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The king Lancelot

Avatar image of The king Lancelot

The king Lancelot

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1girl, chibi, solo, holding glass of water, white shirt, grey shorts, simple background, front view, empty eyes, blonde hair, hairband, looking at viewer, short sleeves, medium hair, bangs, masterpiece, best quality, absurdres, very aesthetic
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Immissione richiesta originale
a chibi anime girl holding a Gigantic glass of water,1girl, solo, shirt, White shirt, grey shorts, simple background, front view, from front, holding, holding glass of water, empty_eyes, chibi, blonde_hair, hairband, looking_at_viewer, short_sleeves, medium_hair, bangs, masterpiece, best quality, absurdres, very aesthetic
Dimensione
1024 x 1024
Passaggi di campionamento
25
Metodo di campionamento
Euler a
Scala CFG
6
Negativo
NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
Correzione del viso

Modello e LoRA utilizzati

Hoshino - AI Model cover image

PixAI XL

Hoshino
15.66k
ymir queen - AI Model cover image

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ymir queen
3

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Avatar image of ちょな子
character: moegi_emo emo_cute_chibi_style_mung_dit3, thich lines, chibi only, high-quality Japanese anime/manga style character illustration 1. Basic Art Style and Drawing Quality High-quality Japanese anime/manga style character illustration. Delicate and stable line art, meticulous detailing, soft shading, translucent skin rendering, natural human anatomy, subdued color scheme. Linework is fine and smooth, without unnecessarily thick contour lines. Hair is drawn strand by strand in detailed clumps, and facial features are depicted clearly and delicately. Skin is fair with a natural complexion. Combining faint pink gradients with soft shading to create a smooth, matte texture. Overall using pale colors and delicate depiction, avoiding excessive chibi deformation or flashy effects. Expressing the character's plainness, clumsiness, awkwardness, and nervousness through eye shape, small pupils, eyebrow angle, and a subtle twitch at the mouth. 2. Basic Character Appearance A Japanese anime-style girl featuring black bob-cut hair. Petite and slender build. Narrow shoulders, slim torso, slender arms and legs. Overall a clean, delicate silhouette. The head is slightly large relative to the body, but avoiding extreme head-to-body proportion deformation. Facial features are plain and reserved. Not emphasizing bishoujo glamour, projecting a somewhat drab, clumsy, and approachable atmosphere. 3. Face Contour Face is a slightly small oval shape. Connecting naturally in a curve from forehead to cheeks and chin, with a soft chin tip that is not overly sharp. Cheeks retain moderate roundness. Face width is not too wide, contour is natural and smooth. Features such as eyes, nose, and mouth are clustered near the center of the face, forming an unpretentious, plain countenance. The chin is not extremely pointed. The contour is not excessively sharp. 4. Hairstyle and Hair Color Hair color is an extremely dark black close to pure black. Subtle highlights containing dark gray or slight brown are added where light hits. Hairstyle is a bob cut ranging in length from chin to near the neck. Forms a naturally rounded silhouette from the back of the head to the sides. Hair has moderate volume, spreading softly along the shape of the head. Hair ends are not completely neat, flipping outwards here and there. Left and right hair clumps are not completely symmetrical, retaining a natural dishevelment. Fine hair strands are meticulously drawn onto the hair surface to express smooth hair flow and soft three-dimensionality. The hair contour has moderately fine irregularities, creating a natural hairstyle that is not overly manicured. 5. Bangs Bangs are thick, heavy blunt straight bangs. Covering the forehead broadly, hanging from near the eyebrows to right above the eyes. The center section of the bangs is relatively heavy, concealing the forehead with dense black hair. The bottom edge of the bangs is not a completely straight line, but has irregular notches from fine hair clumps. A few fine hair clumps naturally separate and hang down slightly over the eyes. The forehead is barely visible through gaps in the bangs, avoiding exposing a large portion of the forehead. Crucially, bangs hang down to just above the eyes. However, the outlines of both eyes and the small pupils must be clearly visible. Do not make the bangs too light. Do not make them thin see-through bangs. Do not change to a hairstyle that reveals much of the forehead. 