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AI artwork featuring #The Idolmaster, #The Idolmaster Cinderella Girls, #Arisu Tachibana and #The Idolmaster Cinderella Girls U149
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Arisu Tachibana, The Idolmaster

#The Idolmaster#The Idolmaster Cinderella Girls#Arisu Tachibana#The Idolmaster Cinderella Girls U149
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Commenti

matsumoto yuuna, 1girl, solo, orange jumpsuit, prison, prison cell, behind bars, holding prison cell bars,matsumoto yuuna, dark brown hair, long hair, child, brown eyes
Mostra parametri
Dimensione
768 x 1280
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Modello e LoRA utilizzati

Immagini simili

Mostra di piรน
AI artwork
Avatar image of ๆฉซๅฑฑ่‚ฒไบบ
character: takamori_aiko, copyright: idolmaster 1girl, takamori_aiko, brown hair, long hair, ponytail, hair ornament, hair flower, brown eyes, yellow eyes, handcuffs, shackles, leg irons, collar, prisoner uniform, short sleeves, black and white stripes, striped top, panties only, bare legs, barefoot, standing, jail cell, iron bars, from below, full body, looking at viewer, uneasy expression, blush, closed mouth, arms at sides, wrists together in front, chains, metal collar, concrete floor, cold light From a low angle just above the floor, the camera looks up through the foreground bars of a cell at a single standing girl, so the barred door edge crosses the bottom-left of the frame and the vertical bars step back in perspective toward the ceiling, framing her whole body against the far wall. She stands square to the bars but with weight sunk onto her right leg, left knee slightly bent and left hip dropped, shoulders drawn a little inward so the short-sleeved black and white horizontal-striped prisoner top hangs loose over her hips; the sleeve hems stop mid-upper-arm, the stripe bands widen slightly as the fabric curves over her chest. Her lower half is bare โ€” only plain dark-grey panties and bare legs down to bare feet flat on the concrete โ€” and a broad metal band circles her left ankle with a short chain running down to a second band just above it, the chain pooling and kinking on the floor in a shallow slack loop beside her right heel. Her wrists are cuffed in front of her waist, two steel rings linked by a short chain that hangs in a taut inverted V, forearms angled down and inward, fingers loosely curled and touching each other, thumbs resting against the chain. She is collared: a wide riveted steel band sits low around her throat, a ring at its front, a chain dropping from it and lying across her collarbone before disappearing behind the cuff chain, so the two runs of metal nearly meet at the centre of her chest. Her chin dips toward the collar, eyes sliding up to the lens from under her brows, lips pressed closed with the lower one caught slightly, a faint flush high on her cheeks and a shallow gathered brow โ€” not fear, but a small, braced unease. The ponytail is tied high at the back of her head with the flower ornament pinned at its base, and because her head tips down the tail falls forward over her right shoulder, its tip brushing the collar's edge; the long side locks hang free past her jaw. Her gaze is up and toward the viewer, held steady even as the chin stays lowered. The cell is bare concrete: a low plank bunk along the right-hand wall behind her, a bucket on the floor in the far corner, a small barred window high in the back wall. Light comes only from that window, a hard cool shaft angling down from behind her left shoulder, so it catches the tops of the bars, the upper curve of the collar ring, the crown of her head and the leading edges of both thigh fronts, while her face is lit by the softer bounce off the pale far wall and the underside of her jaw and the crooks of her elbows fall into shadow. Behind her the cell recedes into brown-grey gloom; her shadow is thrown forward along the floor toward the camera, and the loose ankle chain casts a broken, link-shaped shadow of its own. Palette is restricted to charcoal, cold steel grey, concrete brown-grey and the white of the stripes, with her warm brown hair and the single small flower as the only saturated notes. The chain's lowest link is held just off the floor, so it reads exactly how much slack she has left. Cold, hushed unease.
ๆฉซๅฑฑ่‚ฒไบบ

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