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AI art "可愛的初音未來,全身被束縛!"
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可愛的初音未來,全身被束縛!

這是我創作的初音未來插畫,感覺她有點無助呢,但我還是覺得她非常迷人!每次看到初音時,總會有一種特別的感覺。如果你也喜歡這幅畫,請給我一個讚,並追蹤我,未來我會帶來更多精彩的作品!期待你們的評論喔!

#Hatsune Miku#Capelli lunghissimi#Vocaloid#capelli turchesi#Supino#Benda sugli occhi#nel contenitore#lattice
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Commenti

bound, struggling, Squirming, Duct Tape, Asylum, mummification (bound), tape gag, silver Duct Tape, Duct Tape Over Eyes,silver tape,miku hatsune,arms crossed ,full body shot
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Modello e LoRA utilizzati

Immagini simili

Mostra di più
AI artwork
余
character: hatsune_miku 1girl, solo, hatsune_miku, twintails, very_long_aqua_hair, aqua_eyes, hair_between_eyes, eight_heads_tall, tall_female, black_sleep_sack, full_body_bag, body_bag, encased_in_fabric, neck_to_toes_covered, leather_straps, strap_around_neck, chest_strap, waist_strap, thigh_straps, ankle_straps, buckled_straps, duct_tape_over_mouth, tape_gag, mouth_sealed, silver_tape, lying, on_floor, on_side, curled_up, knees_drawn_up, bound, immobilized, warehouse, indoor, sunlight, sunbeam, dusty_air, wooden_floor, wooden_crates, high_window, looking_at_viewer, half-closed_eyes, furrowed_brow, distressed, sweat, bound_arms, arms_trapped_inside, from_above, full_body, wide_shot, dutch_angle, dramatic_lighting, chiaroscuro Shot from above on a slight dutch angle, the whole length of the figure fits in frame: one girl lies on her side on a rough plank warehouse floor, eight heads tall even folded, her whole body from the collarbones down swallowed by a matte black sleep sack that tapers to a closed rounded foot, only her head and the narrow collar of bare neck emerging. Her knees are drawn up inside the sack, hips rolled a little toward the camera, shoulder carrying her weight against the boards, and the fabric pulls taut over the curve of her hip and pools in heavy creases at the small of her back. Five wide dark-brown leather straps cinch the sack and bite in, each with a dull brass buckle turned to the side: one high at the throat, one across the chest, one over the abdomen, one around the thighs, one at the ankles — the sack bulges between the straps, and the ankle strap gathers the loose empty end of the fabric past her feet. Both arms are sealed inside the sack along her body, only a faint ridge where a hand presses against the cloth from within. A strip of silver duct tape is pressed flat across her mouth, its edges wrinkled and lifting slightly at one corner, the skin around it faintly compressed. Her long aqua twintails spill loose across the floorboards behind her head, strands catching in the gaps between planks, one tail trailing out of frame. Her aqua eyes are wide and turned up toward the viewer, brows drawn, a fine sheen of sweat on her temples, breath held behind the tape. Light: a shaft of hard afternoon sun slices through a high dirty window at the upper left, laying a bright parallelogram across the floor that cuts across her cheek, the throat strap and one hip; dust motes drift visibly inside the beam. Everything outside the shaft sits in deep brown shadow, and the sack's black fabric shows a soft grey sheen only where the light grazes it. Palette: black, worn brown wood, dull brass, pale silver tape and the cold aqua of her hair and eyes, nothing else. Background: stacked wooden crates and a rusted steel doorframe receding into darkness, faint illegible stencilled marks on the crates. Confined, tense.
余命一万一日
AI artwork
余
character: hatsune_miku 1girl, hatsune_miku, solo, aqua hair, very long hair, twintails, hair ornament, hair between eyes, aqua eyes, eight heads tall, tall female, long legs, full body, lying on floor, on side, curled up, encased in sleep sack, sleep sack covering neck to feet, feet fully enclosed, arms sealed inside the sack, leather belts, multiple belts cinched tight, belt straps biting into fabric, duct tape gag, tape over mouth, sealed lips, warehouse, wooden floorboards, dust motes in air, sunlight streaming in, sunbeam, window light, high windows, from above, dutch angle, looking up at viewer, wide-eyed, jitome, furrowed brow, tense, bound, immobile, restrained, shadow, rim light, single subject, dutch angle composition, dusty air, dramatic lighting, cinematic lighting, depth of field The camera looks steeply down from above at a dutch angle, tilted so the floorboards run diagonally across the frame. In the middle of the warehouse floor lies a single girl, tipped over onto her right side, her whole body from the neck down sealed inside a heavy canvas sleep sack that tapers to a closed foot and swallows the shape of her legs and her feet entirely; the arms are trapped inside, the fabric stretched taut over her forearms where they press against the inside wall of the sack, one long diagonal crease running from her shoulder down toward her knees where the weight of her body pulls the cloth. Her aqua twintails are very long, splayed out loose across the dusty boards above her head, one tail tangled under the back of her skull, the other fanned out flat; a small hair ornament sits in the hair near her crown. Across her mouth, a strip of gray duct tape is pressed down hard, its edges lifting slightly at one corner and wrinkling where her lips push at it from underneath, the silvery surface catching the light. Three wide leather belts are cinched around the sleep sack and drawn tight: one high across her upper arms, biting a deep furrow into the canvas so it bunches in soft folds on either side of the strap; one at her waist, buckling the fabric in hard; and one lower around her thighs, pulling the sack taut so the cloth dimples in around each strap. The belts' buckles sit on her upper side, plain and square, the leather worn and matte. She is on her side with her knees drawn up and her shoulder dug into the floor; her hip and her shoulder are the two points of contact carrying her weight, and the floorboards beneath the sack compress the dust into a faint clean smudge where the cloth has been dragged. Her head is tilted back and up, chin tipped toward the lens, and her aqua eyes are wide, looking up at the viewer with her brows pulled together and a hard line between them. Twintails and the loose flap of canvas slack at her hip have settled the way gravity puts them, not the way a pose would arrange them. The light is the only light source: a broad shaft of afternoon sun cutting in through a high side window, striking the floor in an angle of warm gold and lighting the upper side of her face, the tape, and the top edge of the belts. Where the shadow of the window frame falls across the boards, the darkness is deep and absolute; the far ends of the warehouse fade to black, crates and shelving dissolving into gloom, and her body casts a long hard shadow onto the floor beneath and behind her. Dust hangs and turns slowly in the beam where it crosses the air. Palette is warm gold sunlight against cold gray-blue shadow, aqua hair the only saturated color in the frame, leather the one dark brown. The canvas of the sack carries the largest portion of detail: weave texture, the bunched folds at each belt, the pale streak where it was dragged across the boards. Restrained, tense, quietly desperate.
余命一万一日

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