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すまれた街
いやー、やっぱりここまで来たらやンないと（使命感）。なお人選はほぼランダムで、ＮＡＳＵかリリスの可能性もあった。
Mostra parametri
- Immissione richiesta originale
- ,yojohan, indoors, window, blinds,tatami, bookshelf, curtains, (((Round low table))), television, (Metron Alien and Negative Prompt are sitting in front of a round low table, chatting), braak (((1 alien metron,Yellow round eyes, red head, blue arms, sitting upright, alien without robotic joints.))), break ,,(((<lora:NPK(ネガティブプロンプト君LoRA):1.0>, solo, box-shaped robot, white metal body, square head, flat face, yellow glowing eyes, triangle mouth, droopy sheep ears with metal tags on both sides, compact robot, small robot, box-shaped torso, steel joints, vintage toy style, no antenna, no horns, no top decorations, no headgear,))). (((Background, dusk))), orange light, dim light, yellow light, sunset seen through the window,
- Dimensione
- 1256 x 760
- Passaggi di campionamento
- 12
- Metodo di campionamento
- Euler a
- Scala CFG
- 2.5
- Negativo
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Modello e LoRA utilizzati
Immagini simili
Mostra di più
m6
Professional interior architectural photograph, wide-angle, a comfortable surveillance den in a modern Japanese home, 4.0 x 3.8 meters. A dominating wall of surveillance monitors showing security camera feeds of the front entry and hallway, dark technical room made cozy: a plush leather recliner angled toward the screens instead of a desk chair, and a chaise lounge couch with one extended end for stretching your legs out, soft throw blanket draped over the chaise, warm ambient floor lamp light mixing with the cold blue monitor glow, small side table with a coffee mug, cables neatly routed, blackout curtains. Moody but inviting low-key lighting, ultra detailed, realistic, best quality, cinematic photography, no people.
mehod61208
h
character: nohara_hiroshi, mother_of_ultra
two figures, nohara_hiroshi, mother_of_ultra, chabudai, low wooden japanese dining table, seated on tatami, seiza, zabuton cushion, from above, high angle, looking at another, teacup, teapot, tatami room, shoji screen, warm afternoon light, grey hair, twintails, medium hair, grey skin, yellow eyes, eyelashes, colored skin, multicolored skin, red and silver body markings, black hair, short hair, buzz cut, black eyes, red shirt, blue shirt, yellow shorts, brown shorts, straw hat resting on the tatami, light smile, half-closed eyes,
Seen from above and slightly to the right, the camera looks down into a small tatami room where two figures sit facing each other across a low chabudai only twenty-odd centimetres off the mat. On the far side of the table sits the grey-skinned, multicolored figure of the Mother of Ultra: her medium-length grey hair is gathered into twintails that fall behind her shoulders, her yellow eyes with their long lashes are half-lidded and warm, and the red and silver markings on her skin catch the window light along one cheek and shoulder. She is in seiza, weight settled back on her heels, spine straight, knees together on the tatami; her right hand rests palm-down on the chabudai's wooden edge, her left lifts a small teapot and tilts it over a cup, a thin ribbon of steam rising and bending toward the room's warm air. Opposite her, on a zabuton, Nohara Hiroshi sits cross-legged — a short, black-haired man with a buzz cut, black eyes, wearing a red shirt and yellow shorts. His straw hat lies on the tatami beside his cushion, brim up. He leans forward from the hips, forearms braced on the table edge, both hands wrapped round a teacup, gaze fixed on the teapot's spout rather than the woman serving him, mouth a small, slightly tired closed-lip smile; one shoulder rides a little lower than the other with the lean. The chabudai's top holds the teapot, two cups, and a shallow dish, all in the table's centre so the wood grain shows bare at the edges. Behind them, shoji screens glow with diffuse afternoon sun, the light passing through the paper to soften every shadow; the tatami's weave reads in fine parallel lines and the darker seams between mats run diagonally out of frame. The grain of the table, the ribbing of the tatami, and the matte cloth of Hiroshi's shirt hold the texture budget, while the woman's skin and hair keep a smoother, glossier finish. Steam from the freshly poured cup drifts upward and thins as it rises into the brighter air; the cup's near side is in shadow and its far rim is bright. The palette is kept to warm straw-yellow, pale wooden brown, and the soft grey-white of the screens, with the woman's red and silver the one saturated accent, and the man's red shirt a quieter echo of it. Quiet, domestic warmth.
