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1boy, soldier, tied up, immobilized, medical belts, torture table, lying position, old torture machine, dungeon, bruised soles, bruised ribs, long trousers, shirtless, wounds, scars, blindfolded, dirty, strong abs, brown short hair, pain, suffering, torture hits, artist:chrisdyke
Mostra parametri
Immissione richiesta originale
young boy , soldier ,young soldier to increase their mental resistance to pain, young soldier tied up,the whole body is immobilized medical belts to table, for torture in lying positions for hand and leg,on old torture machine ,in old dongon,the soles of the feet and ribs are bruised, long wide trousers, shirtles,many wounds and scars on the body, blindfoled, dirty, young strong abs,  brown short hair ,pain, sufer, soles,  torture hits ribs ,soles and belly,
Dimensione
1024 x 1024
Passaggi di campionamento
28
Metodo di campionamento
Euler a
Scala CFG
5
Negativo
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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1boy, solo, teen boy, barefoot, shorts, tattered blue tank top, brown cape, bandaged ankles, bound, rope bondage, tied up, hands behind back, ankles tied together, panel gag, gagged, sitting, on wooden box, medieval village market, fruit stalls, crates, crowd, adult men, pirate, mercenary, cartoon, from above, blush, half-closed eyes, high-angle view, kenichi shirahama (history's strongest disciple kenichi), looking up, distressed expression, rough wood, exposed arms, pinned arms, heavy rope, gag, marketplace background, villagers, leather armor, midday, sharp shadows, cobblestone, cartoon style, simplified shapes, bold outlines, exaggerated proportions, helpless, captive, rear side view, brown hair, brown eyes, white short-sleeved undershirt, red sleeveless shirt, aqua shorts, blue socks, red sneakers, back view, captured boy, <lora:V1ComicToonMen:0.7>, cel shading, toon (style), thick lineart
VoreLover
AI artwork
ks
solo, 1boy, (((male character boy))), dark brown hair, short hair, blue eyes, blindfolded, white pajamas, white short-sleeved shirt, white pajama shorts, straitjacket, leather straps, gagged, tape gag, tape bondage, bound, tied up, barefoot, lying on stretcher, (((lying on the floor, sleeping))), standing body, dark room, hospital room, sleeping, eyes closed under blindfold, peaceful face, relaxed jaw, slack arms, limp legs, from above, full body, dutch angle, cloth folds, sweat, parted lips, motionless, helpless, quiet dread The camera looks down from above at a steep, slightly tilted angle onto a single boy who lies at the center of a dark hospital room, his body stretched flat and heavy on a low narrow stretcher that has been set down onto the cold tile floor. The stretcher's canvas is pale, scuffed at the edges, and it rests on the floorboards near a wall of unlit tiled wall and one wheeled steel side table that stands back in the darkness. His body is long and straight along the stretcher, shoulders against the padded head of it, head tipped a little to one side, both legs extended down to the far foot end, ankles together. A white straitjacket closes his upper body: its long sleeves wrap around his ribcage, cross over his chest and knot behind his back beneath him, so both arms are trapped inside the white fabric and pinned flat against the stretcher, elbows bent slightly. Under it and below it he wears a white short-sleeved shirt, its pale collar visible at the opening of the jacket, and loose white pajama shorts that ride up a little at the crotch of his thighs. Dark leather straps cut across him rather than hanging loose: one broad strap over his upper chest, one across his waist, one around his thighs, and two narrow ones holding his ankles. Each one pulls the padding down, and the buckles sit at his side with the leather creased where it bites into the white cloth. A strip of grey adhesive tape is pressed across his mouth and wraps back around his jaw, sealing his lips, its corner lifting minutely against his cheek, and over his eyes a dark cloth blindfold is bound over the bridge of his nose, hiding his blue eyes entirely behind it. His short dark brown hair is mussed and flattened into the stretcher's canvas on one side. He is barefoot: both pale soles and toes exposed at the foot of the stretcher, a little cooler in colour than his face. He is asleep, the whole sprawl slack and heavy, jaw slightly loose, mouth parted faintly around the tape, the breath shallow and even, face turned half toward the ceiling and the blindfold smooth over his closed eyes. The room is nearly lightless, one weak cold light seeping in from a doorway off-frame at lower left, laying a thin bluish sheen along his shoulder, the leather straps and the toes of one foot, the rest of his face and body sinking into dim, brown shadow, and no other light source anywhere beyond that weak edge. Everything is rendered in soft digital painting, smooth skin rendering, clean precise line work on straps and tape, and cool muted tones of chalk white, deep grey-blue shadow and dark leather, with the only warmth the slight flush at his throat; quiet, uneasy dread.