6. Most Important: Eye Shape and Structure The eyes are the most crucial element defining this character's individuality. Do not make them large, round eyes with wide-open irises and sparkling pupils like typical anime characters. Horizontally elongated, narrow, with small vertical opening, sleepy half-open eyes. Pupils are extremely small, with a large sclera (white of the eye) area. Clearly depicting sanpaku eyes. 6-1. Outer Eye Shape Eye shape is long horizontally and narrow vertically. The gap between upper and lower eyelids is narrow; eyes are not opened wide. Horizontal width of the eyes is maintained to an extent, while vertical height is kept modest. Eye outline is a smooth horizontally long shape, rather than a round almond shape, appearing somewhat flat, as if pressed from top and bottom. Upper eyelid is relatively straight, giving a slightly heavy impression. Forms a natural line slanting slightly downward from the center of the upper eyelid to the outer corner of the eye. Outer corners of the eyes droop slightly, resulting in a subtle tareme (droopy eyes) look overall. Inner corners of the eyes are not overly sharp, remaining natural in shape. Do not open the eyes wide vertically. Do not make surprised round eyes. 6-2. Pupil Size: Highest Priority Iris and pupil are distinctly smaller than those of standard Japanese anime characters. The iris diameter is made extremely small, minimizing the area it occupies relative to the sclera. The dark center of the eye is not a large circle, but rather a small vertically long to near-oval shape. Iris is very dark gray to black. The outer rim contour is also understated. Pupil is placed small within the iris, preventing the entire dark eye center from appearing large. Do not spread the pupil to fill the center of the eye. Do not enlarge the iris to match the eye's vertical height. Leave ample sclera around the pupil. Make the sclera area overwhelmingly broader than the dark center of the eye. Keep the dark center of the eye only large enough to confirm its presence, preventing the pupil itself from dominating the facial impression. Express individuality not through eye size, but through the contrast between the broad sclera and tiny pupils. 6-3. Depiction of Sanpaku Eyes Clearly depict sanpaku eyes. The sclera area is very broad relative to the small pupil, specifically structured so the white of the eye is clearly visible beneath the pupil. Sclera is also moderately visible above, with the white of the eye surrounding the pupil above and below. Gaze direction and small pupil placement make the sclera prominent above, below, left, and right. However, do not create a grotesque appearance with bulging eyeballs. Keep eyeball shape natural, emphasizing sanpaku eyes purely by shrinking the iris. Keep vertical eye height narrow while securing a large sclera. Important: Increase sclera proportion not by enlarging the eyes, but by making the pupils small within narrow eyes. 6-4. Pupil Placement Pupils are positioned near the center of the eyes, but not in a completely mechanical center position. There is a very slight, natural asymmetry in the positioning between left and right pupils. Gaze is fundamentally facing forward, but directed in a way that suggests a bit of confusion and restlessness. Do not push pupils extremely to the sides. Do not make them severely cross-eyed or strabismic. Ensure that adjusting pupil position does not lose the breadth of the sclera. Left and right eyes have subtle differences within a natural range, avoiding mechanical symmetry. 6-5. Eyelids and Eye Contours The upper eyelid line is drawn slightly darker and marginally thicker than the lower eyelid line. Upper eyelid conveys heaviness, giving a sleepy, languid impression. Lower eyelid line is thin and delicate, not overemphasized. Eye contours are in dark colors close to black, rendered smoothly. Eyelashes are understated, not long, dense, or glamorous. Do not excessively extend eyelashes at the outer corners. Do not make eyeliner too thick; no flashy makeup. 6-6. Eye Highlights Highlights in the eyes are kept to an absolute minimum. No large white light reflections, star-shaped highlights, or multiple sparkling dots. No intense gradients in the iris, keeping a subdued tone from dark gray to black. Do not make eyes sparkle like gems. The charm of the eyes is expressed not through pupil sparkle, but through the contrast of wide sclera and tiny pupils, heavy upper eyelids, and narrow eye shape. 6-7. Emotion Conveyed by the Eyes The gaze is sleepy, languid, and looks somewhat awkward. Eyelids appear heavy, giving the impression of someone unaccustomed to opening their eyes wide. Not an assertive glare or sharp scowl, but a nervous, slightly bewildered gaze. There is slight anxiety and hesitation in the look. Expressing emotion through subdued facial changes without opening eyes wide or raising eyebrows high. Expressing a nervous psychological state while maintaining tiny pupils and wide sclera. 7. Eyebrows Eyebrows are a dark color close to the black hair. Partially hidden by bangs, avoiding the entirety being too clearly visible. Eyebrow thickness is thin to standard, with a natural shape. Eyebrow angle has a subtle instability, expressing confusion and tension. Slight tension near the inner ends of the brows, with the entire eyebrows subtly strained. Do not sharply arch or emphasize anger. Combining the heaviness of the eyes with the subtle eyebrow angle to create an awkward expression. 8. Nose Nose is small and modest. Concise anime-style depiction that is not overly conspicuous when viewed from the front. Without emphasizing the nasal bridge, expressed naturally with small lines or pale shading. Nose shading is not too dark, preventing the nose alone from standing out on the face. 9. Mouth Mouth is small, not standing out too much on the face. Mouth is slightly distorted from tension. Mouth is opened just a crack, with upper and lower teeth slightly visible. A stiff, strained mouth as if gritting teeth. Upper and lower teeth are subtly visible as narrow white shapes. Do not draw the
ちょな子

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
13#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#L'attacco dei giganti#Mikasa Ackerman
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