AI art "戀鐘45°" featuring #The Idolmaster, #Tsukioka Kogane and #The Idolmaster Shiny Colors
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戀鐘45°

#The Idolmaster#Tsukioka Kogane#The Idolmaster Shiny Colors
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tsukioka_kogane, a young woman with long brown hair tied in a ponytail with a bow and swept bangs, stands awkwardly close to another passenger in a crowded train. She wears a school uniform with a collared shirt and ribbon, her brown eyes glancing sideways with an embarrassed expression. The other passenger (p様) is pressed against her, their shoulders touching, with detailed clothing folds visible from the 45-degree overhead perspective. The train interior shows metal handrails, other commuters in the background, and warm artificial lighting casting subtle shadows. Kogane's fingers grip the overhead rail, showing carefully painted fingernails, while her slightly flushed face and dot nose convey her discomfort in the intimate space. The composition emphasizes the cramped urban commute atmosphere through tight framing and body language.
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擠擁的電車上Tsukioka Kogane尷尬的和p樣迫和一起身,p樣細節,45度俯視視角
Tag qualità
high quality, year_2025, year_2024, ﹝Prompt﹞
Dimensione
896 x 1152
Passaggi di campionamento
25
Metodo di campionamento
Euler
Scala CFG
4.5
Negativo
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

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td
sparkle_(honkai:_star_rail), standing rigidly on a crowded morning bus, grips the overhead handle with white-knuckled tension. Her grey suit jacket remains perfectly buttoned over a crisp white shirt with a teal bowtie, while her pleated grey school skirt falls neatly to mid-thigh, its fabric straining slightly against her trembling form. Black stockings cling smoothly to her legs, meeting polished flat shoes without a wrinkle. Her long black hair sways slightly with the bus's movement, the strands catching the dim yellow interior lighting as it frames her pale, frightened face behind perfectly positioned black-framed glasses. A faceless male figure in a grey dress shirt presses close behind her, his dark short hair just visible over her shoulder. His sleeves remain neatly folded at the elbows as his torso makes full contact with her back, causing her shoulders to hitch slightly in discomfort. The surrounding passengers remain oblivious, heads bowed over phones or gazing blankly out fogged windows. The composition emphasizes the contrast between her meticulously maintained uniform and the anonymous man's intrusion, with 70% focus on her stiff posture and the strained fabric of her clothing, while the remaining 30% shows his shadowy proximity. Cool grey tones dominate, broken only by the sickly yellow glow of bus lights reflecting off synthetic seat covers and metal poles.
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