Kiritinho Solo
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Avatar image of 橫山育人
character: kamiya_nao, copyright: idolmaster 1girl, solo, brown hair, long hair, blunt bangs, hair bun, red eyes, standing, handcuffs, shackles, leg shackles, collar, black and white striped prison uniform, striped shirt, long sleeves, panties only, no pants, bare legs, barefoot, prison cell, iron bars, stone wall, straw cot, from below, full body, looking down, half-closed eyes, light smile, arms behind back, Low-angle full-body shot from just above the cell floor, the camera tilted up so the iron bars of the cell door rise steeply past the frame edges and converge overhead. A young woman stands at the center of a narrow stone prison cell, hips shifted onto her left leg with her right knee loosely bent, her bare right foot flat on the cold flagstones and her toes slightly splayed. Her hands are cuffed behind her back at the base of her spine, the steel cuff rings snug around both wrists, a short chain hanging slack between them; her shoulders are therefore drawn back and her chest lifted. Around her neck sits a broad collar, its band closed at the front of her throat, resting just above the open collar of the striped shirt. She wears the black and white horizontally striped long-sleeved prison shirt, hanging loose past her hips; below the hem there is nothing but plain panties, and her legs run bare from the top of her thighs down to her ankles, where a pair of leg shackles closes around each ankle with a short chain strung between them, lying in a shallow loop on the floor. Her hair is brown and long, gathered into a bun at the back of her head with blunt bangs lying straight across her forehead; a few loose strands fall beside her cheek, stirred by the draft from the corridor. She looks down at the camera from under half-lowered lids with a faint closed-lip smile, one brow slightly arched, her chin tipped down toward the lens — a cool, unbothered look aimed straight at the viewer. Behind her the cell wall is rough mortared stone, a low straw cot pushed against it with a folded gray blanket, and a high narrow slit window above the bars. A single cold light source comes from the corridor beyond the bars, low and to the left of frame, throwing long hard shadows of the bars diagonally across the flagstones and striping the front of her shirt and bare legs; the cell interior behind her falls into flat gray darkness. Palette restricted to cold slate grays, the black and white of the stripes, and the dull steel of the restraints, with the warm brown of her hair and the red of her eyes as the only saturated notes. Quiet defiance.
橫山育人
AI artwork
Avatar image of 橫山育人
character: tenkubashi_tomoka, copyright: idolmaster 1girl, solo, tenkubashi_tomoka, brown hair, long hair, sidelocks, single hair bun, hair bun, hair bow, hairband, cowlick, brown eyes, handcuffs, wrists cuffed in front, leg shackles, ankle cuffs, chained ankles, collar, metal collar, short sleeves, black-and-white striped shirt, prisoner uniform, striped prison top, bare legs, panties, white underwear, barefoot, standing, standing on one leg, tiptoes, leaning forward, looking at viewer, head tilt, one eye closed, lopsided grin, blush, arms held out slightly, chain taut, prison cell, iron bars, stone wall, straw bedding, high window, from below, wide shot, dutch angle, The camera sits low and tilted: seen from below at a slight dutch angle, a single girl stands inside a stone prison cell, the barred door rising behind her and the ceiling shadowing the top of the frame. She is caught mid-shift on the balls of one bare foot, the other heel lifted and turned inward, her hips canted so the standing leg carries all her weight; her shoulders lean a little forward toward the lens while her cuffed wrists hang low in front of her hips, both hands slack, the short chain between the cuffs dipping under its own weight. A metal collar circles her throat, sitting just above the collarless neckline of a short-sleeved black-and-white horizontally striped prison shirt that hangs to her upper thighs; below its hem she wears only plain white briefs, her legs bare, her feet bare on the cold stone. Slim shackle bands close around both ankles, a short chain strung between them, sagging in a shallow curve that pulls taut where her lifted heel draws it up. Her long brown hair has slipped loose of its single high bun, sidelocks and a stray cowlick hanging against her jaw and one lock stuck to her cheek; the bun tips slightly off-centre on top of her head, the hair bow pinned at its base. Her head tilts toward her raised shoulder, one eye squeezed shut and the other open and angled up under her brow straight at the viewer, a lopsided grin pulling one corner of her mouth, colour high across her cheeks. One high narrow window in the left wall of the cell admits a single cold shaft of daylight that rakes down across the right side of the frame; it strikes the rim of the collar, the top of the shackle bands and the upturned side of her face, throwing long bar-shadows across the stone floor and a second grid of shadow up the back wall, while the corner behind her, the straw pallet and the iron door fall into flat dim shadow. Palette: cold grey-green stone and iron, the hard black-and-white of the stripes, the warm brown of her hair and a single flush of pink on her cheeks and the bow. The dust in the light beam only brightens where the shaft passes. Small, defiant, and a little mischievous.
橫山育人

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