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AI art "1534" featuring #Rouge the Bat
Genera gratis

1534

#Rouge the Bat
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Commenti

1girl, Bottom Heavy, huge breasts, huge ass, bubble butt, ultrabody, women's Gucci gold shirt, gold Gucci designer pants, fully clothed, Gucci clothes, Gucci brand, covered, model, modeling in the mall, shopping mall, busy mall full of shoppers, Vibrant Colors, Cel-Shaded, Rouge the Bat (Sonic the Hedgehog series), masterpiece, ultra detailed, looking at viewer, seductive pose, high fashion
Mostra parametri
Immissione richiesta originale
,Bottom Heavy,huge breasts, huge ass, bubble butt,ultrabody, huge breasts, huge ass, bubble butt, , women's Gucci gold shirt, gold Gucci designer pants, fully clothed, Gucci clothes, Gucci brand, covered, model, modeling in the mall, shopping mall, busy mall full of shoppers,sTiw3danilt, Vibrant Colors, Cel-Shaded,Rouge The Bat Form Sonic The Hedgehog (series)
Dimensione
512 x 768
Passaggi di campionamento
25
Metodo di campionamento
Euler a
Scala CFG
4
Negativo
lowres, bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, watermark, bad eyes, bright pupils, white pupils, bad hands, bad face,

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Avatar image of nakano yuko
character: rouge_the_bat, copyright: sonic_(series) 1girl, solo, rouge_the_bat, chrome body, fully metallic skin, polished silver chrome, mirror-like reflective surface, iridescent highlights, rainbow reflections, large pointed bat ears, large bat wings spread, wings spread behind back, blue eyes, pink eyeshadow, slight smile, large breasts, heart-shaped chest covering, heart bra, tight highleg leotard, wrist cuffs, long legs, high-heeled shoes, heart details on shoe toes, squatting, hands on hips, looking at viewer, night hotel room, purple lighting, soft diffused lighting, subtle rim light, photorealistic, 3d render, sharp focus, cinematic quality, octane render style, full body, from front, eye-level, wide shot A full-body front view at eye level, framed wide enough to hold the spread wings and the whole squat; the figure is the only subject in the frame. She squats low on the hotel carpet, weight sunk back into both heels, knees splayed wide apart, hips dropped close to her ankles so her thighs and calves fold under the high-cut line of the leotard; both hands rest flat against the crests of her hip bones, fingers curled over the bone with the thumbs forward and the wrists bent in toward the body so each cuff sits stacked against the heel of her hand. Her torso tips slightly forward, chin lifted, and her eyes look straight out at the viewer under a calm slight smile -- lips sealed, corners eased up, one brow a hair above the other. The long legs stay in view down to the high-heeled shoes planted on the floor, each toe capped by a raised heart that catches a bright pinpoint of light. Her whole surface is chrome: a continuous polished silver skin, seamless and hard-edged, over the ears, the muzzle, the shoulders and the legs alike. Every form reads only as reflection -- the broad curve of the chest under the heart-shaped covering throws back a stretched, bent image of the room, the tight highleg leotard pulls taut and mirrors the floor, the wrist cuffs ring the arms as bright bands, and the great bat wings sweeping out to either side behind her back act as two wide concave mirrors, their membrane surfaces blooming with iridescent rainbows that slide toward violet at the membranes' far edges. Rim light runs a thin cold silver line along the top of each ear and along the top edge of the wings, separating her from the dark behind. The room behind her is a night hotel interior kept low and out of focus: a dresser edge and a shaded lamp on the left, heavy curtains on the right, a bed corner receding into shadow, all of it underexposed so the only strong colour is purple -- a violet wash from an unseen source off to the right, bloomed across the ceiling and mixed into her chrome as a lavender gradient that turns her silver toward magenta where the rainbow reflections cross it. The lamp glow is soft and diffused, with no hard cast shadow, and where her low squat presses into the carpet the pile is flattened in two small depressions under her heels. The chrome picks up every coloured highlight a fraction sharper than its source and holds the dark of the room in the hollows of the ears, under the jawline and between the folded muscles of her legs. Cool, glossy, quietly glamorous.
nakano yuko

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