at the edge of a northern shore, one boot planted flat on a flat rock shelf, the other lifted and braced on a boulder ahead of him, knee bent, weight carried on the back leg. His fur mantle is slung over both shoulders and pinned at the chest, and the coarse grey linen tunic twists diagonally across his torso with the lean; the wide leather belt cinches his waist, the brass buckle dulled by salt. His long ginger beard is split into two thick braids, each bound off with a leather thong, and the hairs of both braids stream sideways in the wind; the leather headband holds his long unruly ginger hair off his forehead while the loose ends blow across his cheek. His right arm is thrust forward and down toward the lens, forearm bare and corded, index finger extended at the viewer, the thumb cocked, the other three fingers curled into the palm. His left arm is hooked through the leather straps of a large circular shield propped against his hip, the shield's iron boss facing the camera, its wooden planks scuffed and rimed with salt; the bearded axe hangs head-down from the same hand, its worn ash handle resting along his forearm, the bearded blade edge chipped and grey. He looks straight down the barrel of the lens with his chin lowered, brows drawn, mouth open in a wind-ripped grin, teeth showing, one eye slightly narrowed against the salt spray. His hair and beard stream to his right; the fur of his mantle ruffles along the grain of the wind. Behind and below him the sea runs in cold grey-green swells, whitecaps breaking on black rocks, spray lifting at the far edge of the frame; above him a ceiling of low storm cloud, its brightest patch behind his head, so the sky rim-lights the fringe of his hair and the top edge of his shield while his face and chest sit in cool shadow. The palette is cold blue-grey, wet black basalt, dull brass, and the warm orange ginger of his hair and beard as the only saturated note. Fine salt crusts the leather of his belt and the wood of the axe handle; the wet rock under his boot is darkened where his weight presses the water from the stone. Cold, defiant.
Lifaan
1man, solo, adult male, dwarf, short stocky broad build, scaled iron armour, scale mail hauberk, shoulder pauldrons, bracers, greaves, horned helmet, horns curving up from the helmet, long red beard, braided beard, thick red braids, beard rings, smiling, open smile, teeth showing, standing, holding axe, both hands on axe haft, battle axe, axe head resting near the ground, from below, low angle, cowboy shot, sunset, orange sky, low sun behind him, backlighting, rim light, warm palette, outdoor, hilltop, volumetric light, lens flare, dust motes
The camera sits low and close, looking up from roughly the level of his knee: a dwarf warrior planted on a bare hilltop, foreshortened so his boots and the axe haft fill the lower frame and his horned helmet cuts into the burning sky. He is caught mid-laugh rather than posed — weight sunk on his left leg, right foot set forward and turned out, hips and chest twisting a half-turn so his left shoulder lies closer to the lens, which lifts the near pauldron into silhouette. Both hands grip the haft of a single-bit battle axe: the right hand high under the head, the left lower down with fingers wrapped and thumb locked over, the axe held diagonally across his body with the butt-spike near his right boot and the bearded steel head angled to his left so it never crosses his face. The haft is old ash, dark with hand-grease, one split grain running its length. Overlapping iron scales cover his torso in staggered rows, each scale riveted at the top edge and overlapping the one below, the surface dulled and pitted, a few scales chipped and one bent outward at the hip so the light catches its edge; a leather strap crosses his chest and a broad belt cinches the hauberk above a short mail skirt. His helmet is riveted iron with a battered brow-band and a nose guard; two ridged horns sweep up and outward from the temples, the left one scarred near its tip, and under the rim a heavy brow and a broad nose are visible in three-quarter profile as his chin comes up. His beard is the loudest thing in the frame: dense red hair falling from cheek and jaw, gathered into three thick braids that hang past the belt, wrapped at intervals with plain iron rings, the outer braids swaying slightly apart from the centre one from the momentum of his turn, loose red strands escaping along his jaw. He is smiling wide and openly, mouth open with the upper teeth showing, the corners of his eyes creased and his cheeks pushed up by the grin, a small scar cutting the left eyebrow; his eyes look up and out past the lens toward the ridge line, as though he has just heard his name called from that direction. Behind and slightly left of him the low sun sits just above the horizon, so the light comes from behind and low: it burns the sky in layered bands from deep orange at the horizon through amber to a cooler rose higher up, rims the horns, the pauldron edges, the braid rings and the axe head with hot gold, and throws a long hard shadow of him and the axe forward and to the right across dry grass and dust. His face itself falls almost entirely into warm shadow, lifted only by the bounce of light off his own iron scales and the amber of the ground, which keeps the grin readable without flattening him. The environment is minimal and generous: bare hillside grass tufted and dry, small stones, a scatter of dust hanging in the air where his turn stirred it and glowing as it crosses the backlight, and no other figure anywhere in the frame. Palette restricted to rust, iron grey-black, deep red and the sunset's orange-amber sky, with nothing cool admitted except the shadowed steel. Rendered with crisp hard-edged cel shading, clean linework and flat saturated colour blocks that break into airbrush-soft glowing gradients only where the backlight rims his silhouette. Warm, defiant, celebratory.
PhantomMoth
Utenti consigliati
Potrebbe piacerti
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
5
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
4
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
1
...
Tofu
...
Tofu
2
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Commenti