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masterpiece, perfect face, best quality, amazing quality, comic, speech bubbles, male, 1monster, 1female, fighting monster, constricted pupils, solo, barefoot, soles, wrinkled soles, five toes, curled toes, outdoors, anime style, daylight, sole focus, dirty feet, hanging in air, flying, overwhelmed, exhausted, screaming in pain, thrown away, defeated, screaming, frontal face punch, visible monster, ranma saotome\(ranma ½\), 1monster, solo, male focus, toned body, face punch, sword on waist, waist grab, holding arms, legs split, spread legs, hanging upside down, big monster hands, hands grab, feet grab, spread toes, tossed around, crashing, thrown away, falling down, ranma-chan, retro artstyle, 1990s \(style\), braid, red hair, single braid, braided ponytail, red eyes, medium breasts, anime screencap
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Immissione richiesta originale
masterpiece,perfect face, best quality, amazing quality,comic,speech bupples,male,1monster,1female,fighting monster,constricted pupils,solo,barefoot,soles,wrinkled soles,soles,five toes,curled toes,outdoors,anime style,daylight,sole focus,dirty feet,hanging in air,flying, overwhelmed, exhausted,screaming in pain,thrown away,defeated,screaming, frontal face punch,visible monster,ranma,1monster, solo, male focus, toned body,face punch,sword on waist,waist grab,holding_arms,legs split,spread legs, hanging upside down,big monster hands,hands grab,feet grab,spread toes,tossed around,crashing,thrown away, falling down,ranma-chan, retro artstyle, 1990s \(style\),ranma saotome, braid, red hair, single braid, braided ponytail, red eyes, medium breasts, anime screencap,
Dimensione
768 x 1280
Passaggi di campionamento
23
Metodo di campionamento
Euler a
Scala CFG
4.5
Negativo
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose

Modello e LoRA utilizzati

coco-Illustrious-NoobXL-Style - AI Model cover image

SDXL

coco-Illustrious-NoobXL-Style
18.42k
[PonyXL] Face Punch - AI Model cover image

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[PonyXL] Face Punch
58
Ranma "Ran-chan, Ranko, Osage no onna (Pigtailed Girl)" Saotome (早乙女 乱馬) - Ranma 1/2 (Ranma ½) (らんま1/2) - AI Model cover image

LoRA utente

Ranma "Ran-chan, Ranko, Osage no onna (Pigtailed Girl)" Saotome (早乙女 乱馬) - Ranma 1/2 (Ranma ½) (らんま1/2)
215
Monster - AI Model cover image

LoRA utente

Monster
40
Electro torture - AI Model cover image

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Electro torture
154
Ranma-chan (Ranma 1/2) [Classic - 1989] - AI Model cover image

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Ranma-chan (Ranma 1/2) [Classic - 1989]
65

Immagini simili

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AI artwork
村
Late Super Famicom era high-detail 16-bit (pixel art:1.5) illustration, fully pixelated, presented as a clean artwork frame with nothing drawn along the top and bottom edges. Wide landscape side-view dynamic action scene. In the center of a decayed traditional Japanese village at dusk, a fierce battle unfolds. On the right, the massive red oni demon—bald with a shiny scalp, huge head, and short stubby legs—is leaning forward aggressively, its abnormally long arms stretching across the dirt path, clawed hands sweeping low, trying to grab the feet of the opponent. On the left, the female shrine maiden has leaped high into the air, her body arched in a graceful mid-air jump to evade the oni's long reaching arms. bending knees, dodged oni’s arm. She is suspended in mid-air, long black hair flowing wildly, huge bust, wearing her white kosode and red mini hakama skirt. She is after throow a paper talisman ofuda fot the oni, a faint spiritual glow emanating from the spell. Background: ruined wooden houses, broken roofs, leaning torii gate, dead trees, misty dusk sky, muted earthy tones. Pure illustration, bare screen margins, no health bars, no timer, no interface elements.,late_super_famicom_high_detail_16bit_pixel_art_with_handcrafted_sprites_visible_pixels_and_complete_pixelated_backgrounds.,harukav2 style
村上佑
#Seno#miko#Oni

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#L'attacco dei giganti#Mikasa Ackerman
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