hanagedetemasuyo
h
character: nohara_hiroshi, mother_of_ultra
two figures, nohara_hiroshi, mother_of_ultra, chabudai, low wooden japanese dining table, seated on tatami, seiza, zabuton cushion, from above, high angle, looking at another, teacup, teapot, tatami room, shoji screen, warm afternoon light, grey hair, twintails, medium hair, grey skin, yellow eyes, eyelashes, colored skin, multicolored skin, red and silver body markings, black hair, short hair, buzz cut, black eyes, red shirt, blue shirt, yellow shorts, brown shorts, straw hat resting on the tatami, light smile, half-closed eyes,
Seen from above and slightly to the right, the camera looks down into a small tatami room where two figures sit facing each other across a low chabudai only twenty-odd centimetres off the mat. On the far side of the table sits the grey-skinned, multicolored figure of the Mother of Ultra: her medium-length grey hair is gathered into twintails that fall behind her shoulders, her yellow eyes with their long lashes are half-lidded and warm, and the red and silver markings on her skin catch the window light along one cheek and shoulder. She is in seiza, weight settled back on her heels, spine straight, knees together on the tatami; her right hand rests palm-down on the chabudai's wooden edge, her left lifts a small teapot and tilts it over a cup, a thin ribbon of steam rising and bending toward the room's warm air. Opposite her, on a zabuton, Nohara Hiroshi sits cross-legged — a short, black-haired man with a buzz cut, black eyes, wearing a red shirt and yellow shorts. His straw hat lies on the tatami beside his cushion, brim up. He leans forward from the hips, forearms braced on the table edge, both hands wrapped round a teacup, gaze fixed on the teapot's spout rather than the woman serving him, mouth a small, slightly tired closed-lip smile; one shoulder rides a little lower than the other with the lean. The chabudai's top holds the teapot, two cups, and a shallow dish, all in the table's centre so the wood grain shows bare at the edges. Behind them, shoji screens glow with diffuse afternoon sun, the light passing through the paper to soften every shadow; the tatami's weave reads in fine parallel lines and the darker seams between mats run diagonally out of frame. The grain of the table, the ribbing of the tatami, and the matte cloth of Hiroshi's shirt hold the texture budget, while the woman's skin and hair keep a smoother, glossier finish. Steam from the freshly poured cup drifts upward and thins as it rises into the brighter air; the cup's near side is in shadow and its far rim is bright. The palette is kept to warm straw-yellow, pale wooden brown, and the soft grey-white of the screens, with the woman's red and silver the one saturated accent, and the man's red shirt a quieter echo of it. Quiet, domestic warmth.
hanagedetemasuyo
h
character: nohara_hiroshi, mother_of_ultra
two figures, nohara_hiroshi, mother_of_ultra, chabudai, low wooden japanese dining table, seated on tatami, seiza, zabuton cushion, from above, high angle, looking at another, teacup, teapot, tatami room, shoji screen, warm afternoon light, grey hair, twintails, medium hair, grey skin, yellow eyes, eyelashes, colored skin, multicolored skin, red and silver body markings, black hair, short hair, buzz cut, black eyes, red shirt, blue shirt, yellow shorts, brown shorts, straw hat resting on the tatami, light smile, half-closed eyes,
Seen from above and slightly to the right, the camera looks down into a small tatami room where two figures sit facing each other across a low chabudai only twenty-odd centimetres off the mat. On the far side of the table sits the grey-skinned, multicolored figure of the Mother of Ultra: her medium-length grey hair is gathered into twintails that fall behind her shoulders, her yellow eyes with their long lashes are half-lidded and warm, and the red and silver markings on her skin catch the window light along one cheek and shoulder. She is in seiza, weight settled back on her heels, spine straight, knees together on the tatami; her right hand rests palm-down on the chabudai's wooden edge, her left lifts a small teapot and tilts it over a cup, a thin ribbon of steam rising and bending toward the room's warm air. Opposite her, on a zabuton, Nohara Hiroshi sits cross-legged — a short, black-haired man with a buzz cut, black eyes, wearing a red shirt and yellow shorts. His straw hat lies on the tatami beside his cushion, brim up. He leans forward from the hips, forearms braced on the table edge, both hands wrapped round a teacup, gaze fixed on the teapot's spout rather than the woman serving him, mouth a small, slightly tired closed-lip smile; one shoulder rides a little lower than the other with the lean. The chabudai's top holds the teapot, two cups, and a shallow dish, all in the table's centre so the wood grain shows bare at the edges. Behind them, shoji screens glow with diffuse afternoon sun, the light passing through the paper to soften every shadow; the tatami's weave reads in fine parallel lines and the darker seams between mats run diagonally out of frame. The grain of the table, the ribbing of the tatami, and the matte cloth of Hiroshi's shirt hold the texture budget, while the woman's skin and hair keep a smoother, glossier finish. Steam from the freshly poured cup drifts upward and thins as it rises into the brighter air; the cup's near side is in shadow and its far rim is bright. The palette is kept to warm straw-yellow, pale wooden brown, and the soft grey-white of the screens, with the woman's red and silver the one saturated accent, and the man's red shirt a quieter echo of it. Quiet, domestic warmth.
