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AI art "sukuna mumified" featuring #Jujutsu Kaisen and #Ryomen Sukuna
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sukuna mumified

Arte IA «sukuna mumified» di Nekogag su PixAI. Tag: Jujutsu Kaisen. Creato con CorpusDeus Illustrious (Yaoi).

#Jujutsu Kaisen#Ryomen Sukuna
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Commenti

Bara,Ryomen Sukuna, jujutsu Kaisen,pink hair, spiked hair,undercut,red eyes, muscle,mummification \(bound color red\),tape gag,green ribbons,christmas background,
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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character: ryoumen_sukuna_(jujutsu_kaisen) 1boy, solo, ryoumen_sukuna, short hair, pink hair, undercut, red eyes, extra eyes, japanese clothes, white kimono, black scarf, jewelry, nail polish, black nails, topless male, from below, cowboy shot, dutch angle, looking at viewer, crossed arms, head tilt, smug, half-closed eyes, raised eyebrow, open mouth, :d, sharp teeth, dark tattooed lines across face and torso, four arms, two extra eyes on the cheeks, wind, night, low light, dramatic shadow, red and black palette, high contrast, shot from below on a slight dutch tilt at cowboy framing, the man fills the frame from the hips up, chin dropped so his red eyes look straight down into the lens and the extra pair of eyes set in his cheeks angle toward the viewer as well, a lopsided smirk splitting his mouth open to show the tips of his sharp teeth. He stands against a night sky with a low wall behind him, but the framing keeps him dominant: his shoulders high in the frame, the two upper arms folded tight across his bare chest so the forearm muscles flatten against the pectorals, the lower arms loose with one black-nailed hand hooked into the knot of the black scarf at his throat and the other hanging with knuckles just brushing his hip. His white kimono is worn open and slid down off both shoulders, the wide sleeves pushed back to the elbows, the black scarf wrapped close under his jaw and trailing a loose end that the wind lifts and snaps to one side; pink hair pushed back from his brow, short and straight, the undercut shaved close above one ear. Tattoo lines curve from his cheekbones down his neck and across the ribs, following the shape of the muscle. Light comes from a single cold source low and behind him, rimming his shoulders, his jaw and the edges of the scarf in pale blue while his face and chest sit in warm red-tinted shadow from a distant sign glow off-frame to the left; the cast shadow stretches up the wall behind him rather than down, and the loose end of the scarf flutters toward the light. The palette is held to white, black and red: white cloth, black scarf and nail lacquer, red eyes and the red bloom on his skin, with only the cold blue rim as a single admitted tone. Dust and paper scraps lift off the ground around his feet, caught in the backlight so the wind becomes visible. Smug, dangerous.
Adaline

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