hanagedetemasuyo
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𝄞 ⧽ lingyang ◞ 🌾゛
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🦋𑣲𝄞⋆
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3
A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster.
,beautiful light,best shadow,color blink,s[im,long bangs,long eyelashes,ethereal light,painterly,high quality,masterpiece,
anipix
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frieren 💐
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High-angle full shot, camera positioned slightly above from side of the subject and looking down at — the frame is filled with the dark water, flowers, and ripples below, giving a top-down, floating perspective. wariza,
A girl with very long straight black hair and closed eyes stands in dark, rippling water, wearing a flowing white and green kimono with a floral pattern and a dark obi. Her long sleeves and skirt spread out across the surface of the water like fabric floating. Green butterflies and small white birds flutter around her, surrounded by dense blue and green flowers and lily pads, with soft light sparkling on the water.
Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
,best quality,vivid colors,cel shading,lineart,anime style,best quality,crisp lineart,dreamy anime aesthetic,glow particles,pastel colors,artist: baozaohuang on x,digital art,medium lineart,
anipix
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桂
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桂
ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
, painterly anime illustration, thin lineart, airy dreamy atmosphere, best quality, s[im, long bangs, long eyelashes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
anipix
PLAY WITH ME?
リオ
character: qiao_ling, copyright: shiguang_dailiren
anime illustration, *medium shot, front angle at eye-level, centered chest to knees, framed inside a dutch angle tilted polaroid / social media post UI*, anime girl Jo from Link Click / Shiguang Dailiren with short black hair in high side ponytail with white maid headband lace, bangs, brown eyes, smiling with blush, wearing white high-neck ruffled short sleeve sweater with detached long knit arm warmers, light blue denim apron overalls with "Jo" embroidered, beaded colorful necklace with pink bunny pendant, colorful star hair clips, holding white piping bag decorating a white cream cake with dollops, on kitchen counter
foreground on counter: left small brown fluffy dog with blue bandana sticking tongue, right small white fluffy cat with blue eyes holding strawberry putting on cake
art style soft painterly modern anime, warm pastel color palette cream, light blue, pink, yellow, cozy kitchen background with teal cabinets, wooden shelves, sunlight
graphic overlay design as Instagram-style post: white Polaroid border with hand-written brown text "Yummy" left, "Welcome" bottom right with star doodles, circular avatar with "@Jo" and "+ FOLLOW" button, top right black Chinese text 「时光代理人 LINK CLICK」, small inset Polaroid photo bottom right of same girl winking eating with text "Day and Night", bottom like icons heart comment share bookmark, "20,451 views" and hashtag text 「# 乔苓的烘焙日记 # 叮咚！时光甜品铺持续接单中...」, decorative pink and blue and yellow blobs and stars around border, Luminous, pastel, high-key, vibrant, iridescent, gradient, glowing, soft-shaded, sun-drenched, saturated, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, Artist: Lunar_815, masterpiece, best quality, ultra detailed, soft eyes, gentle expression, smooth shading, soft lighting
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Abby, Rover & Verina • Flower Girl
Lord Potato
·.🖤🪞🐑
(mai)
✦ · 🌹 ☕ 𓆩 ✧
(mai)
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